tag:blogger.com,1999:blog-53307989643133029052024-03-12T22:33:08.180-07:00stephenckanemakmurhttp://www.blogger.com/profile/16503348453794990005noreply@blogger.comBlogger649125tag:blogger.com,1999:blog-5330798964313302905.post-30224915832746286302011-12-19T06:02:00.000-08:002011-12-20T05:47:26.619-08:00Happy 31st Birthday, Jake Gyllenhaal!!<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjf7jyV4ZB8sJ-dSQqdwyFViHBmJzssmyHGjuiD5xCMKER63yqdyIMdxyQv84oSNql29hnwdcd9d9u0FJ8bTUSZaJbXNNJVWbj8kIwvkqIYSxmfskTEcuyGfxq0djIuZI9jXg5LEbaV7WA/s1600/dddd.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 254px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjf7jyV4ZB8sJ-dSQqdwyFViHBmJzssmyHGjuiD5xCMKER63yqdyIMdxyQv84oSNql29hnwdcd9d9u0FJ8bTUSZaJbXNNJVWbj8kIwvkqIYSxmfskTEcuyGfxq0djIuZI9jXg5LEbaV7WA/s320/dddd.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5687839312108070706" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhb3Mt7ASBTOVYuH57lUgEGxZ_4YXCbdoOr3QhQivrwk6ne9eDRUHh6NJbw8x8j84da46G9ApHvdfeJ0NT-9lOYUG-wt6-_YVENhYFIr0nOV2ONNcQdNWF4yqV4hxIyAqNjRy7WmxVPhQ/s1600/bbm1.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 172px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhb3Mt7ASBTOVYuH57lUgEGxZ_4YXCbdoOr3QhQivrwk6ne9eDRUHh6NJbw8x8j84da46G9ApHvdfeJ0NT-9lOYUG-wt6-_YVENhYFIr0nOV2ONNcQdNWF4yqV4hxIyAqNjRy7WmxVPhQ/s320/bbm1.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5687839079600725474" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDrbm7UB_GOG5LNWsPYxHRyjZ0sPwEbwWSXkE3Tgj6HywvjVAt_YRqDGdYTa7ifGe8681UgY-hBY26ml9kSJIqNw0SvjCgBGU-ZpNyL0kL-TtAidzcxsmee1Xq0CyPBB5WZ2pUAezdeY0/s1600/cap0178.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 180px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDrbm7UB_GOG5LNWsPYxHRyjZ0sPwEbwWSXkE3Tgj6HywvjVAt_YRqDGdYTa7ifGe8681UgY-hBY26ml9kSJIqNw0SvjCgBGU-ZpNyL0kL-TtAidzcxsmee1Xq0CyPBB5WZ2pUAezdeY0/s320/cap0178.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5687838964600354386" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuHOOjK_qvYVDkKSqCNgvfX4QH3WS4LUlHEwUmy9m7AFW5WF9IJAXGWoinBYpXCGkVqaTvQyEN71O7jLKOFvcUeqHIvy3gH7ERX8DN7F19IYI8W-KhaICl_yldUYLZgN37aec8_M71Fug/s1600/1760.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 193px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuHOOjK_qvYVDkKSqCNgvfX4QH3WS4LUlHEwUmy9m7AFW5WF9IJAXGWoinBYpXCGkVqaTvQyEN71O7jLKOFvcUeqHIvy3gH7ERX8DN7F19IYI8W-KhaICl_yldUYLZgN37aec8_M71Fug/s320/1760.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5687838563743807122" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjedLk9pbEOsSpT0dJnLxPhR1XK96Jwkx4iS7FDj4SzBFD6aZ6XjDhkJH5K3qrhrjWMoCkHpN8g59NUL28PO7wT0ksl6oTIGR8MNHrUmQ2yvVXe2W-T7YgnEIFHTMsJXsImfo1LNMpKXXY/s1600/normal_086.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 198px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjedLk9pbEOsSpT0dJnLxPhR1XK96Jwkx4iS7FDj4SzBFD6aZ6XjDhkJH5K3qrhrjWMoCkHpN8g59NUL28PO7wT0ksl6oTIGR8MNHrUmQ2yvVXe2W-T7YgnEIFHTMsJXsImfo1LNMpKXXY/s320/normal_086.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5687837156871909394" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKsmnNfgWFhgIx69_Jo5Sbj1N9NeZAc5OGKylj02Hl9vJg88k8RU-uzjPqC1UtRTCk1-W5nsh1oecoI5T7P2iKaburA566_izzFuhkePMmy9PMdwOWj_ZQVSaAMsGsiw4JKCZ5mGKA_aE/s1600/Love_and_Other_Drugs_0041.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 193px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKsmnNfgWFhgIx69_Jo5Sbj1N9NeZAc5OGKylj02Hl9vJg88k8RU-uzjPqC1UtRTCk1-W5nsh1oecoI5T7P2iKaburA566_izzFuhkePMmy9PMdwOWj_ZQVSaAMsGsiw4JKCZ5mGKA_aE/s320/Love_and_Other_Drugs_0041.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5687837313352133474" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnmLFtRXvWCOj_zfXBOKne4FpRdCdSytFEGUOCs8orawjVt9WmR4OVJuLg5htNHjQlskFFPHdCzzSbqoZnRfea02WICzTino2jPweGOCN0_YdXnyz0iV7dCwm4QmAmKo4nzgXgw1upJhk/s1600/413775-jake-gyllenhaal-600w.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 245px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnmLFtRXvWCOj_zfXBOKne4FpRdCdSytFEGUOCs8orawjVt9WmR4OVJuLg5htNHjQlskFFPHdCzzSbqoZnRfea02WICzTino2jPweGOCN0_YdXnyz0iV7dCwm4QmAmKo4nzgXgw1upJhk/s320/413775-jake-gyllenhaal-600w.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5687843244591795090" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPsPFQix51GMmdNiEHjhcY_S0liXvNr-vJ3Unnoa3mSyPeu37TZmBVu89oM2s5UUk8ryraVdZ-ael45BzjPj9uuvnq-GjE-9uwqgcfURUM11GMNYb8gEKl9NPseYG_hUv9weuW0tCAhyg/s1600/0036.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 214px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPsPFQix51GMmdNiEHjhcY_S0liXvNr-vJ3Unnoa3mSyPeu37TZmBVu89oM2s5UUk8ryraVdZ-ael45BzjPj9uuvnq-GjE-9uwqgcfURUM11GMNYb8gEKl9NPseYG_hUv9weuW0tCAhyg/s320/0036.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5687837748121026530" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMKfpZO6jcJn1ZLHQzRG4_EaZ0rbllF2Lpr5LuBrFfHPrJbbERdsiOmiOH1_dNWglsxGKwK4oTrQ6NedOOgY_oB-5OdQ74gidafAded5GiNVwvKjtWmRSujP-f2y6SNF_GWQaLycooAjo/s1600/normal_hq0029.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 228px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMKfpZO6jcJn1ZLHQzRG4_EaZ0rbllF2Lpr5LuBrFfHPrJbbERdsiOmiOH1_dNWglsxGKwK4oTrQ6NedOOgY_oB-5OdQ74gidafAded5GiNVwvKjtWmRSujP-f2y6SNF_GWQaLycooAjo/s320/normal_hq0029.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5687838219453513202" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJGgMA9j45Gaf4KiOHtgB3q8lcw-rPBohQTwXxWMZ1H7CTO3iVs1UBO9sjCFlluBSlJ195eQ1xeIsKUPaiRg_mKc5SSMmg_kFz2S9Q98XigYVpWGUDW7c05fJ4EbMB2FaJQ3SrWmUrXFg/s1600/MV5BMTc1MTEwMDkyM15BMl5BanBnXkFtZTcwNDU5MDc1NA%2540%2540._V1._SX640_SY963_.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 213px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJGgMA9j45Gaf4KiOHtgB3q8lcw-rPBohQTwXxWMZ1H7CTO3iVs1UBO9sjCFlluBSlJ195eQ1xeIsKUPaiRg_mKc5SSMmg_kFz2S9Q98XigYVpWGUDW7c05fJ4EbMB2FaJQ3SrWmUrXFg/s320/MV5BMTc1MTEwMDkyM15BMl5BanBnXkFtZTcwNDU5MDc1NA%2540%2540._V1._SX640_SY963_.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5687843440018146258" /></a>Jake Gyllenhaal, here in Weirdland we hope your #31 birthday is filled with joy in company of your most beloved ones and friends!makmurhttp://www.blogger.com/profile/16503348453794990005noreply@blogger.comtag:blogger.com,1999:blog-5330798964313302905.post-40162965119901162702011-12-17T17:24:00.000-08:002011-12-20T05:47:26.619-08:00Jake Gyllenhaal running errands pre-birthday<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhewPmdXqt_EMqcT6hxvudHNGCcuyV9xDSxB_AxxUtlEH8wOekvGuGuK0KH3OYjTIwbPrCUwEzXTFcOb6p0hgS-7DuvrQPUdZTT0Mw3gGBeiWfrTgV7hd9af8pQ3R808tzIsKXa8VxMcS8/s1600/4EJ7z.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 219px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhewPmdXqt_EMqcT6hxvudHNGCcuyV9xDSxB_AxxUtlEH8wOekvGuGuK0KH3OYjTIwbPrCUwEzXTFcOb6p0hgS-7DuvrQPUdZTT0Mw3gGBeiWfrTgV7hd9af8pQ3R808tzIsKXa8VxMcS8/s320/4EJ7z.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5687493078386359874" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6GTFkVgnbh6iyWA49AWUpS_4aXCG6hVXjcQ8MGambzXJwJ1-DBCQ5bHCprkpOqQcq7glhy7rQiIvOCCaGK_Sfy8j_fUwCJxDw3Beh2VGsovQ0GSuWv0axaVJaiFUwWkhQA2c7vuxnpUU/s1600/q10co.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 223px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6GTFkVgnbh6iyWA49AWUpS_4aXCG6hVXjcQ8MGambzXJwJ1-DBCQ5bHCprkpOqQcq7glhy7rQiIvOCCaGK_Sfy8j_fUwCJxDw3Beh2VGsovQ0GSuWv0axaVJaiFUwWkhQA2c7vuxnpUU/s320/q10co.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5687490605192617458" /></a>Actor Jake Gyllenhaal spotted out running some errands in West Hollywood, CA. (December 16, 2011)<br /><br />The ever adorable Jake Gyllenhaal will celebrate his 31st birthday on Monday and continues to be busier than ever. He is currently working on a crime drama film End Of Watch with Amerhca Ferrera and Michael Pena. <br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWeA8RZ1PWDD9Q27VaV-vbRfDC3oT4zEHCRJ_YA4dAv_i6Wya3fRp20ZDt2JOcI2GI_6jabQHINnjKSUVrw54jC_d-bVK1uNWWlfpoUls-LiS8uygRknPGiJQJU9DGkVyIO-5kYyL63ms/s1600/SLm0D.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 222px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWeA8RZ1PWDD9Q27VaV-vbRfDC3oT4zEHCRJ_YA4dAv_i6Wya3fRp20ZDt2JOcI2GI_6jabQHINnjKSUVrw54jC_d-bVK1uNWWlfpoUls-LiS8uygRknPGiJQJU9DGkVyIO-5kYyL63ms/s320/SLm0D.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5687490754287078242" /></a>Gyllenhaal looks great in a casual pair of green khaki cargo pants, a navy blue sweat shirt and a growing beard.makmurhttp://www.blogger.com/profile/16503348453794990005noreply@blogger.comtag:blogger.com,1999:blog-5330798964313302905.post-11480235929156585942011-12-17T17:06:00.000-08:002011-12-20T05:47:26.619-08:00John Garfield (You don't need to be more than yourself) video<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxaCIP4_RdfsRkXF_mPRucokTVedo0bro50izlYJQxP5Gj-cp4Bmz6Hn-jyCHi265okGURKda6NFoS5BDoGiwyw6fIDZa7cPcLyfw5k6AMqs4If2WqvhhwaUU7wsJ-P0rhdfqfOgD-HO0/s1600/wws5.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 241px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxaCIP4_RdfsRkXF_mPRucokTVedo0bro50izlYJQxP5Gj-cp4Bmz6Hn-jyCHi265okGURKda6NFoS5BDoGiwyw6fIDZa7cPcLyfw5k6AMqs4If2WqvhhwaUU7wsJ-P0rhdfqfOgD-HO0/s320/wws5.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5687270466702328466" /></a><br /><iframe src="http://player.vimeo.com/video/33838126?title=0&byline=0&portrait=0&autoplay=1" width="244" height="195" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe><br /><br />John Garfield (You don't need to be more than yourself) video featuring pictures, stills and scenes starring John Garfield: "Four Daughters" with Priscilla Lane, "They Made Me A Criminal" with Gloria Dickson, "Castle On The Hudson" with Ann Sheridan, "The Sea Wolf" with Ida Lupino, "The Postman Always Rings Twice" with Lana Turner, "Body & Soul" with Lilli Palmer, "We Were Strangers" with Jennifer Jones, "Pride of The Marines" with Eleanor Parker, "Humoresque" with Joan Crawford, "The Breaking Point" with Patricia Neal, etc.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbO4-tEwnLiXK_mtnAbBHHNIrfObEkswkOJ9lKPLS6C8bveR3neon64ZB-tDeLl99SyoyZMI7Syqp93pMtL-1m1YpSV8WNSBWz111lfdisF1sq7ckvo-1362WqJjifMxhFwx_Cx24TkCk/s1600/l+%25281%2529.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 250px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbO4-tEwnLiXK_mtnAbBHHNIrfObEkswkOJ9lKPLS6C8bveR3neon64ZB-tDeLl99SyoyZMI7Syqp93pMtL-1m1YpSV8WNSBWz111lfdisF1sq7ckvo-1362WqJjifMxhFwx_Cx24TkCk/s320/l+%25281%2529.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5687270905102188594" /></a>Songs "All American Boy" by Bobby Bare, "California Stars" by Wilco & Billy Bragg, and "You don't need to be more than yourself" by Elliott Murphymakmurhttp://www.blogger.com/profile/16503348453794990005noreply@blogger.comtag:blogger.com,1999:blog-5330798964313302905.post-46163053880617393402011-12-16T07:31:00.000-08:002011-12-20T05:47:26.619-08:00"Pulp Fiction" in chronological order & boxing dramas (The Set-Up, Body & Soul)<iframe width="360" height="315" src="http://www.youtube.com/embed/4W8p1MVrueg" frameborder="0" allowfullscreen></iframe><br /><br />The legendary movie "Pulp Fiction" (1994), directed by Quentin Tarantino (starring John Travolta, Samuel L. Jackson and Uma Thurman) placed into chronological order. <br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvUZ_Rkwh4DOiWW9WYVNIwciSUqmTmubGKiflTNZ9emd9jvfg9klEbBtj5YCjZOvRVbt4nu1rSVcl9e52PghBSCu_ENYaFSen4IAPZl-VDx_p8HMAy0haEUGYPMZD7bSPVJ_b5Cphl1Vw/s1600/pulp-fiction-movie-screenshots9.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 184px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvUZ_Rkwh4DOiWW9WYVNIwciSUqmTmubGKiflTNZ9emd9jvfg9klEbBtj5YCjZOvRVbt4nu1rSVcl9e52PghBSCu_ENYaFSen4IAPZl-VDx_p8HMAy0haEUGYPMZD7bSPVJ_b5Cphl1Vw/s320/pulp-fiction-movie-screenshots9.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686723850583060514" /></a>“Tarantino works with trash, and by analyzing, criticizing, and formalizing it, he emerges with something new, just as Godard made a lyrical work of art in Breathless out of his memories of casually crappy American B-movies. Of course Godard was, and is, a Swiss-Parisian intellectual…. Pulp Fiction, by contrast, displays an entertainer’s talent for luridness.” -David Denby, New York<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkoIkH40eRpEavn0tm2p0vPFRkAqjZRyM3Y7PHIcr1Ko8ngEl8H_0T_Y0HKOeRcONNK6bR7R2-ItwwOJuNDHqrKHNmbJsdlUFVxts7xTElQej70SZ1crCnKgzRhsYq1bCgEnLjbEIwLl8/s1600/pulp-fiction-original.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 180px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkoIkH40eRpEavn0tm2p0vPFRkAqjZRyM3Y7PHIcr1Ko8ngEl8H_0T_Y0HKOeRcONNK6bR7R2-ItwwOJuNDHqrKHNmbJsdlUFVxts7xTElQej70SZ1crCnKgzRhsYq1bCgEnLjbEIwLl8/s320/pulp-fiction-original.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686727005128753202" /></a>The complex narrative organization of Pulp Fiction plays with temporal sequence, so that it is difficult to understand the causal connection between events. Most jarringly, Vincent, a leading character, is killed halfway through, only to reappear and play a significant role later in the film—but earlier in the temporal sequence of events. <br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiznE4UvVtmwkkVYb6uesOvpjhe4h9t0GoOKQcaDtm9vnbWqGsIBb2W8Tm0uPFM9fa0puBdbA5yzrJ7Zx58nj6dOgNguXa2FsTHpQMD2-zsA6CKvDKpw0R1CNChAH7jETQ-eKAxXftvK8I/s1600/vlcsnap-2011-12-16-17h18m27s95.png"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiznE4UvVtmwkkVYb6uesOvpjhe4h9t0GoOKQcaDtm9vnbWqGsIBb2W8Tm0uPFM9fa0puBdbA5yzrJ7Zx58nj6dOgNguXa2FsTHpQMD2-zsA6CKvDKpw0R1CNChAH7jETQ-eKAxXftvK8I/s320/vlcsnap-2011-12-16-17h18m27s95.png" border="0" alt=""id="BLOGGER_PHOTO_ID_5686761563483340642" /></a>Robert Ryan as Stoker Thompson in "The Set-Up" (1949) directed by Robert Wise. Like many noir protagonists, Stoker is looking for the decisive lucky break that'll put him in the big time. But he's doomed without knowing it. His manager, who expects him to lose anyway, has agreed for him to take a dive in the third round. He just hasn't told Stoker. "Yeah, top spot. And I'm just one punch away" -Stoker Thompson. <br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWgkxnjMIiWDDE0jpTCgTchAMbr-sv0Z6b-8fGHkTMmgZHnwaFPRNTr1b7C7JExeHas7aR-YJwdQoUOYvcUB-vTvOUwuBYEWYeFVVyRmDGpUoQvi6SqBgiyPMxK2z5xbDbjh2E_oks4E0/s1600/vlcsnap-2011-12-16-14h57m51s214.png"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 234px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWgkxnjMIiWDDE0jpTCgTchAMbr-sv0Z6b-8fGHkTMmgZHnwaFPRNTr1b7C7JExeHas7aR-YJwdQoUOYvcUB-vTvOUwuBYEWYeFVVyRmDGpUoQvi6SqBgiyPMxK2z5xbDbjh2E_oks4E0/s320/vlcsnap-2011-12-16-14h57m51s214.png" border="0" alt=""id="BLOGGER_PHOTO_ID_5686726086579230594" /></a>John Garfield as Charley Davis in "Body & Soul" (1947) directed by Robert Rossen<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhokzLZ1-Q-FydaFY5ub_FI59wZ76Nm7ePlrnyzQvTNGmTiO2RwRC4UlT7srdLRQolqy4FlgmEgZwH5Q4BwIeB0Ik9DBlN12-CWed3N7G3_sdfxFdAmmrM49q4oC3gxCkI07EQxJTkBnSI/s1600/Imageeerdersdeeeeadettddd.bmp.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 214px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhokzLZ1-Q-FydaFY5ub_FI59wZ76Nm7ePlrnyzQvTNGmTiO2RwRC4UlT7srdLRQolqy4FlgmEgZwH5Q4BwIeB0Ik9DBlN12-CWed3N7G3_sdfxFdAmmrM49q4oC3gxCkI07EQxJTkBnSI/s320/Imageeerdersdeeeeadettddd.bmp.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686762870173111666" /></a>There can hardly ever have been a face so perfectly suited to the compromise, suffering and hard-won understanding at the heart of the big-screen boxing lesson than the star of ‘Body and Soul’, John Garfield. While Paul Newman looked plaintive and martyred in ‘Somebody Up There Likes Me’ (1956) and Robert Ryan skulked, complicit, through ‘The Set-Up’ (1949), Garfield’s fallen-angel countenance offers a far more complete portrait of hope and frustration. <br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDen2ctLqLg7R4AgrSgBywxmoK-5H7a1tBG2AcuZES0drMOJjnw4nPdqms6KbqPc_ADgMxENzM3R7it787lwbKn9Qiq0YFPl4oS5aUlwe_7NRN_tA9R8_F2pwDn3Y18hyphenhyphentwsZg1ypJLc8/s1600/013304.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDen2ctLqLg7R4AgrSgBywxmoK-5H7a1tBG2AcuZES0drMOJjnw4nPdqms6KbqPc_ADgMxENzM3R7it787lwbKn9Qiq0YFPl4oS5aUlwe_7NRN_tA9R8_F2pwDn3Y18hyphenhyphentwsZg1ypJLc8/s320/013304.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686754494330259378" /></a>Garfield’s performance alone is enough to elevate it into the highest echelons of sporting dramas. Its few, brutal fight scenes are a clear inspiration for the purgatorial pummelings of ‘Raging Bull’, and Garfield’s eventual predicament even foreshadows that of Bruce Willis’s wilful slugger in ‘Pulp Fiction’. A poem that has no time for poetry and a parable with little taste for allegory, ‘Body and Soul’ forgoes the butterfly for the bee every time, yet still soars. <a href="http://www.timeout.com/film/features/show-feature/9716/">Source: www.timeout.com</a><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbk5uivUVBcYCx6jD0QSB_bqYvQh7M4rqlDz5oU0ziBSe1rol1NQ19wQkvspRDxYdTt4yfwAgs_aXDu1pg-cLCyZxWemMeCACm0qiEF-IyLzpDzdsPsSp3ROifGRkKwMPRxqvG8GJlt2A/s1600/eeettttthjjetrcetee.bmp.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 200px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbk5uivUVBcYCx6jD0QSB_bqYvQh7M4rqlDz5oU0ziBSe1rol1NQ19wQkvspRDxYdTt4yfwAgs_aXDu1pg-cLCyZxWemMeCACm0qiEF-IyLzpDzdsPsSp3ROifGRkKwMPRxqvG8GJlt2A/s320/eeettttthjjetrcetee.bmp.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686725372092715026" /></a>Marlon Brando as Terry Malloy in "On The Waterfront" (1954) directed by Elia Kazan<br /><br />After the war, "Body and Soul" returned Americans to the issues posed in "Golden Boy" and developed them with renewed eloquence in the noir style. "On the Waterfront" (1954) featured a retired boxer, haunted by his fall. <br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjX8_m-6asWbcBKKOhmWn6IJin-97_dd9VJj7aDtzlGT7kimLYnBI9z9I8hIPdeSsHGXyxWHYJ70ZpAZsBkhBk-JpJ9BBSU4YYtf85XOQdujBgt9iuQtLDHXUsE6glYEK55pNuoZxAiNSU/s1600/pulp_fiction-11577.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 214px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjX8_m-6asWbcBKKOhmWn6IJin-97_dd9VJj7aDtzlGT7kimLYnBI9z9I8hIPdeSsHGXyxWHYJ70ZpAZsBkhBk-JpJ9BBSU4YYtf85XOQdujBgt9iuQtLDHXUsE6glYEK55pNuoZxAiNSU/s320/pulp_fiction-11577.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686734941091794818" /></a>Pulp Fiction (Quentin Tarantino; Miramax, 1994) Written by Quentin Tarantino; cinematography by Andrzej Sekula; Starring John Travolta, Samuel L. Jackson, Tim Roth, Amanda Plummer, Bruce Willis, Ving Rhames, Uma Thurman, Rosanna Arquette, Steve Buscemi, Christopher Walken, Harvey Keitel, Quentin Tarantino<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOFfdKc2k4A-iIsaLfbC0ibULZKxa0VxWYMrOHB6wCvrjVshVF3CnVSU5atluVRhCsKo4hanTJjpxu-H9pf5Ujcw231wQLR6fEUcIxBBpr7tsD20d9cBTofDN323vZT43mVc0Rnqas0dQ/s1600/Imagettteeeeeeeeeeee.bmp.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 278px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOFfdKc2k4A-iIsaLfbC0ibULZKxa0VxWYMrOHB6wCvrjVshVF3CnVSU5atluVRhCsKo4hanTJjpxu-H9pf5Ujcw231wQLR6fEUcIxBBpr7tsD20d9cBTofDN323vZT43mVc0Rnqas0dQ/s320/Imagettteeeeeeeeeeee.bmp.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686723254015159682" /></a> "Body and Soul" (1947) and "The Set-Up" (1949), both feature a boxer who is under the influence of shady organizations that operate in the underworld of boxing world. But in general, boxing became a common profession for the noir loner, as seen in films like "The Killers" (1946) directed by Robert Siodmak and "Killer’s Kiss" (1955) directed by Stanley Kubrick.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_I8tF30lPVlVnfCWpuLL1a15Bci4Dxj_C7tenZvR11d1PLp9whEQ9276mAu1eYG0HV51KVPPj_KZy8riaGxLP9-Y1oLIkxAfxeIEo9D1jX5aY-jlMXkUXwPPrLmRWCSjafwifQAUooW4/s1600/05.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 144px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_I8tF30lPVlVnfCWpuLL1a15Bci4Dxj_C7tenZvR11d1PLp9whEQ9276mAu1eYG0HV51KVPPj_KZy8riaGxLP9-Y1oLIkxAfxeIEo9D1jX5aY-jlMXkUXwPPrLmRWCSjafwifQAUooW4/s320/05.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686722375974565762" /></a>Butch the boxer and Julius the hit man in Pulp Fiction (1994) strive to escape from death in the underworld, but the ironic play of pop culture toys with the earnestness of their quest. These films engage with the body and soul conflict, offering up fresh perspectives that bear witness to the fertility of the genre in addressing the deepest concerns of its audience.makmurhttp://www.blogger.com/profile/16503348453794990005noreply@blogger.comtag:blogger.com,1999:blog-5330798964313302905.post-71827295649322364572011-12-16T05:18:00.000-08:002011-12-20T05:47:26.619-08:00Message from Jake Gyllenhaal to the troops<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6JnUJyJCVzqv8i6_z2_kt9Bk26sB53GHn94ozTbg-SbdwvRpKgksxmPEeUQzMYt-3-dwBjSrsa7oUnYipnrgdGsjbrt4pGF4Agpm7a1zyUoQ_oxWLBoBHGm9FYTnabL_mZdLq7jvG1tk/s1600/000014.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 180px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6JnUJyJCVzqv8i6_z2_kt9Bk26sB53GHn94ozTbg-SbdwvRpKgksxmPEeUQzMYt-3-dwBjSrsa7oUnYipnrgdGsjbrt4pGF4Agpm7a1zyUoQ_oxWLBoBHGm9FYTnabL_mZdLq7jvG1tk/s320/000014.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686716076761165458" /></a><br /><iframe width="360" height="315" src="http://www.youtube.com/embed/hLLPp5ONc5U" frameborder="0" allowfullscreen></iframe><br />WWE Tribute To The Troops 2011 - Special Message From Jake Gyllenhaal<br /><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZuTdNDZU1p69XLVfe58Q_qW4UbzShIdpvAgErzVw5lQ-N90iE9Mi4_oRif1sgffuJ_BKiTJ6YsIXyCoYD4Z0oPXAj9xTfBMtuzps-Fg0G5dLqIlXfIXXqk-f-d_aN0dKffAxOgNkboaY/s1600/normal_001.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 250px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZuTdNDZU1p69XLVfe58Q_qW4UbzShIdpvAgErzVw5lQ-N90iE9Mi4_oRif1sgffuJ_BKiTJ6YsIXyCoYD4Z0oPXAj9xTfBMtuzps-Fg0G5dLqIlXfIXXqk-f-d_aN0dKffAxOgNkboaY/s320/normal_001.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686716446387718770" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrejoHQeHxJ4CQV9XhaSzmzBgQZCY-s-WpvNrjXYF5Akrm-X7sicUIEyAcrwFlP5Swd4iak0dX3myIwlmY2n1CtecBscRtyjnFgYeD4O6h5C_8BPFIeSI8cxUA2e2ht3GbTNKGGxTmeds/s1600/normal_005.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 301px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrejoHQeHxJ4CQV9XhaSzmzBgQZCY-s-WpvNrjXYF5Akrm-X7sicUIEyAcrwFlP5Swd4iak0dX3myIwlmY2n1CtecBscRtyjnFgYeD4O6h5C_8BPFIeSI8cxUA2e2ht3GbTNKGGxTmeds/s320/normal_005.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686716300415065714" /></a>Jake Gyllenhaal arriving at LAX Airport, on 13rd December 2011<br /><br />December 13 - Arriving At LAX Airport<br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNElAVDrhJm4TOj3CFhoO3HSGHXUbWbOnKcEVdiQIYSy0VIBmR1z4D2INRlIz1y1PtKhkUUPZ363HYWrzU_Pm58fmHrV7FH0Zfj1xrEZcXK3S-NZLqGfjyXf1FC-S793S80RDD6cXNgIo/s1600/normal_005+%25281%2529.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 235px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNElAVDrhJm4TOj3CFhoO3HSGHXUbWbOnKcEVdiQIYSy0VIBmR1z4D2INRlIz1y1PtKhkUUPZ363HYWrzU_Pm58fmHrV7FH0Zfj1xrEZcXK3S-NZLqGfjyXf1FC-S793S80RDD6cXNgIo/s320/normal_005+%25281%2529.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686716668463697234" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgU7J14TWCgwmuw7EtTWK3WA-JDfSTEyzMBC_bxETxUzunU-CWrJfNL3dH5W_yg434utTSNeAefxIcNdpJM47_X8KyMK5f_EA9q6xPO6zCq4YAjPe7xbuAxgzNoBKF4BHAHogMY9qDzF0k/s1600/normal_014.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 274px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgU7J14TWCgwmuw7EtTWK3WA-JDfSTEyzMBC_bxETxUzunU-CWrJfNL3dH5W_yg434utTSNeAefxIcNdpJM47_X8KyMK5f_EA9q6xPO6zCq4YAjPe7xbuAxgzNoBKF4BHAHogMY9qDzF0k/s320/normal_014.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686716572841465458" /></a>Jake Gyllenhaal leaving Murakami Sushi Restaurant in Hollywood on 13rd December 2011<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmFCXZ6ur-NpLv8wLbIO1izlOzD_aDQn3BgMCK9mdct2Fcnn9Q3GkgmO1mtKI0rByOZ_6JCk8vAsy7Aog49b5sPiaHFiRwnDeoAj15jb9cwmyHmHxQEbsFwNGM6ZMK18U3X0rEQqSWvTc/s1600/003.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 250px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmFCXZ6ur-NpLv8wLbIO1izlOzD_aDQn3BgMCK9mdct2Fcnn9Q3GkgmO1mtKI0rByOZ_6JCk8vAsy7Aog49b5sPiaHFiRwnDeoAj15jb9cwmyHmHxQEbsFwNGM6ZMK18U3X0rEQqSWvTc/s320/003.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686718121474763490" /></a>Jake Gyllenhaal at a Jay-Z Kayne West concert in L.A., on 13rd December 2011makmurhttp://www.blogger.com/profile/16503348453794990005noreply@blogger.comtag:blogger.com,1999:blog-5330798964313302905.post-23809910756202283462011-12-15T16:09:00.000-08:002011-12-20T05:47:26.620-08:00Michelle Williams channels Marilyn Monroe<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPqVH1HueJNgxFTwPc1XdASD-ykkBa84cCoD_oZ1e8o9TpncovHjy4ieo2oA4cTf-8NYaAMWITYXZ9lJM6ggY4GXGwUAmodqBKyqxbvBso3Nr7U7DHY6vRVndQ3Xj-anzBSaRnCjz7doQ/s1600/MyWeekWithMarilyn_Still_017.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 279px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPqVH1HueJNgxFTwPc1XdASD-ykkBa84cCoD_oZ1e8o9TpncovHjy4ieo2oA4cTf-8NYaAMWITYXZ9lJM6ggY4GXGwUAmodqBKyqxbvBso3Nr7U7DHY6vRVndQ3Xj-anzBSaRnCjz7doQ/s320/MyWeekWithMarilyn_Still_017.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686513307650018530" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCTmDOsrGlqX7Oms-rhUdtd4SKuYN1OKVf7365oywVQwG1FdZEp95oVtuPnwuBp2ds5vPMjr8xyW1_7UmuDV0sPUdvu1yjXglg3Tu83tSthXb1Q2dH90ZYCVkGcMl-ijRrF93cav0Bb7c/s1600/MyWeekWithMarilyn_Still_015.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 214px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCTmDOsrGlqX7Oms-rhUdtd4SKuYN1OKVf7365oywVQwG1FdZEp95oVtuPnwuBp2ds5vPMjr8xyW1_7UmuDV0sPUdvu1yjXglg3Tu83tSthXb1Q2dH90ZYCVkGcMl-ijRrF93cav0Bb7c/s320/MyWeekWithMarilyn_Still_015.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686512532114640754" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0BjtSZdI9RistxzNkXOVrQaKgoBL_3JO2tPxU6aN6h6DcMHIRYDVydIAMPNABmh7zKmVyXxS6rIKkkVMx97oeVnotezJE0ZnVEDYE4XZM_bm68Z9xsv5Zdbu0E8or4H3ZccPOUP-ONew/s1600/MyWeekWithMarilyn_Still_018.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 282px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0BjtSZdI9RistxzNkXOVrQaKgoBL_3JO2tPxU6aN6h6DcMHIRYDVydIAMPNABmh7zKmVyXxS6rIKkkVMx97oeVnotezJE0ZnVEDYE4XZM_bm68Z9xsv5Zdbu0E8or4H3ZccPOUP-ONew/s320/MyWeekWithMarilyn_Still_018.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686513074539129362" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4XfEpH3XD7MNYZasXd7xi8uxPsOopu4uCv0YhmFy80Zt0_LFG-K0UDDkO__cvv_k2f7H3LBgjy0dxdFU7wPnBbK14mL2VcbKECEMY6juUv0zHa_dsae7mVWyU3OJUY80Z4ObFzL-G5T8/s1600/MyWeekWithMarilyn_Still_026.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 214px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4XfEpH3XD7MNYZasXd7xi8uxPsOopu4uCv0YhmFy80Zt0_LFG-K0UDDkO__cvv_k2f7H3LBgjy0dxdFU7wPnBbK14mL2VcbKECEMY6juUv0zHa_dsae7mVWyU3OJUY80Z4ObFzL-G5T8/s320/MyWeekWithMarilyn_Still_026.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686512675311945490" /></a>Michelle Williams as Marilyn Monroe in "My Week With Marilyn" (2011) directed by Simon Curtis<br /><br />Nominations for the Golden Globe Awards were announced this morning. "My Week With Marilyn" received three nominations, including a Best Actress nomination for Michelle. The awards will air January 15 on NBC. <a href="http://www.goldenglobes.org/nominations/">Source: www.goldenglobes.org</a><br /><br /><iframe width="360" height="315" src="http://www.youtube.com/embed/95Hh567qfQw" frameborder="0" allowfullscreen></iframe><br />In this interview, likely Oscar nominee for her performance in "My Week with Marilyn" Michelle Williams talks about the script, about taking on the role of this iconic blonde, what audiences should take away from the film, and what it was like to work with Eddie Redmayne and Kenneth Branagh. <br /><br /><iframe width="360" height="315" src="http://www.youtube.com/embed/6-6FSaWA_WQ" frameborder="0" allowfullscreen></iframe><br />Michelle Williams channels Marilyn Monroe.<br /><br /><iframe width="360" height="315" src="http://www.youtube.com/embed/X2KypXIhyTA" frameborder="0" allowfullscreen></iframe><br />See behind the scenes on our December cover shoot where we caught up with Michelle Williams.makmurhttp://www.blogger.com/profile/16503348453794990005noreply@blogger.comtag:blogger.com,1999:blog-5330798964313302905.post-3651624722109388432011-12-15T02:49:00.000-08:002011-12-20T05:47:26.620-08:00Ida Lupino (with Humphrey Bogart, John Garfield, Robert Ryan) & her films<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXiEYQmJgDVKI7tlBgjP0DK9ibR5u6OD5u1ATs5BShJc98LcsHr5PjZOr-FjLxF9NuZthJ1_In6Kw117yUJqoQLZYyqMruuwZnJ5SvOtHqjAep8utbDzEWVV-zvP0E_apY1t3FCpam7Y8/s1600/tumblr_lvgcinKQRc1qctpr4o1_500.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 257px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXiEYQmJgDVKI7tlBgjP0DK9ibR5u6OD5u1ATs5BShJc98LcsHr5PjZOr-FjLxF9NuZthJ1_In6Kw117yUJqoQLZYyqMruuwZnJ5SvOtHqjAep8utbDzEWVV-zvP0E_apY1t3FCpam7Y8/s320/tumblr_lvgcinKQRc1qctpr4o1_500.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686323818059347682" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7b5_vzq-3on5AXKY7oJ-ox8M9V8nmLDWy4g5S9MIQNR-B_VSQe8un5k70gK6z0eOIWnkXRQcmdbh8dZ0SkonHAe5GfhryKHWTEiQC5n7_FyVDEgnw__RRbNHx5ESfaY_whSKE9CG-XVM/s1600/tumblr_li2z0ylRCB1qdox96o1_500.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 282px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7b5_vzq-3on5AXKY7oJ-ox8M9V8nmLDWy4g5S9MIQNR-B_VSQe8un5k70gK6z0eOIWnkXRQcmdbh8dZ0SkonHAe5GfhryKHWTEiQC5n7_FyVDEgnw__RRbNHx5ESfaY_whSKE9CG-XVM/s320/tumblr_li2z0ylRCB1qdox96o1_500.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686335095152766146" /></a>Ida Lupino does her Christmas shopping circa 1939<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglcNMCx2PpZYAuZY90a9ye3y1iAUI_KehIrbC7N90sKxnvDFWaCqwHUY6m3GTiqN9SeUgDUlAz0gUoka4M1BAMCHlCr215urh_JhZWpE8pv43oVc3tG3n1aM31WDGjITRMHfI5C20ZBTA/s1600/tumblr_lvx8faGAME1qbqw5eo1_1280.png"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 255px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglcNMCx2PpZYAuZY90a9ye3y1iAUI_KehIrbC7N90sKxnvDFWaCqwHUY6m3GTiqN9SeUgDUlAz0gUoka4M1BAMCHlCr215urh_JhZWpE8pv43oVc3tG3n1aM31WDGjITRMHfI5C20ZBTA/s320/tumblr_lvx8faGAME1qbqw5eo1_1280.png" border="0" alt=""id="BLOGGER_PHOTO_ID_5686323083794550914" /></a>For Stanley and Connie Lupino, the brightest momdnt of the war years was the birth of their daughter Ida. They had almost named her Aida, after the princess of the Verdi opera, an appropriate suggestion of theatrical royalty. Ida's sister, Rita, was born in 1921. Both children soon learned that emotions were for display; laugh, cry, speak boldly and beautifully. Emotional restraint was not for the Lupinos. Ida never had a normal childhood because of her parents' touring and late hours.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcIRP2JZqX36uquUgh-ZDDwUZaNzWVM2i0LFpwtoU2-jr6IP_fJ-zHhoDo-02hxt4aaPyQE1pACyB7RiGOoZSFMLMyC97bezoCkDagtCl9ro6HmdIjGRj-ccI-pP45EAV3cnR_tpOyJeM/s1600/tumblr_lpdomhtExe1qd88ijo1_400.png"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 261px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcIRP2JZqX36uquUgh-ZDDwUZaNzWVM2i0LFpwtoU2-jr6IP_fJ-zHhoDo-02hxt4aaPyQE1pACyB7RiGOoZSFMLMyC97bezoCkDagtCl9ro6HmdIjGRj-ccI-pP45EAV3cnR_tpOyJeM/s320/tumblr_lpdomhtExe1qd88ijo1_400.png" border="0" alt=""id="BLOGGER_PHOTO_ID_5686325339708122338" /></a>"Her self-confidence is utterly sumptuous". -Reporter Alma Whitaker about Ida Lupino <br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsm6cSsoArHpWuwEPvCNhcxVy9bRU6j5avY-12Gb-Z0YZ420D3ij_QYNfXgwkfI0fijsaanCXPCpSu3tghKLU0b1ONN58FTCBh88-fGoRV67ZaTxmTa2zTHikjG31wy2UqgpgEHti3sIM/s1600/tumblr_lr6tefbYbY1qdox96o1_400+%25281%2529.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 238px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsm6cSsoArHpWuwEPvCNhcxVy9bRU6j5avY-12Gb-Z0YZ420D3ij_QYNfXgwkfI0fijsaanCXPCpSu3tghKLU0b1ONN58FTCBh88-fGoRV67ZaTxmTa2zTHikjG31wy2UqgpgEHti3sIM/s320/tumblr_lr6tefbYbY1qdox96o1_400+%25281%2529.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686328754959468786" /></a>Ida Lupino in "Ready For Love" (1934)<br /><br />Calling herself Ida Ray, Lupino obtained an agent and immediately landed a part. A German director who had seen her on the set of "Love Race" hired the girl with luminous blue eyes and milk-white skin. Ironically, she was dropped from her only scene for fear her attractiveness would overshadow the lead actress. After this happened several times, Ida became known as "the girl who was too good-looking." In January 1932, Ida officially enrolled in the Royal Academy of Dramatic Arts. Student life was crowded with activity and admirers flocked around. Ida had her first boyfriend, a fellow student named Johnny, who nicknamed her "Loops." They spent their free hours together chatting before the fire in Ida's room. <br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhO3FJFcai7gdqtjez2tB05DZQRFt0i1IoMJ3X3_wHX1cQvO9N_yPgzPRKPw5hCV6g3ahZN-lOXojJYr2KUtK3nM4r3QeZbo7PT9Jf2_Lyx0jAYT-ukB0nWILPqlisu-EUfe6cruommZys/s1600/fl4dsbjkd4wbbskl.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 250px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhO3FJFcai7gdqtjez2tB05DZQRFt0i1IoMJ3X3_wHX1cQvO9N_yPgzPRKPw5hCV6g3ahZN-lOXojJYr2KUtK3nM4r3QeZbo7PT9Jf2_Lyx0jAYT-ukB0nWILPqlisu-EUfe6cruommZys/s320/fl4dsbjkd4wbbskl.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686399542276099186" /></a>George Bernard Shaw, regarded as the greatest living playwright of the English language said of Ida: "She is the only girl in the world as mad as I am."<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCzHHdStbTsnnWvrso5P3_xLIJ-SFmpIRObiygsiAd_YAeJObPTjxFCc-9uWBkuZpklluAp8-1RfucGvwr3g-VbujFt99QeTYKRc56Tg-6DSpbOZSB5y-9Z0W2fMb9fawBFcTmIyOurAU/s1600/ADDRichardArlenIdaLupinoReadyForLove34.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 253px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCzHHdStbTsnnWvrso5P3_xLIJ-SFmpIRObiygsiAd_YAeJObPTjxFCc-9uWBkuZpklluAp8-1RfucGvwr3g-VbujFt99QeTYKRc56Tg-6DSpbOZSB5y-9Z0W2fMb9fawBFcTmIyOurAU/s320/ADDRichardArlenIdaLupinoReadyForLove34.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686327559427026466" /></a>Ida Lupino and Richard Arlen in "Ready For Love" (1934)<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgezuW3h440qXrwcJJD8YcUftE2MIyiqL3Bh_VlR1lauDT6VRJbF19TrrE2nMIDnzcGplhF2u2Y1-UZuZfrRNDbOXokg4zovmL-8fv9RyEkyRRhWI7VuhyphenhyphennRdjnn_s4IIT27sAeQJecXFg/s1600/23751_2.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 253px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgezuW3h440qXrwcJJD8YcUftE2MIyiqL3Bh_VlR1lauDT6VRJbF19TrrE2nMIDnzcGplhF2u2Y1-UZuZfrRNDbOXokg4zovmL-8fv9RyEkyRRhWI7VuhyphenhyphennRdjnn_s4IIT27sAeQJecXFg/s320/23751_2.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686332204975520162" /></a>Paramount decided that Lupino's screen debut would be in "Search for Beauty", a romantic comedy about Olympic champions who became entangled with con men. Ida had a knockout scene: dressed in silk pajamas, she danced a snakehips atop a table to save voluptuous Toby Wing from a roomful of evil-minded drunks. Toby Wing became Ida's friend. She found Ida full of fun. Ida's second Paramount release was "Come on Marines", in which Richard Arlen gallantly leads an armed squad into the jungle to rescue beauties from a Paris finishing school. Ida scoffed at reports that she had come to America just to play "Alice in Wonderland". "You cannot play naive if you're not. I never had any childhood", Ida said. About her friends, she said: "I cannot tolerate fools, won't have anything to do with them. I only want to associate with brilliant people".<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiccugVFdIYeAhSkVYErIB_Z9on05pIjjXsHvuXYRGJEghUe4cAHjzM5LzVo64tutMg05veIfu-fbKQb4CZWJ8jb679rI9k1KpRvyzG-XGA7FGRshDksM5RwTenGleaWdFkBnXgX9kEQzc/s1600/tumblr_lvphdk4crK1qd88ijo1_400.png"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 253px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiccugVFdIYeAhSkVYErIB_Z9on05pIjjXsHvuXYRGJEghUe4cAHjzM5LzVo64tutMg05veIfu-fbKQb4CZWJ8jb679rI9k1KpRvyzG-XGA7FGRshDksM5RwTenGleaWdFkBnXgX9kEQzc/s320/tumblr_lvphdk4crK1qd88ijo1_400.png" border="0" alt=""id="BLOGGER_PHOTO_ID_5686335312835265266" /></a>Since her boyfriend Johnny's death, Ida had experienced an intense emotional emptiness.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWbTf7VDCV37A0K1DZ4YovFHZMEsTxjeKAG2BGh8i7LZiwupTaNtewoozxI0nQ2niq5Y_0kd56pfTHwiWjWgdTbzMMUoVzit7cucsrd33yKUpDduABHSati98rOs3vLxZjsbjjg-dE-yw/s1600/wexoen09tv1nt91e.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 250px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWbTf7VDCV37A0K1DZ4YovFHZMEsTxjeKAG2BGh8i7LZiwupTaNtewoozxI0nQ2niq5Y_0kd56pfTHwiWjWgdTbzMMUoVzit7cucsrd33yKUpDduABHSati98rOs3vLxZjsbjjg-dE-yw/s320/wexoen09tv1nt91e.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686335901350794226" /></a>The initial encounter of Lupino and Hayward had produced "tangible hostility." While studying a script on the set of "Money for Speed", Ida had looked up to see a stranger watching her. When they were introduced afterward, Ida was icy. "He bored me to extinction," she later recalled. "It was strange but the dislike for each other amounted to contempt." Hayward sized her up as "just another dizzy blonde." He came to America and found success on Broadway, winning the 1934 New York Critics Award. Soon he began a film career in Hollywood.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhirOpJRGRh4EEGeMUhO-f4efDH5OExyZYlKV85Qgnj5j1CVyIr_EmEHdqYsZHhkO5kro9AUy6bzoxCo5H7bnQL1ZnO0Lb6IT_MwN9JqnzQpQG9UYV9JdA0xFuzROV8qBUmnK1kqSZ44o4/s1600/tumblr_lnuf0tlaee1qd88ijo1_400.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 254px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhirOpJRGRh4EEGeMUhO-f4efDH5OExyZYlKV85Qgnj5j1CVyIr_EmEHdqYsZHhkO5kro9AUy6bzoxCo5H7bnQL1ZnO0Lb6IT_MwN9JqnzQpQG9UYV9JdA0xFuzROV8qBUmnK1kqSZ44o4/s320/tumblr_lnuf0tlaee1qd88ijo1_400.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686336770519390146" /></a>On her sixteenth birthday, Howard Hughes arranged a party for her. He asked her what she wanted. "Binoculars", answered Ida. "What on earth do you want binoculars for?" "To look at the stars", she replied. Hughes gave her the most expensive pair he could find. But presents never won her heart.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjppqUi1y6hCtXH3syXWM2oPawDbeaGtW4HV1AmylWW02bWeO-KTiIhF5HuJLPBO9ckIhDFVYAzmFYzKw2cwwPSokYXAzOYp7HZRf6h-sjukm2qjMrToGFoE6uK0YTB8zkv96zv7i0T2NQ/s1600/Greta_Garbo_51.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 250px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjppqUi1y6hCtXH3syXWM2oPawDbeaGtW4HV1AmylWW02bWeO-KTiIhF5HuJLPBO9ckIhDFVYAzmFYzKw2cwwPSokYXAzOYp7HZRf6h-sjukm2qjMrToGFoE6uK0YTB8zkv96zv7i0T2NQ/s320/Greta_Garbo_51.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686341376780924562" /></a>Ida admired the press-shy Garbo. "I am a fan. Not because she is a great actress, but because she has dared the wolves and kept her splendid isolation".<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6_fqS207QSgVqeW_vzsUVIYCCu921dfw4m0WZHt4LoA2FRep1I9ijytdH4A59DLlxJsHUxazq5RAlGFymC7VhFuZ3ScojpLWzsZOHtprxj4TikvujXQRB_j7y6h4EgkW91VDYr3jIibI/s1600/tumblr_ltehz2ZmUJ1qdox96o1_400.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 274px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6_fqS207QSgVqeW_vzsUVIYCCu921dfw4m0WZHt4LoA2FRep1I9ijytdH4A59DLlxJsHUxazq5RAlGFymC7VhFuZ3ScojpLWzsZOHtprxj4TikvujXQRB_j7y6h4EgkW91VDYr3jIibI/s320/tumblr_ltehz2ZmUJ1qdox96o1_400.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686344645946041522" /></a>Ida Lupino in The Adventures of Sherlock Holmes (1939)<br /><br />She was asked to return to Los Angeles for a dramatic role in "The Adventures of Sherlock Holmes", starring Basil Rathbone. Ida portrayed a terrified woman who comes to Holmes with a strange drawing that threatens her brother with death. Cinematographer Leon Shamroy captured the eerie atmosphere, which was enhanced by the music of Cyril J. Mockridge, who composed a haunting Inca funeral dirge. A crucial scene in which Ida weeps over the body of her slain brother was beautifully played. As she sobs, she hears the faint tones of the frightening Inca dirge, the harbinger of another murder; fear, then stark terror, sweep over her, culminating in a shrill, blood-curdling scream.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrbxgSECruJbSuwdat6WZH4qIoSQAVI11RLj1WEnVFrTSGHc1KiXsFWIvZ6oEUX1MWnmW-LzD8fn9KnSRsk6YSjN_xOfeJHYMuW3zVj_8SqfKUFJ8nzU9OH3BifHF-Z0NXKTG0qWoRBjs/s1600/tumblr_lqq0e9YwnW1qdox96o1_500.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 262px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrbxgSECruJbSuwdat6WZH4qIoSQAVI11RLj1WEnVFrTSGHc1KiXsFWIvZ6oEUX1MWnmW-LzD8fn9KnSRsk6YSjN_xOfeJHYMuW3zVj_8SqfKUFJ8nzU9OH3BifHF-Z0NXKTG0qWoRBjs/s320/tumblr_lqq0e9YwnW1qdox96o1_500.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686337542893081042" /></a>Ida Lupino in "Life Begins at Eight Thirty" (1942)<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaIvwK_B0DhoZL9YjHRFCwj0N1k6DJDpIuKYmvB7LX2AXuwWgDRFP-QOSOohefApzNdVZZv670rELw91XMXQG-6NapGMCAkyv7bVKEafSe0kPQAyyh_EIJnhTaoXQXGnKlnuLcSbCs0fs/s1600/tumblr_lqjz7hGGGe1r09q5to1_500.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 245px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaIvwK_B0DhoZL9YjHRFCwj0N1k6DJDpIuKYmvB7LX2AXuwWgDRFP-QOSOohefApzNdVZZv670rELw91XMXQG-6NapGMCAkyv7bVKEafSe0kPQAyyh_EIJnhTaoXQXGnKlnuLcSbCs0fs/s320/tumblr_lqjz7hGGGe1r09q5to1_500.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686342082689826658" /></a>Ida felt that Louis Hayward was one of the few people who truly understood her. She defined her concept of love as "blind devotion." In interviews, she said she had few illusions about life but simply followed the conscious instinct of self-preservation. But she was deeply in love with Louis Hayward. Louis was certain that his agent, Arthur Lyons, could get Ida's career moving again. Lyons had for years been the dynamo who made success stories happen. From his plush office at 356 North Camden Drive in Beverly Hills, he directed one of the most affluent artist agencies in show business. Lyons represented such stars as Jack Benny, Joan Crawford, Lucille Ball, Ray Milland, Sydney Greenstreet, John Garfield, Hedy Lamarr, Cole Porter, Jerome Kern, and Eugene O'Neill.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFlsWe9q0gqAaxxIS6hckFUbf8_DOKHjdmQAHHFCqBj0vblLbHDkllPgcNzy6nIYr4D6cn35gAFMzPgWeKyg5wlN32yoFXzwMTNGWgWZxReUWOCWMorXmCdbHMdcnZn16bZhACZz3MMd4/s1600/7usog62sf0tku7o0.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 260px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFlsWe9q0gqAaxxIS6hckFUbf8_DOKHjdmQAHHFCqBj0vblLbHDkllPgcNzy6nIYr4D6cn35gAFMzPgWeKyg5wlN32yoFXzwMTNGWgWZxReUWOCWMorXmCdbHMdcnZn16bZhACZz3MMd4/s320/7usog62sf0tku7o0.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686343600495646482" /></a>Lyons promptly swung into action. He sent Ida to see Harry Cohn, who ran Columbia Pictures. The tough, crude, astute boss was blunt: "You are not beautiful, Ida, but you've got a funny little pan." Ida must have winced at the comment but eagerly signed a two-picture contract. Ida's depression vanished. Louis proposed, and she accepted. On November 17, 1938, Ida became Mrs. Louis Hayward in a quiet civil ceremony held in the Santa Barbara courthouse. Their new home, discovered by accident and purchased on impulse, was at 1766 Westridge in Brentwood.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEje-0w7TjuAWg7VY5tuvDQ9_FXRA2Nr-xqqtlTjr39P8S_Q4pH-M13j3LddUPjwDzNLoDsNtY8_Cp22wVu7zF7IoQvkMMzsNy9Nv4b92lH6JOp7cuGLGPycsbNPapMrwqs4Ar1wyeLr0vw/s1600/tumblr_lul169O5J11qjjurno1_500.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 316px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEje-0w7TjuAWg7VY5tuvDQ9_FXRA2Nr-xqqtlTjr39P8S_Q4pH-M13j3LddUPjwDzNLoDsNtY8_Cp22wVu7zF7IoQvkMMzsNy9Nv4b92lH6JOp7cuGLGPycsbNPapMrwqs4Ar1wyeLr0vw/s320/tumblr_lul169O5J11qjjurno1_500.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686346484618205394" /></a>Lupino was summoned to Warner's office and offered a seven-year contract. He told her she would be "another Bette Davis." Ida recognized Warner's transparent strategy. If the queen of the lot refused to do a picture or caused trouble, Lupino would be at hand. On May 3, 1940, she signed a one-year contract with Warner Bros. that permitted her to freelance elsewhere. Her salary would be two thousand dollars a week for two pictures.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiag5RRagC3UuvdAFiyt_l7-wocc5D0p77Q4Xw2Npknt0APZbGGYRbROboS5tcgaQTO3nI1YDgslDcM0eDjCWQlbODwSLyhYIHEmeLRnwFH9zfU2PG-aM75PvuzqLnO5GPj8URxyTh8KHw/s1600/tumblr_lsayvqnSHc1qbqw5eo1_1280.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 259px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiag5RRagC3UuvdAFiyt_l7-wocc5D0p77Q4Xw2Npknt0APZbGGYRbROboS5tcgaQTO3nI1YDgslDcM0eDjCWQlbODwSLyhYIHEmeLRnwFH9zfU2PG-aM75PvuzqLnO5GPj8URxyTh8KHw/s320/tumblr_lsayvqnSHc1qbqw5eo1_1280.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686346903391947778" /></a>Publicity still of Ida Lupino and Humphrey Bogart in "They Drive by Night" (1940) directed by Raoul Walsh<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkVc0M6aZ_zWhH37SEZQumNlYmErPuZ7LZYJxz9eXsh9mJoHLjLPmVimC3dMz6ysfmSkQbfiEebmOYWGzVBMW045SgffHbUsAvqskR37QIsTm0AaCzgeJOuCAbcVAAmkpSvFxdrefbCos/s1600/tumblr_lho1qhgrrF1qd88ijo1_500.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 257px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkVc0M6aZ_zWhH37SEZQumNlYmErPuZ7LZYJxz9eXsh9mJoHLjLPmVimC3dMz6ysfmSkQbfiEebmOYWGzVBMW045SgffHbUsAvqskR37QIsTm0AaCzgeJOuCAbcVAAmkpSvFxdrefbCos/s320/tumblr_lho1qhgrrF1qd88ijo1_500.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686358231957870914" /></a>"They Drive by Night" was completed in thirty-three working days, for $498,000. Even before its release, Warner Bros. knew it had a winner, thanks mainly to Ida Lupino. Hal Wallis, head of studio production, wanted her signed for a third film. On July 8, a preview was held at the Warner Theater on Hollywood Boulevard. Ida ignited the screen; she projected a fascinating blend of beauty, danger, and deceit. Variety reported that the audience had twice broken out with applause. Newsweek proclaimed, "Raft and Bogart honest men, but Lupino steals picture."<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1axvHKnVukE5pBWNlGNTJ56VN9IFnfSuNJIF2I1z8X8ieF3dPdlXlkxrsOGMowtv_g8lSZVDPWbArbsi4dBkI78XJWCzLDcvlqKP0o-j0fsZomPy3rvwF8_DN05Nf7LFaoe9DDYcuy54/s1600/tumblr_lq1ojndSO41qd88ijo1_500.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 248px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1axvHKnVukE5pBWNlGNTJ56VN9IFnfSuNJIF2I1z8X8ieF3dPdlXlkxrsOGMowtv_g8lSZVDPWbArbsi4dBkI78XJWCzLDcvlqKP0o-j0fsZomPy3rvwF8_DN05Nf7LFaoe9DDYcuy54/s320/tumblr_lq1ojndSO41qd88ijo1_500.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686347426015438354" /></a>Other reviews were equally laudatory: "Miss Lupino goes crazy about as well as it can be done," noted the New York Times. The World Telegram stated that she finally had gotten the break she deserved "and the result is a performance so superb that she immediately becomes one of the screen's foremost dramatic actresses."<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnAButbJzHbWXRSiBfO4a-hKXwZabO0ghRkMq-1Xo6Qcpa5ysSfVjn4_Ivh-CBBQSggcC77xKs8dSsxcxHgPs1Qkt5b4fGgWAjTFgQUNiBNg2Gkvb_-uKe1WOnp2cMuItgvXs8Rz8E9K8/s1600/tumblr_lsg1jcNoA01qdwutso1_1280.png.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 238px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnAButbJzHbWXRSiBfO4a-hKXwZabO0ghRkMq-1Xo6Qcpa5ysSfVjn4_Ivh-CBBQSggcC77xKs8dSsxcxHgPs1Qkt5b4fGgWAjTFgQUNiBNg2Gkvb_-uKe1WOnp2cMuItgvXs8Rz8E9K8/s320/tumblr_lsg1jcNoA01qdwutso1_1280.png.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686348425813110466" /></a>Humphrey Bogart and Ida Lupino in "High Sierra" (1941) directed by Raoul Walsh<br /><br />Mark Hellinger chose Lupino for his next film, which he described as "a great yarn." Despite the restrictive guidelines, W.R. Burnett and John Huston completed a masterful script-the simple yet compelling story of an Indiana farm boy who turns to crime. Bogart plays Roy "Mad Dog" Earle, and Ida plays Marie, a young woman picked up at a dime-a-dance joint, who begs to stay with Earle because she has nowhere else to go. <br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBAuKZ60OpE5Q8q1uh0T6JUQuYaaLZ7-pts4ZoTKEyBwFbLBLZYllVQbaYJFbC5iTUNGknl9buQHqvdnSjmKKD3_1WZQbzyPGPlG8LrdbQtmTEPEwj7pChCJZz5X4iPj3Uij5Kd7TqJ4c/s1600/tumblr_lqlkghTP2o1qbqw5eo1_500.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 254px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBAuKZ60OpE5Q8q1uh0T6JUQuYaaLZ7-pts4ZoTKEyBwFbLBLZYllVQbaYJFbC5iTUNGknl9buQHqvdnSjmKKD3_1WZQbzyPGPlG8LrdbQtmTEPEwj7pChCJZz5X4iPj3Uij5Kd7TqJ4c/s320/tumblr_lqlkghTP2o1qbqw5eo1_500.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686350997120471282" /></a>Production began August 5; the company assembled for exterior scenes at the mountain resort of Big Bear. Initially, the relationship between Lupino and Bogart was cool. As she later disclosed, "I have a way of kidding with a straight face; so has Bogie. Neither of us recognized the trait in the other". <br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghFUSPubzqspzzwJ0UAVY3GWDfHcMUQ5fjDyj0LH95EGiRNnG0KX9ldRYvhB1WIwpd-gVnhHkSQX5KvDfoQGZLMEj4Zftp6EwsaFZV3ENlfLtLUyQUVxjgiqjeWhk5sFhWFAO1PTl_rlU/s1600/tumblr_lm3fvxGNE51qd88ijo1_1280.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 248px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghFUSPubzqspzzwJ0UAVY3GWDfHcMUQ5fjDyj0LH95EGiRNnG0KX9ldRYvhB1WIwpd-gVnhHkSQX5KvDfoQGZLMEj4Zftp6EwsaFZV3ENlfLtLUyQUVxjgiqjeWhk5sFhWFAO1PTl_rlU/s320/tumblr_lm3fvxGNE51qd88ijo1_1280.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686352151498430754" /></a>Matters were complicated by Mayo Methot, Bogart's wife. As the picture progressed, Ida and Bogie established an onscreen rapport and an off-camera friendship. The volatile Mrs. Bogart constantly hovered about the set, making her husband nervous. Dialogue director Irving Rapper knew why Mayo was there, as did everyone else. "Mayo was very jealous of Ida," says Rapper.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXxUTR9XZitjXWLXeX4_1Shk9bxI_BshWpy3BwifptiIOWKlVIQbn3k32bpm9ViLgn7esekoNSbqWZaNEfiT8u2tSaDhfVYXTdvDSzugzSWzUtChogI2dWYYugZtAnUmxI_inCybPVfDQ/s1600/%2521B%252BCS1Tg%2521Wk%257E%2524%2528KGrHqR%252C%2521ioEzNsiHq5cBM-bnjR%2528k%2521%257E%257E_3.JPG"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 245px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXxUTR9XZitjXWLXeX4_1Shk9bxI_BshWpy3BwifptiIOWKlVIQbn3k32bpm9ViLgn7esekoNSbqWZaNEfiT8u2tSaDhfVYXTdvDSzugzSWzUtChogI2dWYYugZtAnUmxI_inCybPVfDQ/s320/%2521B%252BCS1Tg%2521Wk%257E%2524%2528KGrHqR%252C%2521ioEzNsiHq5cBM-bnjR%2528k%2521%257E%257E_3.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5686349989934847026" /></a>The script called for Lupino to cry, but the tears wouldn't come. Bogart took her to the side and, glancing at director Walsh, told her: "Listen, doll, if you can't cry, just remember one thing -I'm going to take this picture away from you." Ida laughed, just as Bogart had wanted. "All right," he said, "now you're relaxed. If you can't relate it to me or the character go back to your childhood," he counseled. "Can you remember when you had to say goodbye to somebody, somebody you loved? And you thought you weren't going to see them again?" "Yes", responded Ida. "Well, think of that, baby, think of it!" Ida saw tears in his eyes. The final scene of High Sierra is powerfully moving. Marie's tears of sadness are transformed into tears of elation as she realizes that the tortured soul of Roy Earle is finally free.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzr1UYmwsPuddnPp4MQz0lWrvn7mReX1YEYJsETH5MOkwCA-zMT9o42zuVhUtT78qaApBH0QNjw1xg2okgvqmGSd8rTRxqvJ0BOSFDJY6ESQt1T4EYZg1bUQuHltwVLRJz73igJWUSYCg/s1600/tumblr_lkcb3q4DSI1qd88ijo1_500.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 265px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzr1UYmwsPuddnPp4MQz0lWrvn7mReX1YEYJsETH5MOkwCA-zMT9o42zuVhUtT78qaApBH0QNjw1xg2okgvqmGSd8rTRxqvJ0BOSFDJY6ESQt1T4EYZg1bUQuHltwVLRJz73igJWUSYCg/s320/tumblr_lkcb3q4DSI1qd88ijo1_500.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686351486422761762" /></a>"High Sierra" was to remain one of the greatest pictures of Ida's career and quite memorable personally for her experience with Humphrey Bogart. Initially, Ida had found Bogart's pleasure in needling people upsetting, but by the film's end, she understood that he, like herself, was a person with many sides, some of them contradictory. She grew to like Bogart and never forgot his unexpected support when the tears wouldn't come. As she was to remember: "He was the most loyal, wonderful guy in the world."<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiC7E4JoNWNyYC-5ByVb2L7w93SmLToxpz8SibEc1lMteNZWLfs4hK1YOPyUg_EYahMLQvA3Gbc8NBAvU68YlmUbkymJHlUjeYBh-pADmyFbB9RMkUIkxbP875kz1ePf_Gl01F4b7HESsw/s1600/tumblr_lf771mtVyT1qd88ijo1_1280.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 278px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiC7E4JoNWNyYC-5ByVb2L7w93SmLToxpz8SibEc1lMteNZWLfs4hK1YOPyUg_EYahMLQvA3Gbc8NBAvU68YlmUbkymJHlUjeYBh-pADmyFbB9RMkUIkxbP875kz1ePf_Gl01F4b7HESsw/s320/tumblr_lf771mtVyT1qd88ijo1_1280.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686352575363893602" /></a>Ida Lupino and John Garfield in "The Sea Wolf" (1941) directed by Michael Curtiz<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxsKjPva51bdBaxZe4n55iDzR1eDwCT41IKelnmVITx7k6vOLDMvn7i3T7tMxTApW7L1mo79AeFbdb6VjKxk_J1-StTbn5isQ3PCyEs2-Un64dohwslA84WG_cgmuks15zc-vJQUx8SjY/s1600/tumblr_lfgtr2mTIz1qdox96o1_400.png"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 270px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxsKjPva51bdBaxZe4n55iDzR1eDwCT41IKelnmVITx7k6vOLDMvn7i3T7tMxTApW7L1mo79AeFbdb6VjKxk_J1-StTbn5isQ3PCyEs2-Un64dohwslA84WG_cgmuks15zc-vJQUx8SjY/s320/tumblr_lfgtr2mTIz1qdox96o1_400.png" border="0" alt=""id="BLOGGER_PHOTO_ID_5686353941627379778" /></a>Ida rehearsed daily with co-stars Edward G. Robinson and John Garfield. Robinson considered twenty-sevenyear-old Garfield one of the best young actors he had ever encountered. Ida was also enthralled. "His real name was Julius Garfinkle. He was wonderful and I loved him. He and I were like brother and sister." She admired her new friend and the passionate political beliefs that led him to champion the economically disadvantaged. Garfield's political boldness and his cocky spirit matched Lupino's innate rebelliousness.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkr4UFXy06TR4_KAn0S_0OKD280xSHWQgFxZfAM0SkcKYPHvTe9-HT0XtbdHu39zwp6MNPiG4JEuPK_1HRYl0YOAURxS-9H1hgPFsVgy5A2fqF_KUGza_K8T9HFwjW7v-tOqKf9UACCJE/s1600/Annex+-+Robinson%252C+Edward+G.+%2528Sea+Wolf%252C+The%2529_NRFPT_02.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 252px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkr4UFXy06TR4_KAn0S_0OKD280xSHWQgFxZfAM0SkcKYPHvTe9-HT0XtbdHu39zwp6MNPiG4JEuPK_1HRYl0YOAURxS-9H1hgPFsVgy5A2fqF_KUGza_K8T9HFwjW7v-tOqKf9UACCJE/s320/Annex+-+Robinson%252C+Edward+G.+%2528Sea+Wolf%252C+The%2529_NRFPT_02.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686769315600455026" /></a>As expected, Robinson, as the bestial yet intelligent Wolf Larsen, dominated the picture. "I'd rather rule in hell than be a servant in heaven," he says. One reviewer called the picture "Little Caesar at sea." <br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYEPdQjrtrZrdjPkQ-uR3sQApU5tpXdTeUZcBlHq7uNtydyauK9RjbYFQ85oJgZXvq2BM0LKp2u29iN_0NFqCc-J_CMFTEHZRL5dpEmsSqOUCqfYUI-fuexZjFGrKGtM2cySGyiRjlCG0/s1600/tumblr_lf773sD7CT1qd88ijo1_500.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 290px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYEPdQjrtrZrdjPkQ-uR3sQApU5tpXdTeUZcBlHq7uNtydyauK9RjbYFQ85oJgZXvq2BM0LKp2u29iN_0NFqCc-J_CMFTEHZRL5dpEmsSqOUCqfYUI-fuexZjFGrKGtM2cySGyiRjlCG0/s320/tumblr_lf773sD7CT1qd88ijo1_500.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686354389586846994" /></a>Though overshadowed by Robinson's masterful acting, Lupino was praised as "excellent... the girl with a past. Her intelligent and forthright playing gives complete conviction to the role." Author William Saroyan was so impressed that he wrote, "Give Miss Lupino something to act in and there's a fifty-fifty chance that she will be the finest actress in the world."<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYNKoLSLAebf5NcdKhoKzQpQsw-R-xCOcUX58b-LXtPZl1oNLLzJHbMhY3P0q32WDa7p5iGBezyytqeGGmE_LC_KC_daz4vUcjjKwCGyTY4B23iiUSi98ILUtD-sKUc8mfEZjrXEf8fw0/s1600/tumblr_lo92fnVyBF1qjjurno1_400.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 249px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYNKoLSLAebf5NcdKhoKzQpQsw-R-xCOcUX58b-LXtPZl1oNLLzJHbMhY3P0q32WDa7p5iGBezyytqeGGmE_LC_KC_daz4vUcjjKwCGyTY4B23iiUSi98ILUtD-sKUc8mfEZjrXEf8fw0/s320/tumblr_lo92fnVyBF1qjjurno1_400.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686355435770688738" /></a>Ida could be wickedly funny herself, but she publicly acknowledged her "terrible temper," and explained that she tried to control it but found that "keeping it back sometimes upsets me." Louis discovered he could lure his wife from her black moods by laughter, but her volatile fits and evanescent rages caused slammed doors and marital scars. Ida felt more comfortable around men. The distance she kept from her fellow females masked a grave insecurity and a fear of competition. But for Ida, women, especially actresses, were a curious breed: "A woman in show business isn't honest with herself... so how can she be honest with another woman? We are all of us acting every minute of the day and night."<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUooqx7Fw9hP5IdHpX-RR8JTKCYUT4n9BDhlrPlmTWSnBeysNspsL2sb6yyDSlXXr-pJqU2abe1nTZYrBu9rF4a8DNHWu4CoEPGLg30yqwePgywHRbbA-sMTALM5ILNxIs_QeGOJFnEIA/s1600/AnnS.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 250px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUooqx7Fw9hP5IdHpX-RR8JTKCYUT4n9BDhlrPlmTWSnBeysNspsL2sb6yyDSlXXr-pJqU2abe1nTZYrBu9rF4a8DNHWu4CoEPGLg30yqwePgywHRbbA-sMTALM5ILNxIs_QeGOJFnEIA/s320/AnnS.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686357892814803490" /></a>“There was a certain kind of fantasy, a certain imagination that is not accepted now. The world is too small. Those were glamorous days.” ~Ann Sheridan about her time in Hollywood<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkqAF-svpLg4v7HjmWvxm22zI5NsR-mv-WbsS47nBLE3c4AR6xekIf50muJ39HcvcgbSxjO_CQwE1-VPEPZp16z8GbKsSOjYm_bADE2ej7mxIjWBze15ZuU5yXarnrHcejsu2kXmE0rZk/s1600/tumblr_lh39qaksrF1qbqw5eo1_r1_400.png.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 183px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkqAF-svpLg4v7HjmWvxm22zI5NsR-mv-WbsS47nBLE3c4AR6xekIf50muJ39HcvcgbSxjO_CQwE1-VPEPZp16z8GbKsSOjYm_bADE2ej7mxIjWBze15ZuU5yXarnrHcejsu2kXmE0rZk/s320/tumblr_lh39qaksrF1qbqw5eo1_r1_400.png.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686401166420143746" /></a>Ida Lupino & Ann Sheridan dancing on the set of "They Drive By Night" (From the book "Here’s Looking at You Kid: 50 Years of Fighting, Working and Dreaming at Warner Bros." by James R. Silke)<br /><br />Despite her comments, Lupino's contradictory nature brought exceptions. Ann Sheridan was always a dear chum because she was "honest, feminine and yet had masculine directness."<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmtoR9FH38enTaiPGFm6IqTGfP0i1N2qjWRVARwkJyi9j5tCrx8MNEtkbHwFiuRoKgBmHew42Y3q5zchbeQNuaxKoR5fnyKFQGpmhdEVZzfD-ffTMiGpsOcgwxplCISrhFLRQ2UQmVa48/s1600/tumblr_li0x0nHBAI1qbqw5eo1_400.png"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 252px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmtoR9FH38enTaiPGFm6IqTGfP0i1N2qjWRVARwkJyi9j5tCrx8MNEtkbHwFiuRoKgBmHew42Y3q5zchbeQNuaxKoR5fnyKFQGpmhdEVZzfD-ffTMiGpsOcgwxplCISrhFLRQ2UQmVa48/s320/tumblr_li0x0nHBAI1qbqw5eo1_400.png" border="0" alt=""id="BLOGGER_PHOTO_ID_5686388191100129026" /></a>After fourteen months of marriage, Howard said goodbye. He was barely out the front door when Louella Parsons had the story in print: "The strangest separation of all time is that of Ida Lupino and Howard Duff... there had been no quarrel, no trouble of any kind, and Ida thought everything was going along smoothly when Howard walked out of the house. He said he was leaving and was through."<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-gemcMZfsvyYOdCjylaPTYXiJAHwNe8UesHbdUt5-cMRSJAEXH_VZo2e0m2s7sJaycVH9R5wscxxivjdXQ1KfxMpk6LqZldPIHeug2TocZTZCZafIlH8154CXH9a3WZZtE6ZxK5P6Ucg/s1600/tumblr_lubqa4YlIs1qz5q5oo1_500.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 249px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-gemcMZfsvyYOdCjylaPTYXiJAHwNe8UesHbdUt5-cMRSJAEXH_VZo2e0m2s7sJaycVH9R5wscxxivjdXQ1KfxMpk6LqZldPIHeug2TocZTZCZafIlH8154CXH9a3WZZtE6ZxK5P6Ucg/s320/tumblr_lubqa4YlIs1qz5q5oo1_500.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686358699985151698" /></a>When Barbara Stanwyck turned down the role of Stella Goodwin in "Out of the Fog", Ida jumped at it. Producer Henry Blanke asked George Raft to play the heavy, but he declined. Bogart asked for the role, but Lupino used her influence and Blanke agreed that her pal John Garfield would play the extortionist. <br /> <br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhncsj6MG4NK7QOt4RhoE-ChbCifeFCx9buC9_dtfA_ML1w1WF26Qlxve167F0Z3FCQRZGRvI4ViA0qy5ks95j6LAQH0Q5Zl5GMIumu7kswCoN-gXG803Tw0v9Ym47VClAD2FPu5Z-BgcU/s1600/tumblr_lfo4965k6b1qdox96o1_1280.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 258px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhncsj6MG4NK7QOt4RhoE-ChbCifeFCx9buC9_dtfA_ML1w1WF26Qlxve167F0Z3FCQRZGRvI4ViA0qy5ks95j6LAQH0Q5Zl5GMIumu7kswCoN-gXG803Tw0v9Ym47VClAD2FPu5Z-BgcU/s320/tumblr_lfo4965k6b1qdox96o1_1280.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686359446095970466" /></a>Ida Lupino and John Garfield in "Out of the Fog" (1941) directed by Anatole Litvak<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4x3xX8QGBK_9pCyxaks0xlZpiNlcMyxnjmx1LvC97c3U_6Mud51oVPcE6JvG2xg8V9MVJXz08CXEFxkLPNJVrOMCm_jFFb9C8JntfzspbJzRYCvwk9NdW6iVCkbG_FhsECsaMRFsrYy0/s1600/tumblr_lgmife4Y7Z1qdox96o1_500.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 254px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4x3xX8QGBK_9pCyxaks0xlZpiNlcMyxnjmx1LvC97c3U_6Mud51oVPcE6JvG2xg8V9MVJXz08CXEFxkLPNJVrOMCm_jFFb9C8JntfzspbJzRYCvwk9NdW6iVCkbG_FhsECsaMRFsrYy0/s320/tumblr_lgmife4Y7Z1qdox96o1_500.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686393494787746370" /></a>Anatole Litvak, highly regarded at Warner Bros. for such successes as "City for Conquest" and "Confessions of a Nazi Spy", would direct. Ida pored over her script, quite excited by the fine writing and drama in Shaw's play-an honest depiction of social injustice, a study of "gentle people" who are pushed so far they rise up to exterminate the aggressor. The screenplay by Robert Rossen, Jerry Wald and Robert Macaulay remained true to the play, maintaining as much realism as possible. <br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiH_sBMaMtvfWlF-e45fbXJ3Hv71WS3jGI6IGykEMAXV_CzSgdkCNXKlr8JamzTciJ_aBFwpo-PGgdMTqnZI4jsQtlxG2fr4bFAkAFGA8RhFT-Ma3LQ258KaWDQAdaf60gFBcOw2LpAD0/s1600/vlcsnap-2011-12-15-17h35m31s83.png.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 290px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiH_sBMaMtvfWlF-e45fbXJ3Hv71WS3jGI6IGykEMAXV_CzSgdkCNXKlr8JamzTciJ_aBFwpo-PGgdMTqnZI4jsQtlxG2fr4bFAkAFGA8RhFT-Ma3LQ258KaWDQAdaf60gFBcOw2LpAD0/s320/vlcsnap-2011-12-15-17h35m31s83.png.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686395240887058114" /></a>On the film's release, the publicity department proclaimed "Lupino and Garfield-Most Exciting New Screen Team!". "Out of the Fog" opened to good reviews. "A moving and thought-provoking drama... Lupino created another outstanding character in her repertoire of tragic and oblique women, etches unforgettable. John Garfield makes his satanic portrayal the essence of symbolic villainy," said Variety. <br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjq-xTgn8IVwh25cI5mfozJMWMwqdxCCvtRR7Dw3-2myCa8_zW0U2dNiKvO4jmIO38bGDLIP3JNWBzbkdyet3P2HtVyLOgNbRybVO46m0Ojm6Nbli_tYCxqS6Yj_NNXGZUO7v37EGkGTss/s1600/tumblr_lgfory21f91qd88ijo1_500.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 254px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjq-xTgn8IVwh25cI5mfozJMWMwqdxCCvtRR7Dw3-2myCa8_zW0U2dNiKvO4jmIO38bGDLIP3JNWBzbkdyet3P2HtVyLOgNbRybVO46m0Ojm6Nbli_tYCxqS6Yj_NNXGZUO7v37EGkGTss/s320/tumblr_lgfory21f91qd88ijo1_500.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686362944539537458" /></a>After his difficulty obtaining film work, Garfield returned to his roots, the New York stage. He was a smash in "The Big Knife", "Peer Gynt" and "Golden Boy". Garfield had sent Ida tickets to see him onstage. She arrived at his apartment with a writer friend from the New York Times for a toast before the performance. Garfield opened the door in his dressing gown. Ida was taken aback by his haggard appearance. "Hi, doll," she greeted him. "Oh, it's good to see you, Lupi." Ida introduced her escort, then Garfield prepared cocktails. "I have a little present for you, Lupi." He glanced at Ida's friend, then said: "I'm going to ask her to come into my bedroom but not for what you think." As Ida followed him, she felt uneasy. Garfield looked deathly ill, and he lacked energy and exuberance. He pointed to a basket of flowers, champagne and glasses. <br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGzQcID2BVrLcYtK15ZaquCkkzTpm-E7QQxG50s5WO8W9wNYKIxnvSK0ekwA3QEL0iS7lbbwd-chDjCUdcVkzaApT9KVWMUdG6t9JX65ZvwKWouQU9NzCWW1rXmoljcJzZKOyqnT6c4YU/s1600/tumblr_lhm64i4CSB1qdox96o1_400.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 284px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGzQcID2BVrLcYtK15ZaquCkkzTpm-E7QQxG50s5WO8W9wNYKIxnvSK0ekwA3QEL0iS7lbbwd-chDjCUdcVkzaApT9KVWMUdG6t9JX65ZvwKWouQU9NzCWW1rXmoljcJzZKOyqnT6c4YU/s320/tumblr_lhm64i4CSB1qdox96o1_400.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686363886760579010" /></a>Ida read the note: "To my favorite sister. Sorry, I'm not going to make it tonight but I've always loved you, kid. Julie." Ida was perplexed. "What do you mean?" she asked. "I'm not going to make it tonight or any other night," answered Garfield. "I'm booked." Ida was shocked. "I'm glad you gave me a good stiff drink. Now I have a present for you. All that junk about you being a Communist has been cleared up." Ida and her friend declined to see the play, since Garfield wasn't appearing. Ida, as she had promised, returned to Garfield's place to say goodnight. She was still worried about her friend. She tapped softly at the door and found it open. The living room was dark. In his bedroom a single lamp on a nightstand fell on Garfield, propped up on pillows sleeping. "Goodnight, Johnny. We all love you," Ida whispered. He opened his eyes and thanked her. She leaned down and hugged him. "Would you mind holding my hand till I drop off?" he asked. The words sent a chill through Ida. "You bet," she told him. "I'll sit here till daylight if you want." She held his hand until he was sound asleep. <br /><br /><object width="402" height="375" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" id="ep"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie" value="http://i.cdn.turner.com/v5cache/TCM/cvp/container/mediaroom_embed.swf?context=embed&videoId=350584" /><param name="bgcolor" value="#000000" /><embed src="http://i.cdn.turner.com/v5cache/TCM/cvp/container/mediaroom_embed.swf?context=embed&videoId=350584" type="application/x-shockwave-flash" bgcolor="#000000" allowfullscreen="true" allowscriptaccess="always" width="402" height="375"></embed></object><br />Ida Lupino & John Garfield in "Out Of The Fog" -We Don't Believe In Pirates (Movie Clip)<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh11LpZ1CrUf8VZBgGHaFfFkx4akhA8Io7RBod9MaZNNhvgMIfMI85pq2MMNz5qk8uyWo81evCuOmmPdHCYsiQXlEP4kG38u3Tab_UfHLviyciyBGH4ifjuzSU-0zTS0QWeN3eVI6rQhgE/s1600/Out_of_the_Fog-WA_DVD_01804.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh11LpZ1CrUf8VZBgGHaFfFkx4akhA8Io7RBod9MaZNNhvgMIfMI85pq2MMNz5qk8uyWo81evCuOmmPdHCYsiQXlEP4kG38u3Tab_UfHLviyciyBGH4ifjuzSU-0zTS0QWeN3eVI6rQhgE/s320/Out_of_the_Fog-WA_DVD_01804.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686396872337981762" /></a>-Ida Lupino (Stella): All I know is that when he talks, I feel like I'm burning. He knows it, too, and even so, he laughs, and then I get hot and cold all over, and I feel like yelling. Nothing that ever happened to me before made me feel like this.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdkU18bT4k97NweyaYHjiR8yy6F4pVcFPF5ICXxErp-WxuMiDFMezFj7qePRtnK3fTJ-U4ujtLDY9nMS5w9zbVLcLWwdxLPpySAU84QRg1igUghS7vsV83GdNadv1ooYrHx9YgDNJlk2c/s1600/tumblr_lv5805aLsN1qd88ijo1_500.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 246px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdkU18bT4k97NweyaYHjiR8yy6F4pVcFPF5ICXxErp-WxuMiDFMezFj7qePRtnK3fTJ-U4ujtLDY9nMS5w9zbVLcLWwdxLPpySAU84QRg1igUghS7vsV83GdNadv1ooYrHx9YgDNJlk2c/s320/tumblr_lv5805aLsN1qd88ijo1_500.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686397439427129586" /></a>What lay behind the penetrating blue eyes? I was curious. She craved solitude and attention simultaneously, just as her entrancing eyes harbored both fire and ice, love and hate, brilliance and wildness. The rays of emotion she emitted were intense, like those of a revolving prism, unique and exceedingly bright. -"Ida Lupino: A Biography" by William Donati (2000)<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDxohMGWDGoejMogReekXBWH0YKRUWGQfWdDG97y3dcl4S4O22Im4PUl7Ll78TW2cJt6enUhbqw3xxaXi4V-vqIR475_KnGwewXiVwxwZq-KoqfkRP5cu1NGJrr9qAdEM1u1bg6MXlaWE/s1600/tumblr_ls5zknRnhw1qdox96o1_500.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 250px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDxohMGWDGoejMogReekXBWH0YKRUWGQfWdDG97y3dcl4S4O22Im4PUl7Ll78TW2cJt6enUhbqw3xxaXi4V-vqIR475_KnGwewXiVwxwZq-KoqfkRP5cu1NGJrr9qAdEM1u1bg6MXlaWE/s320/tumblr_ls5zknRnhw1qdox96o1_500.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686387270397595858" /></a>Robert Ryan and Ida Lupino in "Beware My Lovely" (1952) directed by Harry Horner<br /><br />Ida Lupino plays a pretty widow who impulsively hires a handyman (Robert Ryan) to look after her house. She soon learns Ryan is a dangerous schizophrenic, but by the time she comes to this realization she is unable to escape her house. The tension mounts apace, leading to an unexpected but quite logical finale. Produced by Lupino's then-husband Collier Young, "Beware My Lovely" was released by RKO Radio. The tension in the film is similar to what you would get in a Hitchcock film. This film is basically Robert Ryan versus Ida Lupino. These two great actors do an excellent job handling the bulk of the work. Lupino is one of the best looking old maids you will ever see and Ryan looks like his head is going to explode any minute, of course he made a living in those roles. In this role, however, Ryan is much more vulnerable than normal but just as volatile. <br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtmY4q6fgdrLHrvhbXEY4gW0QQ7p-I4X4A6_N-fv3zd-PCoonr1-oBuwJOmx2keXngP5yDI0V7cLeR6Ty3XJ1no_iqqCoehKAueEMzBketGy76oK5A55r-XZX5tvdYI5seeEl5uwX84PY/s1600/tumblr_li2yt3XZaf1qd88ijo1_500.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 251px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtmY4q6fgdrLHrvhbXEY4gW0QQ7p-I4X4A6_N-fv3zd-PCoonr1-oBuwJOmx2keXngP5yDI0V7cLeR6Ty3XJ1no_iqqCoehKAueEMzBketGy76oK5A55r-XZX5tvdYI5seeEl5uwX84PY/s320/tumblr_li2yt3XZaf1qd88ijo1_500.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686390414807400818" /></a>Ida Lupino and Robert Ryan in "On Dangerous Ground" (1952) directed by Nicholas Ray<br /><br />"One of the loveliest of Nick Ray's movies... a harsh film noir [that] gradually shifts to an ethereal romanticism reminiscent of Frank Borzage."—Dave Kehr<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-Vsah-d25RrSl-GBPOyKb6ioZmMNPJ1aBlLOgucEkW56CbHfB_qt5EPGjs_ZGsDgUfDv5vbLjn8c5adxZTnbSdSBovPpBOo8npMp1bAloBcO4f5gyOeCLHzuoneHb_1WP8zJcWegjVF0/s1600/tumblr_lm3c8zMMv51qd88ijo1_500.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 261px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-Vsah-d25RrSl-GBPOyKb6ioZmMNPJ1aBlLOgucEkW56CbHfB_qt5EPGjs_ZGsDgUfDv5vbLjn8c5adxZTnbSdSBovPpBOo8npMp1bAloBcO4f5gyOeCLHzuoneHb_1WP8zJcWegjVF0/s320/tumblr_lm3c8zMMv51qd88ijo1_500.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686392958570826258" /></a>Perhaps the purest expression of Ray's belief in the transformative power of love and a classic of its genre, "On Dangerous Ground" is among his most beautiful and moving works. Written by A. I. Bezzerides of "Kiss Me Deadly" fame, the film opens in the harsh urban world of noir, Bernard Herrmann's score flaying nerves as Robert Ryan's coiled cop takes to the mean streets as a semi-psychotic avenging angel ("Why do you make me do it?" the tormented Ryan screams at the latest lowlife he pummels within an inch of his life). It is hard to say what is more stirring: Ryan's forsaken aloneness or Lupino's isolate vulnerability. The daring stylistic and tonal contrasts between the film's two halves, and the theme of the difference between moral and physical sight, intensify the film's tragic irony; in the end, all ground seems dangerous. Lupino actually directed some scenes when Nicholas Ray became ill during the shoot.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgORz3Fmcr8K56K2TJ5MP713thiTaLZcQSgPVlNwBPOKM0HFHFPUu9_FqVkFGoWERq7bghUQpoSVr9ddKJj_g7mlfV68Q0flfui3bdRrIwcs5Jm_5yvVVdA1AII7l1Y2vJSgvbSMZWvlr4/s1600/tumblr_luw7owK9z11qbqw5eo1_500.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 259px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgORz3Fmcr8K56K2TJ5MP713thiTaLZcQSgPVlNwBPOKM0HFHFPUu9_FqVkFGoWERq7bghUQpoSVr9ddKJj_g7mlfV68Q0flfui3bdRrIwcs5Jm_5yvVVdA1AII7l1Y2vJSgvbSMZWvlr4/s320/tumblr_luw7owK9z11qbqw5eo1_500.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686400432616056514" /></a>“I’d love to see more women working as directors and producers. If Hollywood is to remain on the top of the film world, I know one thing for sure —there must be more experimentation with out-of-the-way film subjects”. -Ida Lupino<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1OE9eJgzVThjWL4SDgSi92IiVLGmAE97fuYnZGsXwXObFl68NNyBCw8MATan-k444ftV18WyuPP-Mta3WfaUbgN6Thyx6AHtQsUn8umGaUckGV_HKj9Tu8vJxVkSG_BZfchWruuYa8Mk/s1600/tumblr_lmwt2tPzEM1qd3ucoo1_500.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 226px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1OE9eJgzVThjWL4SDgSi92IiVLGmAE97fuYnZGsXwXObFl68NNyBCw8MATan-k444ftV18WyuPP-Mta3WfaUbgN6Thyx6AHtQsUn8umGaUckGV_HKj9Tu8vJxVkSG_BZfchWruuYa8Mk/s320/tumblr_lmwt2tPzEM1qd3ucoo1_500.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686398503847491602" /></a>“She was a woman director of real personality; her pictures are as tough and quick as those of Samuel Fuller. She was a pioneer for women, especially because she carved out her own territory instead of just waiting to be asked… She proved herself a competent director of second features, and an early discoverer of feminist themes. Thus 'The Bigamist' is not just melodrama, but a critique of woman’s vulnerability.” - David Thomson (The New Biographical Dictionary of Film, 2002)<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfNZt6AJjGcsdJQiCBPtdndBvGSFRBrCCGRoVOTftpLipnI9Z8KQ2yAxhRhd9jZRV8yxzWCK38ThXCdwOF669WxgjSeHaLhCKUZKTl9WrX8FwTurS9OQGxV0LvuqUCqQi3qNU-m4g8uH8/s1600/tumblr_lig900WGfo1qdox96o1_500.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 229px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfNZt6AJjGcsdJQiCBPtdndBvGSFRBrCCGRoVOTftpLipnI9Z8KQ2yAxhRhd9jZRV8yxzWCK38ThXCdwOF669WxgjSeHaLhCKUZKTl9WrX8FwTurS9OQGxV0LvuqUCqQi3qNU-m4g8uH8/s320/tumblr_lig900WGfo1qdox96o1_500.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686385606079689794" /></a>“She was so real, offbeat and just lots of fun.” — Cornel Wilde [Actor]<br /><br />“She wasn’t always easy, but she was worth it.” — Vincent Sherman [Director]<br /><br />“She is a very warm, very sensitive, very intelligent lady.” —Claire Trevor [Actress]<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivPzO5OQpM66Ct7m4iUvaGQxaGS5WqTdJWEa74L9Cgyyfu81jBD_zm9QIXcamue-Sv4I1iArDomkwO-LK22A9RpEMJJm9NLa87f-x9n3KQVifpyQpQ6qtP-UefOu0JylhntKtnDE2fwII/s1600/tumblr_lw0n9rsf001qbqw5eo1_500.png"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 264px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivPzO5OQpM66Ct7m4iUvaGQxaGS5WqTdJWEa74L9Cgyyfu81jBD_zm9QIXcamue-Sv4I1iArDomkwO-LK22A9RpEMJJm9NLa87f-x9n3KQVifpyQpQ6qtP-UefOu0JylhntKtnDE2fwII/s320/tumblr_lw0n9rsf001qbqw5eo1_500.png" border="0" alt=""id="BLOGGER_PHOTO_ID_5686396137981210546" /></a>“She was electric. She never had the popularity she should have had. She was a fine actress. She was beautiful. She had a fabulous figure and was a great director. Maybe she was too strong for those days.” —Sally Forrest [Actress]makmurhttp://www.blogger.com/profile/16503348453794990005noreply@blogger.comtag:blogger.com,1999:blog-5330798964313302905.post-5089590989661181622011-12-15T02:24:00.000-08:002011-12-20T05:47:26.620-08:00James Dean as Jett Rink striking oil in "Giant"<object width="400" height="330"><param name="movie" value="http://www.megavideo.com/v/DW2QSHLE97afee78f5ab858c4d8e15f7383733c72"></param><param name="allowFullScreen" value="true"></param><embed src="http://www.megavideo.com/v/DW2QSHLE97afee78f5ab858c4d8e15f7383733c72" type="application/x-shockwave-flash" allowfullscreen="true" width="400" height="330"></embed></object><br />One of James Dean's greatest scenes (along with the birthday scene from Elia Kazan's "East of Eden") in "Giant" directed by George Stevens. Jett Rink is a great rise-and-fall story, embodied by a 24-year old Dean in his swan song. He would infamously die just 2 weeks after wrapping up his scenes for this movie. Film legend James Dean in his final role as Jett Rink, here taking stock of the little piece of Texas land left to him by Luz Benedict. Set magnificently to music by (the also legendary) Dmitri Tiompkin. "James Dean's talent glows like an oilfield flare.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEio2fnA8LnQRV9g4r6jR1la7AXZMc9DXn21jnJ41pp879hZYYWW4YlRkCvB56_ZsrqGf4faUOqX_OQMStfXAMuQAS8JSESyir0LyWf9bil7-LPpOYHGSqHZSTiX6Hg3XwJrdO3Y44oUmLg/s1600/eeettttthjjetrc.bmp.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 315px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEio2fnA8LnQRV9g4r6jR1la7AXZMc9DXn21jnJ41pp879hZYYWW4YlRkCvB56_ZsrqGf4faUOqX_OQMStfXAMuQAS8JSESyir0LyWf9bil7-LPpOYHGSqHZSTiX6Hg3XwJrdO3Y44oUmLg/s320/eeettttthjjetrc.bmp.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686310077495956466" /></a>When James Dean’s character Jett Rink strikes oil as a wildcatter in George Steven’s 1956 epic, "Giant", he goes up to the big house where Liz Taylor lives in order to laugh and drip oil all over the front porch. Covered in West Texas Intermediate crude (later to become the benchmark grade, traded in New York) he gets, shall we say, a little forward with Liz. That’s when Rock Hudson steps in, and decks him.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHarEXX6aa4lbj7ySGOQ4veqmn0DiTfEXbkwZeSAtAChMagzX1GnrZcZjEWI_gghOaODLjeRTuUA2CT_otVAF4QNcTVGWTBpA5-ddasKieRV0axVOqVSszjcK7qEBk4O3CGJu7gqeXYqc/s1600/01.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 248px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHarEXX6aa4lbj7ySGOQ4veqmn0DiTfEXbkwZeSAtAChMagzX1GnrZcZjEWI_gghOaODLjeRTuUA2CT_otVAF4QNcTVGWTBpA5-ddasKieRV0axVOqVSszjcK7qEBk4O3CGJu7gqeXYqc/s320/01.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686316155282247298" /></a>Elizabeth Taylor and Rock Hudson in a publicity still for 'Giant' (1956), George Stevens' mammoth tale of oil men in Texas.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgKGkbbAeDZjnOK-JGbsyfMV6P5Br7ub5qulhJiYgFkws620NsTs82YgPhH4mntilSPxSnG4innFoLIGxg8iZzZlmRp1CSV1Pr2Dt-bl-SruzAwibABjuoO8PuRJ05knUNB8-GiU0wBj8/s1600/eeettttthjjetrcet.bmp.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 262px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgKGkbbAeDZjnOK-JGbsyfMV6P5Br7ub5qulhJiYgFkws620NsTs82YgPhH4mntilSPxSnG4innFoLIGxg8iZzZlmRp1CSV1Pr2Dt-bl-SruzAwibABjuoO8PuRJ05knUNB8-GiU0wBj8/s320/eeettttthjjetrcet.bmp.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686310775344171666" /></a> Jack Warner tried to have certain scenes modified in "Giant". Namely, the reference Elizabeth Taylor makes to the oil depletion allowance which favored oil companies. Something like, "How about an appreciation for first class brains?" The oil interests put pressure on the studio, and Jack Warner begged George Stevens to take the line out. George said, "No dice."<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYnhg3bi9oS-CBeHzGpaipHqAeOZevqy4TOCmAb7w_Tj_qV74zC3eihpmifN8rkAwzn461aGuiEvvUecIjGAi7TsbWJor-AjwY9IjTkhGrWlT_m-hUEZK_d_QZWrKquAII-oeUNDX7UYM/s1600/eeettttthjj.bmp.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 274px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYnhg3bi9oS-CBeHzGpaipHqAeOZevqy4TOCmAb7w_Tj_qV74zC3eihpmifN8rkAwzn461aGuiEvvUecIjGAi7TsbWJor-AjwY9IjTkhGrWlT_m-hUEZK_d_QZWrKquAII-oeUNDX7UYM/s320/eeettttthjj.bmp.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686310354641716818" /></a>James Dean as Jett Rink, soaked in oil in "Giant" (1956) directed by George Stevens<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoSFtnYChOPxKVWn41-rG4lrZSYK8dzsQlswVFbU5ItsNXm5MC3Na9GpQejZcD6xsY6ywz8VdIai3P2bjEGXH9kSYqB6R6kAQR-z4GUKL5OvO_JSm5Z2GtJvrbOcKcW8U-xd8P6E-OOtQ/s1600/james-dean-giant-oil-photograph.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 249px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoSFtnYChOPxKVWn41-rG4lrZSYK8dzsQlswVFbU5ItsNXm5MC3Na9GpQejZcD6xsY6ywz8VdIai3P2bjEGXH9kSYqB6R6kAQR-z4GUKL5OvO_JSm5Z2GtJvrbOcKcW8U-xd8P6E-OOtQ/s320/james-dean-giant-oil-photograph.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686317634511856018" /></a>Giant and Texas Oil Tycoons: Through the years Bick attempts to buy the parcel in order to consolidate his land, but the stubborn Jett Rink refuses to sell. Jett's parcel later produces black gold, making him fabulously wealthy as a Texas oil driller. Bick, however, prefers to remain a rancher up until World War II, where he grudgingly begins to drill for oil on his property in order to support the war effort.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgh0YcnzHSMWAI9y1wPmIdJZvM85-qA78Hfv4w8xBYapg555X75z81FIJUM3C2e7MrxDLyjQ4DBjjP57WGcHDzpvOluq8NENn-n8pz0OuEh_RBH-Gv4Lp1LCNvJP2n6a7niW0fuNtw9TpU/s1600/tumblr_lq7kocflSr1qbfwcto1_500.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 254px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgh0YcnzHSMWAI9y1wPmIdJZvM85-qA78Hfv4w8xBYapg555X75z81FIJUM3C2e7MrxDLyjQ4DBjjP57WGcHDzpvOluq8NENn-n8pz0OuEh_RBH-Gv4Lp1LCNvJP2n6a7niW0fuNtw9TpU/s320/tumblr_lq7kocflSr1qbfwcto1_500.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686319717760707698" /></a>When Jett Rink strikes oil and runs in triumph to the Benedict house, Edna Ferber (author of "Giant" novel in 1952) writes: "his face was grotesque with smears of dark grease and his damp bacchanalian locks hung in tendrils over his forehead. He came on, he opened the door of the screened veranda, he stood before the company in his dirt and grease, his eyes shining wildly... The man stood, his legs wide apart as though braced against the world. The black calloused hands with the fingers curiously widespread as they hung, his teeth white in the grotesquely smeared face". <br /><br />Considerating the differences between the times when "Giant" was filmed and the modern <a href="http://www.tradequip.com">oil field tools</a>, we can trace a history of advancing drilling techniques in this field. <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqXa0HVAgqNFUFO_8lGDV8Do42J3g0JDSlfmXyqVW16wQKKH3eNLBO8ZbfII0b4_RZ7qRGauVpfdPOG-EtU7cUqUHnVB7eqpdM_qWiQQR8tzSaNv3QB6FwIG_wmQl8diXMZyW37uvnyGY/s1600/03+-+copia.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 216px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqXa0HVAgqNFUFO_8lGDV8Do42J3g0JDSlfmXyqVW16wQKKH3eNLBO8ZbfII0b4_RZ7qRGauVpfdPOG-EtU7cUqUHnVB7eqpdM_qWiQQR8tzSaNv3QB6FwIG_wmQl8diXMZyW37uvnyGY/s320/03+-+copia.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5686315985036454946" /></a>"Giant" was set in the 1930′s, a time when the price of oil was controlled by the Texas Railroad Commission because of overwhelming supply. The timeline on the price of oil during this period is actually a story worth tracking. Using the BP Statistical Review’s larger database on the price of oil going back to 1861, it appears that by 1920, the production of the Model T may have triggered enough oil demand to finally get prices over 3.00 a barrel (about 34.00 in today’s dollars). But then the Black Giant of East Texas was discovered. And that sent prices back down to uneconomic levels.makmurhttp://www.blogger.com/profile/16503348453794990005noreply@blogger.comtag:blogger.com,1999:blog-5330798964313302905.post-86809457943182534852011-12-13T06:56:00.000-08:002011-12-20T05:47:26.620-08:00Ideal Star: Gloria Dickson (1939), Jennifer Anniston (2011)<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj48Gb3pbLE8pmfBG8hw_v6BxQ3eTWdwXPyi1SiWloZmxrdL6E8WWmA5SYns4Xet1dVuCe0T1cBOjtKs7LB2BqccRb-G-zFgF8o1aVjTz75vxACw1J95wLQcNQvZZCrhZtfNxJ2VU-in6Y/s1600/bogu5hfxodo1ugh1.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 284px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj48Gb3pbLE8pmfBG8hw_v6BxQ3eTWdwXPyi1SiWloZmxrdL6E8WWmA5SYns4Xet1dVuCe0T1cBOjtKs7LB2BqccRb-G-zFgF8o1aVjTz75vxACw1J95wLQcNQvZZCrhZtfNxJ2VU-in6Y/s320/bogu5hfxodo1ugh1.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685609660281026162" /></a>Gloria Dickson (1916–1945) Birth Name: Thais Dickerson<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHgFFRnEkFYEbF_nyCyJs17NzqGzBTqHTS9bvC2C409nLeLyVDHU6gzvXdheTAnFU2PIAFOtcw0PBeipRF_9WxC4vBiY0_h803qTechWtaZZeIQbg8cmSoqxxGqtIa5YqNvEiEC9Tj36Y/s1600/4430030999_8f156119e1_o.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 254px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHgFFRnEkFYEbF_nyCyJs17NzqGzBTqHTS9bvC2C409nLeLyVDHU6gzvXdheTAnFU2PIAFOtcw0PBeipRF_9WxC4vBiY0_h803qTechWtaZZeIQbg8cmSoqxxGqtIa5YqNvEiEC9Tj36Y/s320/4430030999_8f156119e1_o.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685616222064198562" /></a>Gloria Dickson was established early as one of Warner Brothers leading ingenues. She married Perc Westmore, Warners’ Make-up Artist, and a member of the famous Westmore Cosmetics Family. She began to drink heavily. Perc too was a heavy drinker.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNrpWapBbEcxsd4nHoPsDI-gAOxBg_x-ORkjxMqOQsnu-SFk-Sde3D0MwGc4qWjpjldPaMfDLrMDhQzY8MtqO-maGptYj0Adyk8u_HzXdTYky9sJDVS2C6Ex2TfKLeaQtcYEqcNVvoJmM/s1600/6i4q1jr4kyb00b4.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 284px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNrpWapBbEcxsd4nHoPsDI-gAOxBg_x-ORkjxMqOQsnu-SFk-Sde3D0MwGc4qWjpjldPaMfDLrMDhQzY8MtqO-maGptYj0Adyk8u_HzXdTYky9sJDVS2C6Ex2TfKLeaQtcYEqcNVvoJmM/s320/6i4q1jr4kyb00b4.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685611561160837522" /></a>Gloria Dickson and John Garfield had a torrid affair. [while filming "They Made Me A Criminal" directed by Busby Berkely in 1939]<br /><br />Gloria and Perc divorced. Her physical appearance had changed, and soon she was doing character roles. She married twice more; her last husband, an ex-middleweight boxer, was the former bodyguard to Jean Harlow. Tragically, Gloria Dickson died in 1945, just months shy of her 29th birthday in a house fire. <a href="http://classicmoviechat.com/?tag=gloria-dickson">Source: classicalmoviechat.com</a><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7-jaCU-xt-IwwU8gnGZfTCRb6NeWl5QLqzITnLAQx-6UqnHVZ3lC2ZXFaI7sYDCXio1SLhSuGFGET1XjBvKlBrCLm4VkouZLDWr49l5h2mKc4IiW9l27jUzFFme_CiW_brwBBIVEVmMM/s1600/2401285%252CZHnoDM6IcTt_Vg24MIZ1XGy86lELKQYaAajygOTY_lZ0RBN5mzBRRxQi6UMyhfhYngDK1tyCq69kIE0Vls0ppQ%253D%253D.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 256px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7-jaCU-xt-IwwU8gnGZfTCRb6NeWl5QLqzITnLAQx-6UqnHVZ3lC2ZXFaI7sYDCXio1SLhSuGFGET1XjBvKlBrCLm4VkouZLDWr49l5h2mKc4IiW9l27jUzFFme_CiW_brwBBIVEVmMM/s320/2401285%252CZHnoDM6IcTt_Vg24MIZ1XGy86lELKQYaAajygOTY_lZ0RBN5mzBRRxQi6UMyhfhYngDK1tyCq69kIE0Vls0ppQ%253D%253D.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685613229978036722" /></a>14 September 1938 on the set of 'They Made Me a Criminal': "I found that a window in one of the walls built on the sound stage offered the best view of a scene being played by John Garfield, Gloria Dickson and some of the Dead End kids. Soon I was joined by Perc Westmore, head of the makeup department and husband of the actress. We watched several unsuccessful takes of a different scene that was supposed to end in a tender cinch between Miss Dickson and Garfield.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhy_CVGzoeXaatAwJG9VP-Nole5ZOu-sIsYcPlMRurkEo6HBmh1G2ieHG8V75esfqunxi0uA9Fdavr2_Ma-OqFFMFBNr7LPaasSOGhIlGCtSoBIZdbb294m2HuBt3qCzzkMQrvSlVqoYFI/s1600/pih4948.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 258px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhy_CVGzoeXaatAwJG9VP-Nole5ZOu-sIsYcPlMRurkEo6HBmh1G2ieHG8V75esfqunxi0uA9Fdavr2_Ma-OqFFMFBNr7LPaasSOGhIlGCtSoBIZdbb294m2HuBt3qCzzkMQrvSlVqoYFI/s320/pih4948.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685614050091600498" /></a>The latter finally came to the window and said, ‘Perc, please get away from there. I can’t make love to a gal while her husband is peeking though a window at us.’ But Westmore wouldn’t move. We both moved, though, when an irate cameraman told us we were in the scene. And sure enough we were —reflected by a mirror on the opposite wall of the set. If any of the earlier takes had been approved, astonished audiences would have noticed a couple of complete strangers peeking through a window and smirking at a heavy love scene." <a href="http://www.glamourgirlsofthesilverscreen.com/show/67/Gloria+Dickson/register.php">Source: www.glamourgirlsofthesilverscreen.com</a><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtXYAf4gD7t17QptRbvQ3IhkmuqFbTe8vU8yIJ03C1K0_TJ5okXIQsmpxPvg5hgstJH32X_v1Wc6w9aNVP5-hOjakzYs_nL1CjIiuiinxfQMv68244hTpTXBJIRNs1oKcHDa7ywCkLcVA/s1600/Imageeerdddersdeettddceeddd.bmp.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 301px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtXYAf4gD7t17QptRbvQ3IhkmuqFbTe8vU8yIJ03C1K0_TJ5okXIQsmpxPvg5hgstJH32X_v1Wc6w9aNVP5-hOjakzYs_nL1CjIiuiinxfQMv68244hTpTXBJIRNs1oKcHDa7ywCkLcVA/s320/Imageeerdddersdeettddceeddd.bmp.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685587906254046290" /></a>LIFE magazine (January 2, 1939) Ideal Star: "This breathtaking morsel of feminine loveliness, this surpassing goddess of men's dreams is Hollywood's idea of the Ideal Movie Star. Mr. Westmore (Warner Bros' commissar of beauty) with the help of a studio artist he conconcted his Dream Star from parts of four real Warner goddesses: the hair of Gloria Dickson (Mrs. Perc Westmore), the nose of Olivia de Havilland, the lips of Ann Sheridan and the eyes of Priscilla Lane. This composite Venus would be worth at least half a million dollars a year -if she could act". -Oliver Hotspur (Hollywood, CA)<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzPpFq7wRo60oFfI00TbOiNNZ4I8YVsTwTJvRdDn2H0FPU-Ccw2EzC7jGY3mtUpUcg0lpCAbbcg7mXzbPGwzVDj0zBWcLym3MqjTFkWNDWRsI7Tx9TiTtQSYaiI9Esp5Ctrv36xSzQzEI/s1600/2iteqrlymiunimnr.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 258px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzPpFq7wRo60oFfI00TbOiNNZ4I8YVsTwTJvRdDn2H0FPU-Ccw2EzC7jGY3mtUpUcg0lpCAbbcg7mXzbPGwzVDj0zBWcLym3MqjTFkWNDWRsI7Tx9TiTtQSYaiI9Esp5Ctrv36xSzQzEI/s320/2iteqrlymiunimnr.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685606890508707794" /></a>Gloria Dickson<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi22ml68jFbo_Dz8yerG893Kp5umb_kxHDpNsMOVMJyEscDUtyiJ1uOj4chG201O2n_koif0-SP0k_cD9dyHY4icl5f_0rntVHOWXPo68_LHsK10Dy8ZTpUoGxpNLSgvcpu18PDV2BhpA4/s1600/85zkqw6wuzelkzwl.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 315px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi22ml68jFbo_Dz8yerG893Kp5umb_kxHDpNsMOVMJyEscDUtyiJ1uOj4chG201O2n_koif0-SP0k_cD9dyHY4icl5f_0rntVHOWXPo68_LHsK10Dy8ZTpUoGxpNLSgvcpu18PDV2BhpA4/s320/85zkqw6wuzelkzwl.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685608292482023218" /></a>Olivia de Havilland<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzjdXkGZm-jmSlk-O2durNebTcDD0Y2-fFWo1qk2TS3a1xwI1NRtGCiQsJ4GbzRhb72Qi88ttl8uEz1wytpVQmgH_FelSqKNhact-CdCvhSsPJH4LxUNJuxYTH98Rdg7fvC935EhUYheI/s1600/2p2dl9kd7qll2l27.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 252px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzjdXkGZm-jmSlk-O2durNebTcDD0Y2-fFWo1qk2TS3a1xwI1NRtGCiQsJ4GbzRhb72Qi88ttl8uEz1wytpVQmgH_FelSqKNhact-CdCvhSsPJH4LxUNJuxYTH98Rdg7fvC935EhUYheI/s320/2p2dl9kd7qll2l27.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685608704247478738" /></a>Ann Sheridan<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEii045bmEsionkduXnuBPtGOwOEgRTxl460kPTXE-RysQUvgTKFmaIcIptDk515b66phRbcjQrhEqpiNNCCnAMU0Hu7n87MEofPH2yGrjuwG4-v7fETm6d59ne863XppG4UVm2Eo-nr3xU/s1600/bxxj3zkyxubpxyb3.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 267px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEii045bmEsionkduXnuBPtGOwOEgRTxl460kPTXE-RysQUvgTKFmaIcIptDk515b66phRbcjQrhEqpiNNCCnAMU0Hu7n87MEofPH2yGrjuwG4-v7fETm6d59ne863XppG4UVm2Eo-nr3xU/s320/bxxj3zkyxubpxyb3.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685607690958762786" /></a>Priscilla Lane<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGWW_n08l0nOQvMNv8YQOWaDm96S9TOzr9j4G3ceqR50CbYPGqrLo9Qd95XMOLU_q0qtiE8eYvZpfFNeeEyQCUXnVozTGlJ7SiKaDyUHf_W4VlWnfUUQparhOkQ_NqTUyH-vX__sWFz08/s1600/Annex+-+Loy%252C+Myrna+%2528Shadow+of+the+Thin+Man%2529_01.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 258px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGWW_n08l0nOQvMNv8YQOWaDm96S9TOzr9j4G3ceqR50CbYPGqrLo9Qd95XMOLU_q0qtiE8eYvZpfFNeeEyQCUXnVozTGlJ7SiKaDyUHf_W4VlWnfUUQparhOkQ_NqTUyH-vX__sWFz08/s320/Annex+-+Loy%252C+Myrna+%2528Shadow+of+the+Thin+Man%2529_01.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685616604345651474" /></a>Myrna Loy as Nora Charles in "Shadow of the Thin Man" (1941) directed by W.S. Van Dyke<br /><br />Bronx native Irving Brecher (1914–2008) wrote and co-wrote such titles as 'Shadow of the Thin Man' and 'Meet Me in St. Louis' (which earned him an Oscar nomination), 'Somebody Loves Me' in 1952 and the iconic pilot for 'The Many Loves of Dobie Gillis' in 1959.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfnTrEOt9V_xpoeTbQrdKCADxSGw-Wj37Io1yMqDzc4ntMqGPuzmuxw7KOlgNDT40bCXxj8R0zMDio_ZaIlAbQkhBm0agMVsZkgaejd-nrHGw9WTsODWorVC0naGNj3coKMlEpFo6YEr4/s1600/MV5BNTMwNTI0MjEyMl5BMl5BanBnXkFtZTYwNTE3NTM2._V1._SX333_SY450_.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 237px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfnTrEOt9V_xpoeTbQrdKCADxSGw-Wj37Io1yMqDzc4ntMqGPuzmuxw7KOlgNDT40bCXxj8R0zMDio_ZaIlAbQkhBm0agMVsZkgaejd-nrHGw9WTsODWorVC0naGNj3coKMlEpFo6YEr4/s320/MV5BNTMwNTI0MjEyMl5BMl5BanBnXkFtZTYwNTE3NTM2._V1._SX333_SY450_.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685596576813006738" /></a>Ann-Margret as Kim MacAfee in "Bye Bye Birdie" (1963) directed by George Sidney, screenplay by Irving Brecher & Michael Stewart<br /><br />For his last script, Brecher adapted the satiristic musical 'Bye Bye Birdie' for the screen in 1963. He then retired from show business, eventually writing a memoir detailing his experiences in Hollywood, including his encounters with Milton Berle, Judy Garland, and Fred Astaire. <a href="http://movies.nytimes.com/person/82889/Irving-Brecher/biography">Source: movies.nytimes.com</a><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFprW_bp8wuE2qM9Myr0f6wb3FQZLJEz2mVxuUvGwFWwM4ZXjH_HUBYnXXhwSTOWlmOniPeeezG0bx3aorvc60xFwoRRGn5gA6G_eNfzE02ptcXmStDEO23EIdw63HIiJs9jNXVw9Y8vg/s1600/tumblr_lhjtgv97Ug1qbqw5eo1_1280.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 246px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFprW_bp8wuE2qM9Myr0f6wb3FQZLJEz2mVxuUvGwFWwM4ZXjH_HUBYnXXhwSTOWlmOniPeeezG0bx3aorvc60xFwoRRGn5gA6G_eNfzE02ptcXmStDEO23EIdw63HIiJs9jNXVw9Y8vg/s320/tumblr_lhjtgv97Ug1qbqw5eo1_1280.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685620797795694642" /></a>-Hank Rosenfeld: "I watched a documentary about the actor John Garfield on Turner Classic Movie channel, and it said he died at 39 when the House Un-American Activities Committee hounded him because his wife was a Communist and he refused to name names".<br /><br />-Irving Brecher (screenwriter, director, jokester): "Fuck Turner (TCM), Garfield was on top of a hooker." -<i><span class="Apple-style-span">"The Wicked Wit of the West: The last great Golden-Age screenwriter shares the hilarity and heartaches of working with Groucho, Garland, Gleason, Burns, Berle, Benny and many more"</span></i> by Irving Brecher & Hank Rosenfeld (2009)<br /><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhk003wKXBlzw2ow3azniuvMEXGt1_ZZBEQ90KwuS3RL7KohbghL8MEyzLLzppdu0Q0x2LzWxiW_F3WUpB5s__36Dr1ATUoz4-WXOi88JtqxReEXfLZyJ9V-p2JskuyUBlzezrE6tM1cjw/s1600/The_Good_Girl_227.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 190px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhk003wKXBlzw2ow3azniuvMEXGt1_ZZBEQ90KwuS3RL7KohbghL8MEyzLLzppdu0Q0x2LzWxiW_F3WUpB5s__36Dr1ATUoz4-WXOi88JtqxReEXfLZyJ9V-p2JskuyUBlzezrE6tM1cjw/s320/The_Good_Girl_227.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685599515659151282" /></a>Jake Gyllenhaal and Jennifer Aniston as Holden and Justine in "The Good Girl" (2002) directed by Miguel Arteta<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJXQZ4vAy1U4zHR4YDWJpHcWcS8EIt-oxJNLWkMRU0PuCVADsdgSdMdJQpGzsyZAemPYklezRjChY7Ynls0VOtzlm1TNZmzbXSQPLmXgbJFL34XQDiBkl49PLyuKrwyl8SIiTk8gp68xk/s1600/The_Good_Girl_072.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 178px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJXQZ4vAy1U4zHR4YDWJpHcWcS8EIt-oxJNLWkMRU0PuCVADsdgSdMdJQpGzsyZAemPYklezRjChY7Ynls0VOtzlm1TNZmzbXSQPLmXgbJFL34XQDiBkl49PLyuKrwyl8SIiTk8gp68xk/s320/The_Good_Girl_072.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685599936771100754" /></a>-Holden: "You're a hooker, you hooker".<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiv5Rzz9mZSV2Rzr5zZ8LHrMfQSyek49HxY48cpKAeg1HVIVBZw7EpDu5l75bo-ThWL5CgMkkVLHGZukeqkyDLe6nIe0SO2rXFHq9etrPly3Flpl5oUFJ_hGQ_7Z7ay2ymk798EyCmP5k/s1600/The_Good_Girl_102.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 180px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiv5Rzz9mZSV2Rzr5zZ8LHrMfQSyek49HxY48cpKAeg1HVIVBZw7EpDu5l75bo-ThWL5CgMkkVLHGZukeqkyDLe6nIe0SO2rXFHq9etrPly3Flpl5oUFJ_hGQ_7Z7ay2ymk798EyCmP5k/s320/The_Good_Girl_102.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685601270502452658" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhELaSpk3rbuTjKxdpnVPWtUdaAaKudSeMpK-UXRZbPQLttNoBt2YL4bAOtdEQ8N2SGnVahnWR3IjTiyrsJR-ldwkjkoNDC3PLho1iD4ZeMUqOaE5bnj4X9NyDVVmwxmMiIY8u-9x_GAC8/s1600/The_Good_Girl_100.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 188px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhELaSpk3rbuTjKxdpnVPWtUdaAaKudSeMpK-UXRZbPQLttNoBt2YL4bAOtdEQ8N2SGnVahnWR3IjTiyrsJR-ldwkjkoNDC3PLho1iD4ZeMUqOaE5bnj4X9NyDVVmwxmMiIY8u-9x_GAC8/s320/The_Good_Girl_100.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685600934448531458" /></a>-Justine: "Holden, calm down! Alright?"<br />-Holden: "I can't calm down! Easy if I was a hooker like you then I'd calm down all over town!"<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjEgjEM5yRgF7ZHX0mXMPH-26yYM0kMLRrmf0wsIDeFsgnXrUhM2ya8ZDs6D9KEfZWKG3-hgyiEBAC-Z1AWUy7m2ZYIHtHW6w4SzuSgmQ2ok7t5_k7ZQeJ-qJCgxPvtNB3wLjAnrHEtC8/s1600/jennifer-aniston-just-go-with-it-german-photo-call-10.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 244px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjEgjEM5yRgF7ZHX0mXMPH-26yYM0kMLRrmf0wsIDeFsgnXrUhM2ya8ZDs6D9KEfZWKG3-hgyiEBAC-Z1AWUy7m2ZYIHtHW6w4SzuSgmQ2ok7t5_k7ZQeJ-qJCgxPvtNB3wLjAnrHEtC8/s320/jennifer-aniston-just-go-with-it-german-photo-call-10.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685604131880068770" /></a>Jennifer Aniston attends the 'Meine Erfundene Frau' (My Imaginary Wife) photocall at Hotel Adlon on February 21, 2011 in Berlin.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8HpAShjm4-MTaGg1bHYd4fs5GP6oSiKKcLxQ127sJ5Q1uzEWWasMylYa7YUQw-Gd1EAX1uMo6wahZzkBFIUZZy35vqAR_MINLsiUP6X-2kHRFuIhHa-p1cwHvGrgt03SFxRcwy8xvNPQ/s1600/Jennifer%252BAniston%252BELLE%252B18th%252BAnnual%252BWomen%252BHollywood%252BTSFtkIhH2YPl.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 213px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8HpAShjm4-MTaGg1bHYd4fs5GP6oSiKKcLxQ127sJ5Q1uzEWWasMylYa7YUQw-Gd1EAX1uMo6wahZzkBFIUZZy35vqAR_MINLsiUP6X-2kHRFuIhHa-p1cwHvGrgt03SFxRcwy8xvNPQ/s320/Jennifer%252BAniston%252BELLE%252B18th%252BAnnual%252BWomen%252BHollywood%252BTSFtkIhH2YPl.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685604370020591634" /></a>Here are some highlights from the newly crowned sexiest lady...<br /><br />-MH: If you could name one woman the sexiest of all-time, who would you have picked?<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5sunSxAsnqQqGm9k1cQbuTV49PBpcBFPawH9zYTFp5tx4uMNEe_Bm5VdTLlqPcemRfxVvTCcm7kqx4QmUNiEk3NuVkamK6VqVbsR_Gohzfev3nNjNuvulz-SMVlnoEsRgVN3PXNionb0/s1600/gloria-steinem-2.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 252px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5sunSxAsnqQqGm9k1cQbuTV49PBpcBFPawH9zYTFp5tx4uMNEe_Bm5VdTLlqPcemRfxVvTCcm7kqx4QmUNiEk3NuVkamK6VqVbsR_Gohzfev3nNjNuvulz-SMVlnoEsRgVN3PXNionb0/s320/gloria-steinem-2.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685621579526601826" /></a>-Jennifer: It's a tie between Brigitte Bardot and Gloria Steinem. But if I had to choose one, I'd say Gloria because, well, she's the full package. That's sexy.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEideonRjRzXb54RqHoEEt1XftTZNRJrX8hWfbTS82d5OGpUABqCzT8vpbMCHngn-R_U356eXh1BALK1tg8-_5ZbQ6xdCfTBCz5tWpSZyk8xzEmfMiQ67yh4jLii5LqUczP-yaIeuR89U1c/s1600/382998_2832881059020_1168960123_33234254_610025730_n.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 261px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEideonRjRzXb54RqHoEEt1XftTZNRJrX8hWfbTS82d5OGpUABqCzT8vpbMCHngn-R_U356eXh1BALK1tg8-_5ZbQ6xdCfTBCz5tWpSZyk8xzEmfMiQ67yh4jLii5LqUczP-yaIeuR89U1c/s320/382998_2832881059020_1168960123_33234254_610025730_n.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685625747895693794" /></a>Marilyn Monroe in "How To Marry A Millionaire" (1953) directed by Jean Negulesco<br /><br />Also rounding up the top five were Raquel Welch, Marilyn Monroe, Britney Spears and Madonna. Ursula Andress came in at number six with Bettie Page, Pamela Anderson and Jane Fonda taking the next few spots. <a href="http://extratv.warnerbros.com/2011/12/the_extra_list_mens_health_names_top_5_sexiest_women_of_all_time.php#1__jennifer_aniston">Source: extratv.warnerbros.com</a><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjO7KQ9zRznklnQSFrZy6firicBeNyRUQbNy2Hn_1g_mwAtigwhQxHIvEYsAaGsC9TpJwBdW4plMKdQUklCnPzqYoGPTYyZ6VVAmWR-zcY7iyRvmF2mMjXO3_QwQ0fqYn8_XT0boj3u5uM/s1600/premiere_feb_2004_009.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 214px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjO7KQ9zRznklnQSFrZy6firicBeNyRUQbNy2Hn_1g_mwAtigwhQxHIvEYsAaGsC9TpJwBdW4plMKdQUklCnPzqYoGPTYyZ6VVAmWR-zcY7iyRvmF2mMjXO3_QwQ0fqYn8_XT0boj3u5uM/s320/premiere_feb_2004_009.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685602001726619394" /></a>Jennifer Aniston is a beautiful woman with an amazing body and an envious lifestyle. But it comes to some amazement that the 42-year-old actress has been named Sexiest Woman of All Time. Men's Health readers voted the former Friends star to the top of the list above many other screen sirens before her who had more bombshell qualities.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcC2QtcaYc3CG71sjxsM7cw41FWPZ5Dp0d94y9lRIuUCMV9lu-QNgCF5PTxKh24s53mt9r19brPCVmBDEOEcVIZWpxGRl3jJcPxYJB2TF2t4ZKoL_rwLNtkARojKTT64UKsmN03Q-mw7c/s1600/Jennifer%252BAniston%252BScenes%252BHorrible%252BBosses%252BZ_4FRuVeuzhl.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 236px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcC2QtcaYc3CG71sjxsM7cw41FWPZ5Dp0d94y9lRIuUCMV9lu-QNgCF5PTxKh24s53mt9r19brPCVmBDEOEcVIZWpxGRl3jJcPxYJB2TF2t4ZKoL_rwLNtkARojKTT64UKsmN03Q-mw7c/s320/Jennifer%252BAniston%252BScenes%252BHorrible%252BBosses%252BZ_4FRuVeuzhl.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685602413259531586" /></a>The 42-year-old actress starred in her most sexual role this year in the movie 'Horrible Bosses' where she played the flirtatious dentist with the filthy mouth. <a href="http://www.dailymail.co.uk/tvshowbiz/article-2072589/Hottest-Woman-ALL-Time-Jennifer-Aniston-named-sexiest-beating-Angelina-Jolie.html#ixzz1gQ8izKK0">Source: www.dailymail.co.uk</a>makmurhttp://www.blogger.com/profile/16503348453794990005noreply@blogger.comtag:blogger.com,1999:blog-5330798964313302905.post-65290110112754606442011-12-13T03:20:00.000-08:002011-12-20T05:47:26.620-08:00Kristen Stewart & Robert Pattinson (Breaking Down HQ stills)<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhg98FUXuZF-fH8489oHWu8m3LAaW1wWWlxSj79zHSWXBl-ImH8HprBK8yOlOgTPBWeOq059PJP4idJlMhXPij3TjpByGdOaWcc-IWvFlAguu8s4_AK-yAWOUY9TM8YtouXKTT4X4uyqzE/s1600/eb5.png"><img style="display:block; 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margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 208px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisDkQM4FQp2nmFAt1i8Bi1ek7kpFUar762ZgkGnVrxL6inKIxSEg-kc9nTs6oJ76tirI9PGA07SUIrJ7PcMZxDtPuWlmy4_oONL6XSoi4pSt-T4qtKtT1HB8lhof4sL257t6qrYhTqsMo/s320/b23.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5685573850068425266" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXDXGN6y6TSKr-SIjeWwDNow7BhiWZl1dVB3rk37xdGjBD7Ya2KnJEo6AFMdMsZbT6sSOFDXnU4w0AP3eGTsjGijq_c8iONGH8Wk1avfjr8oQtq_4ZeCXsmFVH1ZggyQ9WwZUvO2sxKBE/s1600/eb10.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 219px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXDXGN6y6TSKr-SIjeWwDNow7BhiWZl1dVB3rk37xdGjBD7Ya2KnJEo6AFMdMsZbT6sSOFDXnU4w0AP3eGTsjGijq_c8iONGH8Wk1avfjr8oQtq_4ZeCXsmFVH1ZggyQ9WwZUvO2sxKBE/s320/eb10.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5685571582170630754" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhH0sgQqXchpUOpiWK4oQ5aMkA-KwcughF6GXQctsM0scRZ-1V7Z3xVumrCVwHxgZYYggzFGhRiSRGYRIOsFzZL63GixARrDiDZwqw7qbfdjk8EPtPLzF-nABVSh_qbnZJt36d-9c2iTfQ/s1600/eb1.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 218px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhH0sgQqXchpUOpiWK4oQ5aMkA-KwcughF6GXQctsM0scRZ-1V7Z3xVumrCVwHxgZYYggzFGhRiSRGYRIOsFzZL63GixARrDiDZwqw7qbfdjk8EPtPLzF-nABVSh_qbnZJt36d-9c2iTfQ/s320/eb1.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5685573980317152594" /></a>New Twilight Saga "Breaking Dawn" Pictures Of Robert Pattinson and Kristen Stewart in Their Dream Sequence Weddingmakmurhttp://www.blogger.com/profile/16503348453794990005noreply@blogger.comtag:blogger.com,1999:blog-5330798964313302905.post-66945010983889538102011-12-12T08:11:00.000-08:002011-12-20T05:47:26.620-08:00Happy Anniversary, Frank Sinatra!<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4dVXsX1GMyCtkO-pi88jfaxcBVbeDCyFg_ysngbsGnITt36VF2tOsEcLHVxruNZ_XrlUl0VDnTea-6JHDedPrTRc3EbykYIcF8r1IZV3D88MLzZCURXaQ5YS-lwBWEEsEflvbLBeyHEo/s1600/hk472ke4siry74ky.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 230px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4dVXsX1GMyCtkO-pi88jfaxcBVbeDCyFg_ysngbsGnITt36VF2tOsEcLHVxruNZ_XrlUl0VDnTea-6JHDedPrTRc3EbykYIcF8r1IZV3D88MLzZCURXaQ5YS-lwBWEEsEflvbLBeyHEo/s320/hk472ke4siry74ky.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685276741307405426" /></a>Frank Sinatra won an Oscar for Best Actor in a Supporting Role and Donna Reed won Oscar for Best Actress in a Supporting Role (Alma 'Lorene' Burke) in "From Here To Eternity" (1953)<br /><br /><iframe width="420" height="315" src="http://www.youtube.com/embed/Lfk-JTdQ_0I" frameborder="0" allowfullscreen=""></iframe><br />From Here To Eternity -Barfight scene starring Frank Sinatra as Pvt. Angelo Maggio in "From Here to Eternity" (1953) directed by Fred Zinnemann<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRY8ffa8OcbDW4dgelwud0HhpVlpE6g3WD92w-o-NOnlwYjaxhB7wu_Yiga7RMrilqh7UZ2WGnGYNKwrbMrxzzdyRXWYKKt3OuPKDqdpe2r1rDESgFlq5VMB8tqGWXue_EOojFu5Jxm2Y/s1600/tumblr_loeus82hXZ1qeg3g9o1_1280.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 216px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRY8ffa8OcbDW4dgelwud0HhpVlpE6g3WD92w-o-NOnlwYjaxhB7wu_Yiga7RMrilqh7UZ2WGnGYNKwrbMrxzzdyRXWYKKt3OuPKDqdpe2r1rDESgFlq5VMB8tqGWXue_EOojFu5Jxm2Y/s320/tumblr_loeus82hXZ1qeg3g9o1_1280.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685276409069915010" /></a><br /><iframe width="420" height="315" src="http://www.youtube.com/embed/yBApwfiRqzk" frameborder="0" allowfullscreen=""></iframe><br />From Here to Eternity Rehearsals with Frank Sinatra Burt Lancaster and Montgomery Clift. Silent footage. Public Domain. From the National Archives.makmurhttp://www.blogger.com/profile/16503348453794990005noreply@blogger.comtag:blogger.com,1999:blog-5330798964313302905.post-71520870866321078562011-12-11T07:16:00.000-08:002011-12-20T05:47:26.621-08:00Hemingway's Heroes in film: Humphrey Bogart and John Garfield<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjymowV37ROVvzZlj9YflQEWMZlU2n-vVCK9Dc5UiPGBNnhHPd71IlsAJTMmswMGqkO8ckB_zzU3obXDjaE5oCS3v7G_tM7UEj7ajqau6UIm4nqXPEqqKMcE2HD-21SMplPTle_u8SBQAE/s1600/tumblr_lmvvtbz7AS1qd88ijo1_500.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 262px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjymowV37ROVvzZlj9YflQEWMZlU2n-vVCK9Dc5UiPGBNnhHPd71IlsAJTMmswMGqkO8ckB_zzU3obXDjaE5oCS3v7G_tM7UEj7ajqau6UIm4nqXPEqqKMcE2HD-21SMplPTle_u8SBQAE/s320/tumblr_lmvvtbz7AS1qd88ijo1_500.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685051529258231426" /></a>John Garfield, Ida Lupino and Edward G. Robinson in "The Sea Wolf" (1941) directed by Michael Curtiz<br /><br />THE SEA WOLF (1941): "Some of the more memorable sea captains include Captain Ahab in 'Moby Dick', Captain Bligh in 'Mutiny on the Bounty', and Captain Queeg in 'The Caine Mutiny' (played by Bogart). But none of these misguided authority figures can match the sadism and brutality of Wolf Larsen, the megalomaniac captain of Jack London's novel, 'The Sea Wolf'. Larsen is a fascinating enigma - a mystic and a philosopher but also a dangerous manic-depressive who subjects his crew to outrageous acts of cruelty; at one point, Larsen decides to give the ship's cook a bath by towing him in the schooner's wake - an action that results in the cook losing his foot to a shark.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQzhgDB1T5lc2j-rWNSDhOqh7Vr7sdNGhdH8i1eT6YDthd1aRK2hmuzQAKV0rfpfXW7CurSC-5FLvq7TLHO7mzen1LzAPT-O1pSoRNx6qKieEcg7_MkAI5WRvQvNVd-CfYl88TJuywSGw/s1600/optimized-sylvia-sidney-humphrey-bogart-wagons-roll-at-night.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 266px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQzhgDB1T5lc2j-rWNSDhOqh7Vr7sdNGhdH8i1eT6YDthd1aRK2hmuzQAKV0rfpfXW7CurSC-5FLvq7TLHO7mzen1LzAPT-O1pSoRNx6qKieEcg7_MkAI5WRvQvNVd-CfYl88TJuywSGw/s320/optimized-sylvia-sidney-humphrey-bogart-wagons-roll-at-night.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685052465311866594" /></a>Sylvia Sidney and Humphrey Bogart in "The Wagons Roll at Night" (1941) directed by Ray Enright<br /><br />Michael Curtiz tried to draft Humphrey Bogart for the part but he was committed to another picture ('The Wagons Roll at Night') so John Garfield, who had made his screen debut in 'Four Daughters' (1938), also directed by Curtiz, was tapped for the role.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhr47dtQfjoEztsOQRS0WlbSUsC8sT_h7RZImfjCEPK2c8lQB3Tqpn2ePZauTuCNRwE43frHO7DV_ejUMc6E_i1SOICJUfIJEKMfg7TvQkZGe7YrCoJdGYYWMyPi8YWNpkF2YMd8vUJdWw/s1600/beatricepffedfeed3vscgtgrtttcd.bmp.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 307px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhr47dtQfjoEztsOQRS0WlbSUsC8sT_h7RZImfjCEPK2c8lQB3Tqpn2ePZauTuCNRwE43frHO7DV_ejUMc6E_i1SOICJUfIJEKMfg7TvQkZGe7YrCoJdGYYWMyPi8YWNpkF2YMd8vUJdWw/s320/beatricepffedfeed3vscgtgrtttcd.bmp.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685062586455010146" /></a>It was a personal triumph for John Garfield who counted Jack London among his favorite authors but it was an even bigger honor for Edward G. Robinson who had been a fan of the novel since he first read it at age eleven.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIaghuRTE1iURv3HGdOyDq2SHHwBbNaQfTz4vze6BnwvPlJcD35ySCSU4Dw00BlfyTCgRGm4b1LReKdOYzSC87QR_tj0gWfrCILQSyqsRihjiXBik5Bwha1IbAlUThCf9OzlgMF6JyZgY/s1600/MV5BNjkzMTE0ODUyNl5BMl5BanBnXkFtZTYwMDgwNjQ2._V1._SX333_SY450_.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 237px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIaghuRTE1iURv3HGdOyDq2SHHwBbNaQfTz4vze6BnwvPlJcD35ySCSU4Dw00BlfyTCgRGm4b1LReKdOYzSC87QR_tj0gWfrCILQSyqsRihjiXBik5Bwha1IbAlUThCf9OzlgMF6JyZgY/s320/MV5BNjkzMTE0ODUyNl5BMl5BanBnXkFtZTYwMDgwNjQ2._V1._SX333_SY450_.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685062030717138002" /></a>In his autobiography, 'All My Yesterdays', Edward G. Robinson recalled: "I had no idea at the time that the domineering Captain Wolf Larsen was to be characterized by critics as a Nietzsche superman; I just considered him to be a wonderful character. And that's how I played him, with John Garfield playing George Leach.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8_PnJs3Kx_3_e0BBapLHU3piEJ9eLK961qrrGLBU5tjzQWhukVwl_u3PpKHObqNFZPBUnTbN60vMYN6Y12X97voD5SulruPFPe2DHBA92EQqNy3sB6sk6xxZyI3StKcDJOZ-KmzwpHHc/s1600/vlcsnap-2011-12-12-03h31m42s242.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8_PnJs3Kx_3_e0BBapLHU3piEJ9eLK961qrrGLBU5tjzQWhukVwl_u3PpKHObqNFZPBUnTbN60vMYN6Y12X97voD5SulruPFPe2DHBA92EQqNy3sB6sk6xxZyI3StKcDJOZ-KmzwpHHc/s320/vlcsnap-2011-12-12-03h31m42s242.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5685064253827576466" /></a>John Garfield was one of the best young actors I ever encountered, but his passions about the world were so intense that I feared any day he would have a heart attack. It was not long before he did."<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibYaoGunvYnmZczceQajToYyUv0Bb-Z0sIDLxCQa0iqp_OYM9alUp0iE88nQYFg9tnbaskP4XWiFjSH8GoBfJ4NJ9JSfDQK0SIdxX2t6q_rRDCGfZOJ08tAjQbv94USLTf088MUh2NKcU/s1600/vlcsnap-2011-12-12-02h52m33s108.png.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibYaoGunvYnmZczceQajToYyUv0Bb-Z0sIDLxCQa0iqp_OYM9alUp0iE88nQYFg9tnbaskP4XWiFjSH8GoBfJ4NJ9JSfDQK0SIdxX2t6q_rRDCGfZOJ08tAjQbv94USLTf088MUh2NKcU/s320/vlcsnap-2011-12-12-02h52m33s108.png.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685054914537699986" /></a>George Leach, who was drowned in the original novel, becomes the central love interest in this version, escaping to safety with Ruth Webster. All of these changes actually strengthened the film on a dramatic level and were further enhanced by Sol Polito's atmospheric cinematography and Anton Grot's art direction - both heavily influenced by the look of German Expressionist cinema". <a href="http://www.tcm.com/this-month/article/17903%7C0/The-Sea-Wolf.html">Source: www.tcm.com</a><br /><br />Film Noir and Existencialism:<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhimFSazZ9dZSHSXuLtSIHVL0rweenDx2CKJkiFoVaeFxIdpOpDHIwiydFPzObWfXHfHOWjAeNbX0Ha8QyUmVcp9UWTf7RXLr01LzGYQ3fdgO_crvAz0UdFNrKduoswKyknu1hNmla1q0Q/s1600/69ibjq56tpp6i9jp.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 254px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhimFSazZ9dZSHSXuLtSIHVL0rweenDx2CKJkiFoVaeFxIdpOpDHIwiydFPzObWfXHfHOWjAeNbX0Ha8QyUmVcp9UWTf7RXLr01LzGYQ3fdgO_crvAz0UdFNrKduoswKyknu1hNmla1q0Q/s320/69ibjq56tpp6i9jp.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685049934886439010" /></a>Burt Lancaster and Ava Gardner in "The Killers" (1946) directed by Robert Siodmak, based on a short story written by Ernest Hemingway. The prototypic Hemingway hero must face evil, futility, and the nothingness of existence alone and unaided. Defeat is inevitable and unavoidable; only defeat with dignity offers hope of redemption.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWQ8IhLLdB2K5YwLSOv36VUiSbvZoA6S3UyuSm3Cwca4cd4CsTIzKGED2EdkHubiXQTdd8v_lScJ4nR1UFr1bJ_5pi2Kd4ApW8wTzUblytPFhGM6Oq5uWXe71JPgjnU27k9ujLBgDIYYc/s1600/6a00d83451b77e69e200e54f37758c8834-800wi.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 238px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWQ8IhLLdB2K5YwLSOv36VUiSbvZoA6S3UyuSm3Cwca4cd4CsTIzKGED2EdkHubiXQTdd8v_lScJ4nR1UFr1bJ_5pi2Kd4ApW8wTzUblytPFhGM6Oq5uWXe71JPgjnU27k9ujLBgDIYYc/s320/6a00d83451b77e69e200e54f37758c8834-800wi.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685051148856077250" /></a>Arthur Schopenhauer cited those very features of the human condition that pessimism takes as its point of departure: “The vanity of existence is revealed in the whole form existence assumes... in the contingency and relativity of all things; in continual becoming without being; in continual desire without satisfaction; in the continual frustration of striving of which life consists.”<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWAWCwhlmVvXu81D4sq_tWlvQz275ymzCLGsSK-AqXzNkDhwcEah9tqUptE95MskHs4OuEa53uIXFHW8s9tbaf63OFqdRtbcPydWQ6053bahhvfmBmPL_YhtPOKeI61dEAz9ZMYWV6LV8/s1600/tumblr_lgwocuLHZW1qbbjxvo1_1280.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 230px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWAWCwhlmVvXu81D4sq_tWlvQz275ymzCLGsSK-AqXzNkDhwcEah9tqUptE95MskHs4OuEa53uIXFHW8s9tbaf63OFqdRtbcPydWQ6053bahhvfmBmPL_YhtPOKeI61dEAz9ZMYWV6LV8/s320/tumblr_lgwocuLHZW1qbbjxvo1_1280.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685055410585175010" /></a>Schopenhauer presents a “moral” critique, one that fastens on the vanity of human wishes, on the spectacle of human folly and wickedness, and, more ominously, on the ill will, malice, and cruelty of other people, whom Schopenhauer likens to a “den of sharks and swindlers.” As Jean-Paul Sartre writes in 'Being and Nothingness': “For human reality, to be is to choose oneself.”<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9oZ_7n6vOUKxyKJOt_UAgmLPm3MkFdHAPqZNtnG_ItW8edD91NEMXLa36dDBsprselAdl4CqnR-250tEfTh4__kSS9DDTz8cL-_QDZS3ElVd8ctMbQM7Z7iR274Xu3isEA-RUmhJ5tvk/s1600/have13no.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 232px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9oZ_7n6vOUKxyKJOt_UAgmLPm3MkFdHAPqZNtnG_ItW8edD91NEMXLa36dDBsprselAdl4CqnR-250tEfTh4__kSS9DDTz8cL-_QDZS3ElVd8ctMbQM7Z7iR274Xu3isEA-RUmhJ5tvk/s320/have13no.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5685058319770122402" /></a><i><span class="Apple-style-span">“How do you get through nights if you can’t sleep? I guess you find out like you find out how it feels to lose your husband. I guess you find out all right. I guess you find out everything in this goddamned life. I guess you do all right. I guess I’m probably finding out right now. You just go dead inside and everything is easy. You just get dead like most people are most of the time. I guess that’s how it is all right. I guess that’s just about what happens to you. Well, I’ve got a good start. I’ve got a good start if that’s what you have to do. I guess that’s what you have to do all right. I guess that’s it. I guess that’s what it comes to. All right. I got a good start then. I’m way ahead of everybody now.”</span></i> -To Have and Have Not (1937) novel by Ernest Hemingway<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsdA7MEdqAahYLQshLxjgOud9Kfw049XsDCK1xuhjBdbSidQr3Mh9BKLhrk-wNkJyFnScbvWx1vDkPl-0D4ZU1ySuyDpPUKfN9YUTbk9Z49s30m7GLs6TtBYpmcJAhd3nSNdWjokpSRJI/s1600/The_Breaking_Point-DVD_R0_Warner_04503.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 234px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsdA7MEdqAahYLQshLxjgOud9Kfw049XsDCK1xuhjBdbSidQr3Mh9BKLhrk-wNkJyFnScbvWx1vDkPl-0D4ZU1ySuyDpPUKfN9YUTbk9Z49s30m7GLs6TtBYpmcJAhd3nSNdWjokpSRJI/s320/The_Breaking_Point-DVD_R0_Warner_04503.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685030241633977762" /></a>Patricia Neal as Leona Charles and Phyllis Thaxter as Lucy Morgan in "The Breaking Point" (1950) directed by Michael Curtiz<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5uXU3bj32BxAeybUciy5dWXGA8Y284Y-FfEzMw9oz6X1x_E8Or2kdSJTLS479qJ9eM7P7lOAPmbCyn_EhClww2T1CWzqruOMCLeDf80J115dqyHnXXfJflPkh4hzQTsttpxDNZ_3IAzQ/s1600/vlcsnap-2011-12-11-16h36m25s82.png.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 239px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5uXU3bj32BxAeybUciy5dWXGA8Y284Y-FfEzMw9oz6X1x_E8Or2kdSJTLS479qJ9eM7P7lOAPmbCyn_EhClww2T1CWzqruOMCLeDf80J115dqyHnXXfJflPkh4hzQTsttpxDNZ_3IAzQ/s320/vlcsnap-2011-12-11-16h36m25s82.png.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685029728308760034" /></a>"The Breaking Point" was based on the Ernest Hemingway novel's "To Have and Have Not". A movie with that title, in 1944, was generally thought to be the film version of the book, but William Faulkner -who disliked Hemingway- wrote an original script, keeping only the title and the name of the lead character.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibNvERGxKJ9i3id0Yba9EpJCdef640j85TNGDFqYsW_zpLrJk5-bJwvaRoVApMjkWlp0MfFEne0ilkKvNd5kJ4rvKqmuvvBCAfvJXRTXhcUqXsWsNCmXhv2sALSX3LXHBukj74oJ4tkOY/s1600/tumblr_lvlyk120eH1qmr9rao1_1280.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibNvERGxKJ9i3id0Yba9EpJCdef640j85TNGDFqYsW_zpLrJk5-bJwvaRoVApMjkWlp0MfFEne0ilkKvNd5kJ4rvKqmuvvBCAfvJXRTXhcUqXsWsNCmXhv2sALSX3LXHBukj74oJ4tkOY/s320/tumblr_lvlyk120eH1qmr9rao1_1280.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5685056643946498258" /></a>Humphrey Bogart as Harry Morgan and Lauren Bacall as Marie 'Slim' in "To Have and Have Not" (1944) directed by Howard Hawks<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5OMFM_ndENrV-2P8c1UfcYi5tKQ6fAy_ufrVUHAAzMlE2pjRCwtFDhLsnJuhCs5W8R5H2B0pbxC9RT8A_6e6JKCo8WG5b98R-drx8k0cIwVUuwUga9HSdIiFfN5f5z-95kPrQy0ossGk/s1600/tumblr_lu96b8VTwc1qa0n9to4_1280.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 259px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5OMFM_ndENrV-2P8c1UfcYi5tKQ6fAy_ufrVUHAAzMlE2pjRCwtFDhLsnJuhCs5W8R5H2B0pbxC9RT8A_6e6JKCo8WG5b98R-drx8k0cIwVUuwUga9HSdIiFfN5f5z-95kPrQy0ossGk/s320/tumblr_lu96b8VTwc1qa0n9to4_1280.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685061583690130722" /></a>It was the movie that introduced Lauren Bacall to both the screen and Humphrey Bogart. Our film was, in fact, a very faithful version of the novel. Hemingway glanced up and winked at me. "I write goddamned good books, you know!" I knew he liked me. He told me he thought 'The Breaking Point' was the best film made from any of his books.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZz44xGk2AyTB7MpBZzI1jCYJOeEdsR2fyXwsGz8yRW9fv8KvjTohlkpaMv4OICK3P2HyP6oFW3JTkZEJ9hBG-ap3_trHxw6UtQvNh37iVmuAiMyM9CA-xuhRKTmwLGD6s2SjAkOj1alA/s1600/vlcsnap-2011-12-11-16h32m55s30.png.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 239px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZz44xGk2AyTB7MpBZzI1jCYJOeEdsR2fyXwsGz8yRW9fv8KvjTohlkpaMv4OICK3P2HyP6oFW3JTkZEJ9hBG-ap3_trHxw6UtQvNh37iVmuAiMyM9CA-xuhRKTmwLGD6s2SjAkOj1alA/s320/vlcsnap-2011-12-11-16h32m55s30.png.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685036052295191042" /></a>I played a loose woman who is mixed up with gun runners and John Garfield, whom I lure away from his wife, played by the delicious Phyillis Thaxter. In the end John goes back to Phyllis and I get what I deserve. My last lines in the film still give me a kick: <i><span class="Apple-style-span">'I guess I sould have swam back to port. Or is it swum?'</span></i><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGNSdFBMp2CN0o14CXOh_VFKO7kzE5mV4HWLinOA4JEvd1eZ9NCYiuiICthUOvOyfyIhIbd7qQmbA3c6ccijY9gje4JyYsTvjmrVpdw5BjNLvsyBzfnTo-CpimxaYsVJ7_PhFqLWPW3uw/s1600/vlcsnap-2011-12-11-16h36m34s176.png.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 239px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGNSdFBMp2CN0o14CXOh_VFKO7kzE5mV4HWLinOA4JEvd1eZ9NCYiuiICthUOvOyfyIhIbd7qQmbA3c6ccijY9gje4JyYsTvjmrVpdw5BjNLvsyBzfnTo-CpimxaYsVJ7_PhFqLWPW3uw/s320/vlcsnap-2011-12-11-16h36m34s176.png.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685029153804505778" /></a>John Garfield always projected a strong male animal quality in his films. It was not an act. He had an eye for the ladies and did not waste time. 'I want to talk to you', he commanded when we met. 'You know, you're a whore?' I looked at him aghast. 'In the picture I mean. You are all whore'. He took my hand and smiled ever so slightly. 'You know what I mean? You understand me?' I understood exactly what he meant. -"As I Am: An Autobiography" by Patricia Neal<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNHP0QYs5EGxni6k2DHtSpKLzR1YHuemsxy_JZ9Zt8fucoqXe1gikQzrzPqZtKfyByN3yveEzRDWtk2nlP889shfXDTGCzFvHIBjtf-3ERgo2eFLTzQE51TnTmXjIhYBZOtnGR3BzrNQM/s1600/vlcsnap-2011-12-12-01h33m46s194.png.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 239px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNHP0QYs5EGxni6k2DHtSpKLzR1YHuemsxy_JZ9Zt8fucoqXe1gikQzrzPqZtKfyByN3yveEzRDWtk2nlP889shfXDTGCzFvHIBjtf-3ERgo2eFLTzQE51TnTmXjIhYBZOtnGR3BzrNQM/s320/vlcsnap-2011-12-12-01h33m46s194.png.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685034269500472466" /></a>John Garfield played Hemingway's hero Harry Morgan in "The Breaking Point" (1950)<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMOKZpDfaWWRzlYbltmnp4_nVp5D14L8kzFwbgnTzvgG_RHRm18RTehP7liu5zPdsjTeBYnXf7uZ1SidKsWYcRlXeuapqorm8rWQiwF1LuzvkH4ugA7cFv589FIQxaWXk5a_w_Y0M8zfI/s1600/vlcsnap-2011-12-12-01h33m15s137.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 239px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMOKZpDfaWWRzlYbltmnp4_nVp5D14L8kzFwbgnTzvgG_RHRm18RTehP7liu5zPdsjTeBYnXf7uZ1SidKsWYcRlXeuapqorm8rWQiwF1LuzvkH4ugA7cFv589FIQxaWXk5a_w_Y0M8zfI/s320/vlcsnap-2011-12-12-01h33m15s137.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5685035547130841730" /></a>"Patricia Neal displays her smarts and sensitivity. In Michael Curtiz’s 'The Breaking Point' (1950), opposite the great John Garfield, Neal gives my favorite of her performances, as a high-class whore. She is not only slinky, bad-girl fun in the part, but she gives this familiar “tramp” type a penetrating depth and humanity. Plus, her chemistry with Garfield is electric". <a href="http://screensaversmovies.com/no-ordinary-face-in-the-crowd">Source: screensaversmovies.com</a>makmurhttp://www.blogger.com/profile/16503348453794990005noreply@blogger.comtag:blogger.com,1999:blog-5330798964313302905.post-50511832045901333572011-12-10T06:17:00.000-08:002011-12-20T05:47:26.621-08:00'Touch of Evil' and Redemptive Dames<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjWpQnZ9X95RoQvja10qnX9dhivq4m7FmlHF0Y4TH6a9W09C9vLvWpN9i37n9IxmbybMv3Vn5zYnhSyr_OuWK-W2k6FzOVkfSbRos37CvyLFDiMRphvZEkWy2zW2paa6BoOeg9hWg7fcc/s1600/Imageeerdddersdesedeeaessdetteeddd.bmp.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 257px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjWpQnZ9X95RoQvja10qnX9dhivq4m7FmlHF0Y4TH6a9W09C9vLvWpN9i37n9IxmbybMv3Vn5zYnhSyr_OuWK-W2k6FzOVkfSbRos37CvyLFDiMRphvZEkWy2zW2paa6BoOeg9hWg7fcc/s320/Imageeerdddersdesedeeaessdetteeddd.bmp.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5684534745861630674" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdRFoVh7AAE4Maxg_GKHNOcqNINMixzBupl2hEldZwGjp556hbcFDN3GxTyhOnIVIJi5IVSVef4xK8U5Zz0DAAtZEby50LL7Yw9tj8TqzGUleHcQd4X-Ych5PYz9oLxIb7VGC7KaNsDew/s1600/tumblr_lvudjunrtK1qi8tbno2_500.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 241px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdRFoVh7AAE4Maxg_GKHNOcqNINMixzBupl2hEldZwGjp556hbcFDN3GxTyhOnIVIJi5IVSVef4xK8U5Zz0DAAtZEby50LL7Yw9tj8TqzGUleHcQd4X-Ych5PYz9oLxIb7VGC7KaNsDew/s320/tumblr_lvudjunrtK1qi8tbno2_500.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5684518001214342242" /></a>Kristen Dunst in "Touch Of Evil" videoclip from The New York Times, December 2012<br /><br /><object width="400" height="337"><param name="movie" value="http://www.megavideo.com/v/CL7MJO8Yecca0fb8b1791ddf9a887e2390af5d3c2"><param name="allowFullScreen" value="true"><embed src="http://www.megavideo.com/v/CL7MJO8Yecca0fb8b1791ddf9a887e2390af5d3c2" type="application/x-shockwave-flash" allowfullscreen="true" width="400" height="337"></embed></object><br />A video gallery of cinematic villainy, inspired by nefarious icons and featuring the best performers from the year in film. <a href="http://www.nytimes.com/interactive/2011/12/06/magazine/13villains.html#/kirsten-dunst">Source: www.nytimes.com</a><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyUuJH69hhoPQCsIS9B6t0qc5_W7j6Bsv16PgEVfNk5ujpgmgX_evLxBdcL-jHbFwGIGm9gmfy86k36dXDkSuCsG_WwtigpZda6PUyWAghawuHjqvdwHaA_Ay49pGJivswTulFMRPEThk/s1600/vlcsnap2011101819h20m04.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 174px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyUuJH69hhoPQCsIS9B6t0qc5_W7j6Bsv16PgEVfNk5ujpgmgX_evLxBdcL-jHbFwGIGm9gmfy86k36dXDkSuCsG_WwtigpZda6PUyWAghawuHjqvdwHaA_Ay49pGJivswTulFMRPEThk/s320/vlcsnap2011101819h20m04.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5684519625276586642" /></a>Marlene Dietrich as Tanya in "Touch of Evil" (1958) directed by Orson Welles<br /><br />"Perhaps the most extreme variation on the redemptive femme fatale, however, occurs at the end of the film noir cycle in 'Touch of Evil'. When corrupt police chief Hank Quinlan (Orson Welles) is pursued by UN narcotics agent Mike Vargas (Charlton Heston), he finds temporary refuge in a brothel that he used to visit regularly.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDNfbKbdcbDChLTBtlNkQoAObrFdQ3T7MGlp5Y4fSevxFTwbheG3AwaLP7SnSvL8CWnUYeLaTNFuD6jeWMVdOPXLIgNqERIWM0VFdT00CUgICsMhTOzqPERZcY1lKmXJm5hZwClaj9vNU/s1600/tumblr_lslin48N3n1qdqxm6o1_500.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 174px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDNfbKbdcbDChLTBtlNkQoAObrFdQ3T7MGlp5Y4fSevxFTwbheG3AwaLP7SnSvL8CWnUYeLaTNFuD6jeWMVdOPXLIgNqERIWM0VFdT00CUgICsMhTOzqPERZcY1lKmXJm5hZwClaj9vNU/s320/tumblr_lslin48N3n1qdqxm6o1_500.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5684520778707254610" /></a>There, Marlene Dietrich's madame — like the good woman of earlier noir films — represents for Quinlan an idealized and unattainable past. Tanya has all of the surface characteristics of a mysterious spider woman: long, dark hair, earrings, a foreign accent, heavy makeup, and an ever-present cigarette trailing smoke that obscures the jaded expression on her face. Yet, as each of Quinlan's friends abandons him, Tanya alone remains true to Quinlan and at least for a moment - helps him escape both from Vargas and from his own self-created demons. The film implies that she loved him, and indeed she is the only person who appreciates the tragedy of his fall and seems moved by his death. In contrast to Dietrich's redemptive prostitute,<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNV8fTr2o6OS-gzi5_2qW9gSx829u6jX1WciI7mSUb5jXsHpCsIDGRYNjEscQgZN-lEhx-aDipvDuVwsFZbvbL0Zio5vURpmnIiFzlEqSTuK_FYeZ_m2OzK_E4QxQ6b-mXcfHa0TRYCuI/s1600/tumblr_lrwpoqQCUO1r2fe79o1_1280.png.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 208px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNV8fTr2o6OS-gzi5_2qW9gSx829u6jX1WciI7mSUb5jXsHpCsIDGRYNjEscQgZN-lEhx-aDipvDuVwsFZbvbL0Zio5vURpmnIiFzlEqSTuK_FYeZ_m2OzK_E4QxQ6b-mXcfHa0TRYCuI/s320/tumblr_lrwpoqQCUO1r2fe79o1_1280.png.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5684521808974303394" /></a>Suzy Vargas (Janet Leigh) embraces her traditional role within the status quo family.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF93eFHLIUbiePYEULSezAyIV-esrcTN01AnwHb81E04HKTITf1n1i51DBduhN2MxUhaXvNe2crIRk_W6KnAh-jf46Sg0quYmwpy7E6DB7n9XJy-WzW06YVlAvg-r4qc3aKpefwfp8wYs/s1600/tumblr_lt50d55p7k1qhhpdho1_1280.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF93eFHLIUbiePYEULSezAyIV-esrcTN01AnwHb81E04HKTITf1n1i51DBduhN2MxUhaXvNe2crIRk_W6KnAh-jf46Sg0quYmwpy7E6DB7n9XJy-WzW06YVlAvg-r4qc3aKpefwfp8wYs/s320/tumblr_lt50d55p7k1qhhpdho1_1280.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5684521145830920930" /></a>But in this film, as in Pitfall, D.O.A., The Big Heat, and Kiss Me Deadly, the traditional woman has become a source of danger, vulnerability, and restraint rather than redemption. <a href="http://www.lib.berkeley.edu/MRC/noir/np08tran.html">Source: www.lib.berkeley.edu</a><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4etS3r9uL8tgyg60VeYjARxTjRBNzzg1Cd_2IUI4oLD6p0pRm_5dZQ_Oj4SHB6bpu79CjJUlAsyhjK51nzkLvAu4O1LVSwJvALnEMTjoEl-r-l_GbvPrs088d91LMYHQvY8dS1BdpNow/s1600/tumblr_lrenbepBg91qa7lzxo1_r1_500.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4etS3r9uL8tgyg60VeYjARxTjRBNzzg1Cd_2IUI4oLD6p0pRm_5dZQ_Oj4SHB6bpu79CjJUlAsyhjK51nzkLvAu4O1LVSwJvALnEMTjoEl-r-l_GbvPrs088d91LMYHQvY8dS1BdpNow/s320/tumblr_lrenbepBg91qa7lzxo1_r1_500.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5684521423113859378" /></a>Quinlan: Come on, read my future for me.<br />Tanya: You haven't got any.<br />Quinlan: Hmm? What do you mean?<br />Tanya: Your future's all used up.<br />– "Touch of Evil" (1958)<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFOIH_VZPHpHy-UX9qU9Nmav2TEz4Kj9I5wVDv4j0pgqN9Mk9gHxnKr84pY2fcDFb4yBQ8zlh6aFyYPUbyw1m-Ffqq5G7FDAiSFINWZKpLSmhkiK-X3SujA3-LmkBUCtFMaJ979ajSwxQ/s1600/tumblr_lml5z2Ql2V1qbw9jao2_500.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFOIH_VZPHpHy-UX9qU9Nmav2TEz4Kj9I5wVDv4j0pgqN9Mk9gHxnKr84pY2fcDFb4yBQ8zlh6aFyYPUbyw1m-Ffqq5G7FDAiSFINWZKpLSmhkiK-X3SujA3-LmkBUCtFMaJ979ajSwxQ/s320/tumblr_lml5z2Ql2V1qbw9jao2_500.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5684526554604240898" /></a>John Garfield, Janet Leigh, Gene Kelly and Joseph Cotten in a photo issued as publicity for the 'Hollywood Players' radio show (1947)<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHI2VocSyRa5bKnxH40BWVikllIX0Lr8iSHcxm9mUaGhM044F1N82ZKenzPDjZV4y-DStQtJxhZGwxQ2dqIJPDqAoe17ex3VSgvtswJmLWrsigsPVGd58_MX3k7PEOgEMKK3uZFpiFPCE/s1600/1792477%252CSSIPVzZ80UWjfKuloZv2KYcCS9VQpeUHCtfgwnIZ7Jdh_f%252BTjbZV41hWsbub%252BKmqj92KlnytUMFuYdVnwD7_Wg%253D%253D.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHI2VocSyRa5bKnxH40BWVikllIX0Lr8iSHcxm9mUaGhM044F1N82ZKenzPDjZV4y-DStQtJxhZGwxQ2dqIJPDqAoe17ex3VSgvtswJmLWrsigsPVGd58_MX3k7PEOgEMKK3uZFpiFPCE/s320/1792477%252CSSIPVzZ80UWjfKuloZv2KYcCS9VQpeUHCtfgwnIZ7Jdh_f%252BTjbZV41hWsbub%252BKmqj92KlnytUMFuYdVnwD7_Wg%253D%253D.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5684527360638649650" /></a>John Garfield and Shelley Winters in "He Ran All The Way" (1951) directed by John Berry<br /><br />Norman Lloyd plays John Garfield's partner in crime in "He Ran All The Way" (1951). Lloyd worked with Orson Welles and John Houseman and later with Hitchcock. He was twice nominated for an Emmy and his film credits include "Saboteur" (1942) and "Spellbound" (1945). John Berry, "He Ran All The Way"´s director, got his start working with Orson Welles and John Houseman and was active in the late 40s. Shortly before making this film he made "Hollywood 10" (1950) about the persecution of actors and directors by HUAC, and this earned him a place on the blacklist and virtually ended his career in the US.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvmN1HkEdmBXyOr8g-BdSuwbUjNMqSf_MBrk2isXuQjHhU4telaiD0nvOh41NgzLmrxuns4OY3DF5bPqEVRHBonS_mIUS86rhylcW4xSpqjrUPR712zsdtOHptqv_iZGzHLEyTSGcRKig/s1600/l+%25283%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 227px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvmN1HkEdmBXyOr8g-BdSuwbUjNMqSf_MBrk2isXuQjHhU4telaiD0nvOh41NgzLmrxuns4OY3DF5bPqEVRHBonS_mIUS86rhylcW4xSpqjrUPR712zsdtOHptqv_iZGzHLEyTSGcRKig/s320/l+%25283%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5684536804473235762" /></a>John Garfield entertains a USO show at the Hollywood Canteen<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtFeH0a22zhk89Fj_aFpp9CtW6FBYPBiUnfep1qg4eSe7y_Xgz3cCVzbltI9KG8PdKyjB3LMi4VOsA-Az6mo62jGQk7amEvufm8o8N1G_iBwRCDjNrGI1qCO7DXNXzCwH3xTd_t_HT9Ig/s1600/vlcsnap-2011-12-10-17h08m09s82.png.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtFeH0a22zhk89Fj_aFpp9CtW6FBYPBiUnfep1qg4eSe7y_Xgz3cCVzbltI9KG8PdKyjB3LMi4VOsA-Az6mo62jGQk7amEvufm8o8N1G_iBwRCDjNrGI1qCO7DXNXzCwH3xTd_t_HT9Ig/s320/vlcsnap-2011-12-10-17h08m09s82.png.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5684533385630987394" /></a><i><span class="Apple-style-span">"All he (John Garfield) cared about was acting and dames."</span></i> -Actor Dane Clark<br /><br />President Roosevelt invited John Garfield back to the White House early in 1944 to thank him for his efforts in support of the country's war drive, from his bond-raising tours to the formation of the Hollywood Canteen. Though the meeting lasted for less than a halfhour, Garfield was honored. "There I was, a kid from the Bronx, meeting with the President," he later recalled. "That's democracy -that's wonderful." The State Department had cleared the way for a USO Tour of North Africa and Italy. Garfield signed on to emcee the tour, which included comedian Eddie Foy Jr., dancer Sheila Rogers, accordionist Olga Klein, and actress Jean Darling. The group called themselves the USO Camp Show Troupers.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCwtzI8pYBusMD4BhJvgbAoqg7oBudstNf_c8Oq9-v5b7WlY5K5ypRuyQqisw5uEoM2jGuJPW7b53APK_6gLfcXWj0aCmtL0kysvWWo6tmZlVpL9fc6xd4PqJGQ7EhcaLOyCcQbVPXn74/s1600/vlcsnap-2011-12-10-17h45m59s0.png.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 239px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCwtzI8pYBusMD4BhJvgbAoqg7oBudstNf_c8Oq9-v5b7WlY5K5ypRuyQqisw5uEoM2jGuJPW7b53APK_6gLfcXWj0aCmtL0kysvWWo6tmZlVpL9fc6xd4PqJGQ7EhcaLOyCcQbVPXn74/s320/vlcsnap-2011-12-10-17h45m59s0.png.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5684542425403104914" /></a>John Garfield and Phyllis Thaxter in "The Breaking Point" (1950) directed by Michael Curtiz<br /><br />Garfield's willingness to join the tour was due to more than just patriotism. He still had that need to prove himself; the same need that stoked his desire for women. The tour was scheduled to depart New York in February 1944.makmurhttp://www.blogger.com/profile/16503348453794990005noreply@blogger.comtag:blogger.com,1999:blog-5330798964313302905.post-22624543387659668082011-12-10T03:38:00.000-08:002011-12-20T05:47:26.621-08:00Jake Gyllenhaal leaves his longtime manager Evelyn O'Neill<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibZQjN90HPwt5rgYwlXiKhnGEylczJpTqcYq8ZdD5eovmv26n_VGre1Rr2x5cYUcqYMtq0sYF9N12NNJWycRJj1LkKVBeQ-h5IM5c-F_8TumesTi6uN6FJr7FeKe85vCTfYdIiIRjTPXg/s1600/033.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 302px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibZQjN90HPwt5rgYwlXiKhnGEylczJpTqcYq8ZdD5eovmv26n_VGre1Rr2x5cYUcqYMtq0sYF9N12NNJWycRJj1LkKVBeQ-h5IM5c-F_8TumesTi6uN6FJr7FeKe85vCTfYdIiIRjTPXg/s320/033.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5684463755481362338" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZo4cX0ptjfUPD37nGfG0tq0Fec97sVAplWrwOFgLWSz_S9eLdezxpGP0tLBP6WP6R8uztdsF5ltNg5zy7fBnMeDbHFVogvlhn0IMbZQSnTyJIZBIZ_ErH6KFtU_jTgZkIG6QN-g4SC1E/s1600/035.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 247px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZo4cX0ptjfUPD37nGfG0tq0Fec97sVAplWrwOFgLWSz_S9eLdezxpGP0tLBP6WP6R8uztdsF5ltNg5zy7fBnMeDbHFVogvlhn0IMbZQSnTyJIZBIZ_ErH6KFtU_jTgZkIG6QN-g4SC1E/s320/035.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5684463209137018066" /></a>Jake Gyllenhaal out with a friend in Beverly Hills, on 3rd December 2011<br /> <br />EXCLUSIVE: Management 360′s Evelyn O’Neill tells me it’s a “very amicable parting” and she hopes he comes back since she and Jake Gyllenhaal go back such a long time — 8 years. “Sometimes people like change in their life. I think he’s amazing, I’m very proud of the work he did together, he was nominated for an Oscar, I want him back, and the door is always open. It is what it is.” I understand Gyllenhaal is not leaving for another manager and he’s not leaving his talent agency CAA. I have a feeling this may be the start of a trend as the movie biz is so muddled with the box office slump that stars who can’t put people in theater seats will see projects falling apart one after another. Rough sledding for the rep business. <a href="http://www.deadline.com/2011/12/jake-gyllenhaal-leaves-longtime-manager/">Source: www.deadline.com</a>makmurhttp://www.blogger.com/profile/16503348453794990005noreply@blogger.comtag:blogger.com,1999:blog-5330798964313302905.post-50772114513149480322011-12-07T03:26:00.000-08:002011-12-20T05:47:26.621-08:00Robert Rossen: 'Body & Soul' (John Garfield) , 'The Hustler' (Paul Newman)<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj75ma2Od_P87HNQ_LfhHFz5ocuFC9V3-8MDCbhNDw6vcvtOd83xTXbsxN7Qck3fqhitP6rw37ngN6CjrNDAmhvZq8MGWpPVvCp-q6IOh22L1HaVg9VULvIqzqylK4J5JstCxu2BZJT4rU/s1600/bh71t4s7sc7u7cs.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 254px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj75ma2Od_P87HNQ_LfhHFz5ocuFC9V3-8MDCbhNDw6vcvtOd83xTXbsxN7Qck3fqhitP6rw37ngN6CjrNDAmhvZq8MGWpPVvCp-q6IOh22L1HaVg9VULvIqzqylK4J5JstCxu2BZJT4rU/s320/bh71t4s7sc7u7cs.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5683785484537881442" /></a>John Garfield is said to have been the first student of "The Method" to succeed in Hollywood, and in so doing changed the face not just of American acting, but the standard of film acting as well. Garfield was more than just an actor who played defiant rebels from the wrong side of the tracks. His natural style brought the internal rhythms and emotions of a character to the fore. While Edward G. Robinson and Paul Muni had played the first tier of such characters on screen (and have been rightly heralded as two of the greatest American actors of all time)<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-bKnKemXSxONNnl9TaUfRtcetJ3aIDDToDUXPBJQYYWbUNHHKrs54u6W1sy846BYcGv6w2fTdXF94nCne-rCsg-hrdr7b5YompP1GhrCmSCnhhba-Yu3bHxTyd6LUvCkKv5JxGS5lGWY/s1600/cyrbgf2pycf7c7ry.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 256px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-bKnKemXSxONNnl9TaUfRtcetJ3aIDDToDUXPBJQYYWbUNHHKrs54u6W1sy846BYcGv6w2fTdXF94nCne-rCsg-hrdr7b5YompP1GhrCmSCnhhba-Yu3bHxTyd6LUvCkKv5JxGS5lGWY/s320/cyrbgf2pycf7c7ry.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5683786032552994386" /></a>John Garfield's interpretation of the same sort of anti-heroes could break through sans expressionistic lighting and sound and was cloaked in a sexual energy that neither Robinson nor Muni had.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-thbFUsnM2YSuGMdHNQalqRp_JiVLkTbo-hHvKFXjacWG1Kd4XVy3UWg4XTzNVY7XcU4nVNZQH3KyWCfWiya7_5EhRW9hayaqXUxgg9ad9SL1hlRGt0Rd3ULPFLT8tA-WvcpxzYfEcJ0/s1600/tumblr_llvekz9Hwy1qbw9jao1_1280.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 253px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-thbFUsnM2YSuGMdHNQalqRp_JiVLkTbo-hHvKFXjacWG1Kd4XVy3UWg4XTzNVY7XcU4nVNZQH3KyWCfWiya7_5EhRW9hayaqXUxgg9ad9SL1hlRGt0Rd3ULPFLT8tA-WvcpxzYfEcJ0/s320/tumblr_llvekz9Hwy1qbw9jao1_1280.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5683792764513091394" /></a>Gene Kelly with John Garfield (two of most notorious Hollywood's ladies men)<br /><br />Garfield got a part in the Broadway production of 'Lost Boy' (1932), and was first credited as Jules Garfield. He then appeared in 1932's 'Counsellor-at-Law' in Chicago. He became a member of the Group Theatre in 1934 and is legendary for his stage portrayals. He rose to prominence in 1935 based on his work in two Clifford Odets plays, 'Waiting for Lefty' and 'Awake and Sing!', both directed for the Group Theatre by Harold Clurman.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsXRuHrwqluqGa9ff2WJdLwxSE4hYw3Iyvea8WKAtMMcfbDYc4IYyM67vLZX2UT0mkyl-daG5_b5FdVLMlHJLUKa7n_h8u3y8K1Bj8tOhF4Raobff8ASvK86y5icjNczJnrkpH_TdLwi8/s1600/juli058.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 298px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsXRuHrwqluqGa9ff2WJdLwxSE4hYw3Iyvea8WKAtMMcfbDYc4IYyM67vLZX2UT0mkyl-daG5_b5FdVLMlHJLUKa7n_h8u3y8K1Bj8tOhF4Raobff8ASvK86y5icjNczJnrkpH_TdLwi8/s320/juli058.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5683789955390557138" /></a>While playing the role of Henry Suskind in 'Counsellor-at-Law' in Chicago, Garfield found out that the local chorus girls and bit players were competing to see who could get him into bed first. One of them finally succeeded, pulling him into a spare bedroom during a cast party. It may have been his first time, but he was smart enough to use a contraceptive. (His wife Robbe recalled having been provided with one of the Margaret Sanger diaphragms when they made love for the first time.) He was just past 19 years old, and as with acting, Garfield was a quick study when it came to the opposite sex.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhp6Wq93iSXYp23gCG3-mUnconXhbpgGRgluaV5Pp6FJ0_ZkNiagZ9IBsxs5SyAQbdr4fsFUHthzZ52k5f6o8hJVOORpWimMXGSDuNc7Kos2VCC9xBF4fqwtK0Ne1t3x2F7IxaaNztVNsU/s1600/Imagesdeeaettddd.bmp.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 210px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhp6Wq93iSXYp23gCG3-mUnconXhbpgGRgluaV5Pp6FJ0_ZkNiagZ9IBsxs5SyAQbdr4fsFUHthzZ52k5f6o8hJVOORpWimMXGSDuNc7Kos2VCC9xBF4fqwtK0Ne1t3x2F7IxaaNztVNsU/s320/Imagesdeeaettddd.bmp.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5683797155646950594" /></a>And also as with acting, he got hooked. He may not have seen his one-night stand as being unfaithful to Robbe, for the two hadn't officially consummated their affair. Sex was something he was good at, and it reassured him that he had talent. That was something no one could take away from him.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLWfyKvQUHXWXN6oJFsnFoFeqVGQwFWATzNpmvFauN1yYVWifDNnma86y_L5OxUT29tRhzyZuK91Cale_UcK0DQMTERiRRtuEgTRdY2W_RYtMJpEd-ZZuzqQoPxTjVPl1Ny6HLdH0-WfA/s1600/vlcsnap-2011-12-08-14h21m35s222.png.jpg" onbltr="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 236px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLWfyKvQUHXWXN6oJFsnFoFeqVGQwFWATzNpmvFauN1yYVWifDNnma86y_L5OxUT29tRhzyZuK91Cale_UcK0DQMTERiRRtuEgTRdY2W_RYtMJpEd-ZZuzqQoPxTjVPl1Ny6HLdH0-WfA/s320/vlcsnap-2011-12-08-14h21m35s222.png.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5683747591381913810" /></a>John Garfield as Joe Morse and Beatrice Pearson as Doris Lowry in "Force of Evil" (1948) directed by Abraham Polonsky<br /><br />"Doris, too, is nearly destroyed by the darkness of business, the desire for the "ruby" of money. Newcomer Beatrice Pearson plays her character in a naive, ingenue way, and represents the force of evil within us all. As a young worker at Leo's bank, she denies her own guilt in the shady business, but when quick-talking Garfield accuses her of being in on a "Policy" racket that takes nickels from hard-working folks who should be paying their weekly insurance premiums, she quits. <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyUaX968FSf-nhwotsFsN8XWbWjY7ymoiTWpzpR2LwrBC43BrranfpdL6LLbaGJK6RSLbuPINS8l0wtjlClsiWQgmi1exaNSoF-EGFKnXMjlNhA7NS5GlcsnNlMQloRa3h23_IbGRxIXQ/s1600/eblzj2vaav0v2jab.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 251px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyUaX968FSf-nhwotsFsN8XWbWjY7ymoiTWpzpR2LwrBC43BrranfpdL6LLbaGJK6RSLbuPINS8l0wtjlClsiWQgmi1exaNSoF-EGFKnXMjlNhA7NS5GlcsnNlMQloRa3h23_IbGRxIXQ/s320/eblzj2vaav0v2jab.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5683752848329830754" /></a>Morse's words make her realize the truth, but she gets too comfortable in her easy transition to knowledge, and assumes, through the power of quitting, that she understands more than she does. He later asks her out, buys her flowers and offers her a metaphorical "ruby." She finally accepts his attractive wickedness and tries to work from within it, being neither naive or judgmental. At the night club, she confesses her redemptive love, "Oh, Joe, I don't want this money. Nobody wants it. I want to somehow to get you, Joe, to save you for yourself and myself. Somehow you're wild and crazy and stuck in a trap and somehow you won't fight to get out," she pauses, grabbing his face, the repetition of "somehow" suggesting the chaotic randomness of their love. "And somehow I love you." She kisses him and helps move the tarnished hero towards grace". <a href="http://www.imagesjournal.com/issue02/infocus/force.htm">Source: www.imagesjournal.com</a><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhld4ohSKqiaFpaM-i6cU92d_w3FAhnQ9d_PkkKcYachOtRzCn-rwVEpnsrC9qOIVyr2GGQtOtzohiPSLudXa_tfEck6HGs81Gy36evkjH3T5_aYv0g9Gh8MWAl7ILJFaPLLbPHytWZwEo/s1600/%2524%2528KGrHqN%252C%2521nkE63U%252CfT%252CzBO2W%2521S8Jlg%257E%257E60_3.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 242px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhld4ohSKqiaFpaM-i6cU92d_w3FAhnQ9d_PkkKcYachOtRzCn-rwVEpnsrC9qOIVyr2GGQtOtzohiPSLudXa_tfEck6HGs81Gy36evkjH3T5_aYv0g9Gh8MWAl7ILJFaPLLbPHytWZwEo/s320/%2524%2528KGrHqN%252C%2521nkE63U%252CfT%252CzBO2W%2521S8Jlg%257E%257E60_3.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5683774825879654402" /></a>"In 'Body and Soul', John Garfield stars as the young boxer Charley and Lilli Palmer plays his love interest Peg Born. At a celebration dinner, he meets and dances with Peg and falls for her right away. As his need for cash increases his morals decrease. He gets involved with the gold-digging Alice at the expense of his relationship with Peg.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizEYSS3pDLcLea6aavdrn1FwEmzw3umIxWNRHyu7Ku8YeDFa8l8fLLsD6qZwQvDQo4ROoPsnGI61IZJHnb1moK2yLxdLCOuVkOtdo6XsuOb4m7DCrC7YL7YzFjkHV4bMK_7iz9n3ebXCs/s1600/7bpqyor91gfe19fy.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 252px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizEYSS3pDLcLea6aavdrn1FwEmzw3umIxWNRHyu7Ku8YeDFa8l8fLLsD6qZwQvDQo4ROoPsnGI61IZJHnb1moK2yLxdLCOuVkOtdo6XsuOb4m7DCrC7YL7YzFjkHV4bMK_7iz9n3ebXCs/s320/7bpqyor91gfe19fy.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5683739302891011698" /></a>German actress Lilli Palmer was cast as the boxer's lover, Peg (the "soul" of the title).<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0R1DsTCCUYNpmZ_2-hpw9GXn3KsKaEXSwkd2FvfQ6DG_d0WEFwa4AExb0ygjpSJZsaS89MD8gIeRPe95ZtpOxAlRgizrTGZNJe2qOSuplIYQkUQlBdtifWLDgpi5n4pImZewuLVoI2ZQ/s1600/Hazel-Brooks.-April-1948.-Photographer-Peter-Stackpole.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 233px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0R1DsTCCUYNpmZ_2-hpw9GXn3KsKaEXSwkd2FvfQ6DG_d0WEFwa4AExb0ygjpSJZsaS89MD8gIeRPe95ZtpOxAlRgizrTGZNJe2qOSuplIYQkUQlBdtifWLDgpi5n4pImZewuLVoI2ZQ/s320/Hazel-Brooks.-April-1948.-Photographer-Peter-Stackpole.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5683746429278789186" /></a>Newcomer Hazel Brooks was the "body". Brooks, a model from Cape Town, was the wife of <i>Body and Soul'</i>s art director Cedric Gibbons. Brooks wanted to wear a light colored sweater to show off her ample bosom. Rossen ordered her to wear a black sweater.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAEQKtvy_RyLHwOcW2cvpcikOBM0JXRHfzE-2wQ_XbX_mWMZFtMlMzekmvljKzPLik9IWGAuXOw95MAJLYdipxmMX8chuv3k0qzMq7J-SMHQBq65_ClEJO6Sx51aURtq03LFdqb-M5ZQA/s1600/vlcsnap-2011-12-08-13h31m13s207.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 234px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAEQKtvy_RyLHwOcW2cvpcikOBM0JXRHfzE-2wQ_XbX_mWMZFtMlMzekmvljKzPLik9IWGAuXOw95MAJLYdipxmMX8chuv3k0qzMq7J-SMHQBq65_ClEJO6Sx51aURtq03LFdqb-M5ZQA/s320/vlcsnap-2011-12-08-13h31m13s207.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5683770599376961170" /></a>"A black sweater doesn't bring out your bosom", Brooks told the press. "Why wear one? I told the jerks to make it light gray." One of the "jerks," Rossen, tried to explain to Brooks that not all men were interested in looking at her breasts. "I didn't think we were appealing to that group", she responded.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLJnV8IYcp1KWEb3ED2dwuFUiG1nCoMjgulqdI5BnosGT8nG8YeQBUQvTpyqnJe-jdThxMhVSskykI3XynAPOoDANDa-TjkybPpSNr7k7LGkftrYqIhzftXg1JYshLG-0L7VYXK2Dbuj4/s1600/vlcsnap-2011-12-06-06h07m06s198.png.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLJnV8IYcp1KWEb3ED2dwuFUiG1nCoMjgulqdI5BnosGT8nG8YeQBUQvTpyqnJe-jdThxMhVSskykI3XynAPOoDANDa-TjkybPpSNr7k7LGkftrYqIhzftXg1JYshLG-0L7VYXK2Dbuj4/s320/vlcsnap-2011-12-06-06h07m06s198.png.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5683736860849521506" /></a>John Garfield as Mickey Borden and Priscilla Lane as Ann Lemp in "Four Wives" (1939) directed by Michael Curtiz.<br /><br />Garfield gets to inject a little Mickey Borden into the proceedings when he says to Lilli Palmer, "You think I like standin' around waiting for the world to decide what to do with me?"<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFrBeYnXi1q-UbiuiqW1Hc_MmKDPNiNcGxjNtNBMXq3LkBXfDwGxnBUJR91dx0yv3-nah4bK03lS51jjRSQ6KS1_dGceFg9b6fkSo0RLs7_syxHnBd38DRP6hldgfCvLpeZsguWgz_S_Y/s1600/Imagesdeeadettddd.bmp.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 202px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFrBeYnXi1q-UbiuiqW1Hc_MmKDPNiNcGxjNtNBMXq3LkBXfDwGxnBUJR91dx0yv3-nah4bK03lS51jjRSQ6KS1_dGceFg9b6fkSo0RLs7_syxHnBd38DRP6hldgfCvLpeZsguWgz_S_Y/s320/Imagesdeeadettddd.bmp.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5683787926917288338" /></a>Polonsky's transitions are a bit abrupt, and Garfield is asked to work extra hard as an actor to make those transitions successfully work.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGL3-62cIOgD4B_NPQIgR3aMMbyC5i7ZHK8gRajDsfVTL9EpVOt1UmMabxMWyUPR3BQUD-gObUIZx7bv7F8aK8gGoVXeuUuWEtHAQ1LPySrcGymIXsFUW203WTm5gIVP_KTAC9C3tlXbw/s1600/Imageeerdersdeeeeadetteeddd.bmp.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 207px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGL3-62cIOgD4B_NPQIgR3aMMbyC5i7ZHK8gRajDsfVTL9EpVOt1UmMabxMWyUPR3BQUD-gObUIZx7bv7F8aK8gGoVXeuUuWEtHAQ1LPySrcGymIXsFUW203WTm5gIVP_KTAC9C3tlXbw/s320/Imageeerdersdeeeeadetteeddd.bmp.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5683966938224848530" /></a>Lilli Palmer and John Garfield in "Body & Soul" (1947) directed by Robert Rossen<br /><br />To his credit, he does make them work as he moves from it 20-something kid to a disillusioned middle-aged man in the course of about 30 minutes of screen time.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhS13AAAjwWeBxNJgnifWMhDbd7LGzUCvzgfFC_PEzGbFbX63RECfzL9ziqfpLvqgHSDJaWhe_1qXWV6jEu6wZljPZRve31uNDmPEail_oXBRj_Ok9aTpJu0w1DnJd4JNWhalAJqq7kn64/s1600/vlcsnap-2011-12-08-13h34m09s181.png.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 234px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhS13AAAjwWeBxNJgnifWMhDbd7LGzUCvzgfFC_PEzGbFbX63RECfzL9ziqfpLvqgHSDJaWhe_1qXWV6jEu6wZljPZRve31uNDmPEail_oXBRj_Ok9aTpJu0w1DnJd4JNWhalAJqq7kn64/s320/vlcsnap-2011-12-08-13h34m09s181.png.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5683735617396174466" /></a>"Body and Soul" is the only film to allow Garfield's screen character to mature over the course of ten years (though none of the other actors seem to age a day). He plays a weak, amoral character, a surprisingly unsympathetic man who is roused out of his slumber not by pride or morals or love but by an unexpected blow to the head. Garfield claimed to understand Charley Davis well. "I didn't have to do much probing into Charley's life and aims," he wrote in 'Opportunity: Journal of Negro Lift', magazine. "It was all too clear to me because my own boyhood had been so similar." -"He Ran All The Way: The Life of John Garfield" (2004), by Robert Nott<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIYO7KZy55TWnbjn6YiHsWFfdwBSdWRA1RITqpKf_bPrb2FneRgcaGqz6-dp32jQEFTBQiTq59wndbeSSG4TwbyRlkTbp3He5KOecyD28MbSlvGsjVxPA3s4c2gjseWYDbmNa5y2p58xI/s1600/00931.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 230px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIYO7KZy55TWnbjn6YiHsWFfdwBSdWRA1RITqpKf_bPrb2FneRgcaGqz6-dp32jQEFTBQiTq59wndbeSSG4TwbyRlkTbp3He5KOecyD28MbSlvGsjVxPA3s4c2gjseWYDbmNa5y2p58xI/s320/00931.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5683795046842087762" /></a>Piper Laurie and Paul Newman as Sarah Packard and Eddie Felson in "The Hustler" (1961) directed by Robert Rossen<br /><br />“Then we twisted it, didn’t we, Bert? Of course, maybe that doesn’t stick in your throat, ‘cause you spit it out just the way you spit out everything else. But it sticks in mine. I loved her, Bert. I traded her in on a pool game. But that wouldn’t mean anything to you because who did you ever care about. ‘Just win,’ ‘Win!’ you said, ‘win, that’s the important thing.’ You don’t know what winning is, Bert. You’re a loser. ‘Cause you’re dead inside and ya can’t live unless you make everything dead around ya! Too high, Bert - the price is too high.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhj0trviP2PZPp5-hJ-RfshIJcjo79wXJVDOhmEjL8h1THbm47KSANbv3W4rnBgGmiEMLUJ_y48tjnKJqrzjS6BAmlglPdZQxw9mPCn6TGrmYGsNUPcBH6KDeIVUGam9d_8M-jBJYPg3mc/s1600/3810677266_81bc75b513.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 264px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhj0trviP2PZPp5-hJ-RfshIJcjo79wXJVDOhmEjL8h1THbm47KSANbv3W4rnBgGmiEMLUJ_y48tjnKJqrzjS6BAmlglPdZQxw9mPCn6TGrmYGsNUPcBH6KDeIVUGam9d_8M-jBJYPg3mc/s320/3810677266_81bc75b513.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5683795384119356066" /></a>If I take it, she never lived. She never died. And we both know that’s not true, Bert, don’t we, huh? She lived, she died. Boy, you better, you tell your boys they better kill me, Bert. They better go all the way with me, but if they just bust me up, I’ll put all those pieces back together again, then so help me, so help me God, Bert, I’m gonna come back here and I’m gonna kill you.” —Fast Eddie, The Hustler (1961).<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJ8UtAPnL5HpeZaKu7M0Vlfk72qF6iXs_oTK9OI7YDCLNBjRmS7mMA1Uzq_n8gAFBx7CztxxXDIxGIVa_QpttFtFkI88NiSGtlP8v0BRFT5hZBXBrqR6JkB7pDoilnKISvA0q4fU3LVbs/s1600/tumblr_lmkcrwbwgO1qkge9po1_500.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 247px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJ8UtAPnL5HpeZaKu7M0Vlfk72qF6iXs_oTK9OI7YDCLNBjRmS7mMA1Uzq_n8gAFBx7CztxxXDIxGIVa_QpttFtFkI88NiSGtlP8v0BRFT5hZBXBrqR6JkB7pDoilnKISvA0q4fU3LVbs/s320/tumblr_lmkcrwbwgO1qkge9po1_500.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5683797611126808338" /></a>"In 'The Hustler', Robert Rossen tried to grapple with some of John Garfield's story, the texture of failure and success, all the peculiar twists of talent, and the kind of vulturous deadness that attaches itself to talent, eats it alive. This is a different Newman, not an acting mask. He's lithe. And the laziness is gone. He's not a beautiful sleepwalker. He's full of danger now. Perhaps it's Eddie's own deep flaw, his need to wound himself, that touched Newman, opened up his wounds. 'The Hustler' was almost a companion film for 'Body & Soul' and has the courage to investigate cowardliness and those dark corners of the psyche where few American directors had gone before. It's a film about human dirt". -"Movieland: Hollywood and the Great American Dream Culture" by Jerome Charyn (1996)makmurhttp://www.blogger.com/profile/16503348453794990005noreply@blogger.comtag:blogger.com,1999:blog-5330798964313302905.post-71898864838685429602011-12-07T02:47:00.000-08:002011-12-20T05:47:26.621-08:00Marlon Brando's Ultimate Hustle: "A Streetcar Name Desire" by Elia Kazan<iframe width="420" height="315" src="http://www.youtube.com/embed/wmpjP-ZKDvg" frameborder="0" allowfullscreen=""></iframe><br />Jessica Tandy & Marlon Brando-A Streetcar Named Desire (Radio Version): Tennessee Williams' "A Streetcar Named Desire" wins the Drama Critics' Award and Elia Kazan and Irene Selznick accept.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSsv9381UEsLlJ4mAAhVxL7tejMz2QOsq8LscmFap8-YaISqx7ecSQ5MbrDtO_DJpvv_wKaaxXAqmZTujJotXZbO6JHo6atwTz31h6eF1VFd9YDqSbAxvifLEVo95xbVo4x2kQ2VqzhHE/s1600/Annex+-+Brando%252C+Marlon+%2528A+Streetcar+Named+Desire%2529_NRFPT_18.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 241px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSsv9381UEsLlJ4mAAhVxL7tejMz2QOsq8LscmFap8-YaISqx7ecSQ5MbrDtO_DJpvv_wKaaxXAqmZTujJotXZbO6JHo6atwTz31h6eF1VFd9YDqSbAxvifLEVo95xbVo4x2kQ2VqzhHE/s320/Annex+-+Brando%252C+Marlon+%2528A+Streetcar+Named+Desire%2529_NRFPT_18.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5683169661714129810" /></a>The original Broadway cast (Marlon Brando, Kim Hunter, Jessica Tandy) performs. When the curtains closed on the play's first night on Broadway, on December 3, 1947, the crowd shared a moment of stunned silence, then burst into applause that lasted a full 30 minutes.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjg6UkyyBaNnKbgS4RjcuGpF_Op8rdA4RHCWqBgK1Emi9jWISjGiXKuM2g0r93OoRfRsa90EHrroZh-GJMeO4bqOk9S81zMnYW-SOx1nX3N8fS4xdWFoHCAPd4tCJGNmUu8UCCqiJqV7hU/s1600/cc2597b06880784b_landing.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 247px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjg6UkyyBaNnKbgS4RjcuGpF_Op8rdA4RHCWqBgK1Emi9jWISjGiXKuM2g0r93OoRfRsa90EHrroZh-GJMeO4bqOk9S81zMnYW-SOx1nX3N8fS4xdWFoHCAPd4tCJGNmUu8UCCqiJqV7hU/s320/cc2597b06880784b_landing.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5683169400859007602" /></a>With Jessica Tandy under Kazan’s direction, Blanche became a symbol of a dying tradition, and we welcome Stanley’s hostilities.<br /><br />With Clurman as director, Uta Hagen made Blanche the victim of Stanley’s destructive society, Hagen’s Blanche under Clurman’s direction left audiences feeling they had watched a delicate woman driven insane by a brutish environment epitomized by Stanley Kowalski. Tandy’s Blanche under Kazan’s direction left audiences feeling that a madwoman had entered an alien world and after shaking that world had been successfully exorcised.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4KUFxnCwEyupg5u2bIuf1IBeREGvccenaxfOP0CEjVwN5rfZrEK9FENy6-Y863Nz_hjjrQoQH5ggWVY1XVFbOcwcGqL7WxsVczr6dVZA9Zi7dl_mOow83Cto6sE7gYLLOkd8M9oBHUKo/s1600/19394068.jpg-r_760_x-f_jpg-q_x-20090915_022940.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 245px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4KUFxnCwEyupg5u2bIuf1IBeREGvccenaxfOP0CEjVwN5rfZrEK9FENy6-Y863Nz_hjjrQoQH5ggWVY1XVFbOcwcGqL7WxsVczr6dVZA9Zi7dl_mOow83Cto6sE7gYLLOkd8M9oBHUKo/s320/19394068.jpg-r_760_x-f_jpg-q_x-20090915_022940.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5683169204867103250" /></a>"Williams said from that apartment he could hear that rattletrap streetcar named Desire running along Royal," Kenneth Holditch says, "and one named Cemeteries running along Canal. And it seemed to him the ideal metaphor for the human condition."<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjltWpoHLs6d9-hpB9DPWZhxVQckdwmPlcP5ykSgeFRZRSMwnmPOnN0SjGRZoctXIhggoaV_ZHMWFtm5hsZsLRxw2EqrYlzehqlvtZVkYkyLch_JSj5A2RrSBMNMVMdipFDZ5d25woer4/s1600/1006053l.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 207px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjltWpoHLs6d9-hpB9DPWZhxVQckdwmPlcP5ykSgeFRZRSMwnmPOnN0SjGRZoctXIhggoaV_ZHMWFtm5hsZsLRxw2EqrYlzehqlvtZVkYkyLch_JSj5A2RrSBMNMVMdipFDZ5d25woer4/s320/1006053l.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5683308284425541314" /></a>Jessica Tandy photographed on 24th April, 1949, as Blanche DuBois in "A Streetcar Named Desire".<br /><br />That metaphor finds its expression within the play in the character of Blanche DuBois -- originally played by Jessica Tandy -- a fragile southern belle who visits her sister Stella, played by Kim Hunter<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipQL_Fjnv8rpfpkww2JzLbp8Sc_e6Rkr64taWvShS_ltgsNsHRWBQ0YyKj7qphG6H7sTrFEbY8e7veEjtLPMZyLSs4xoUYK2Nl1j2uhtsnLWdypC_GJq7QVNYFhstQyOTD_5ZIgaYtQtM/s1600/Annex+-+Brando%252C+Marlon+%2528A+Streetcar+Named+Desire%2529_NRFPT_16.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 234px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipQL_Fjnv8rpfpkww2JzLbp8Sc_e6Rkr64taWvShS_ltgsNsHRWBQ0YyKj7qphG6H7sTrFEbY8e7veEjtLPMZyLSs4xoUYK2Nl1j2uhtsnLWdypC_GJq7QVNYFhstQyOTD_5ZIgaYtQtM/s320/Annex+-+Brando%252C+Marlon+%2528A+Streetcar+Named+Desire%2529_NRFPT_16.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5683165478666319794" /></a>The starting point for most studies on symbolism in Streetcar is the play’s epigraph, taken from Hart Crane’s last great poem, “The Broken Tower”: "I entered the broken world to trace the visionary company of love". Antithetical to these studies is Deborah Burks’s "Treatment Is Everything: The Creation and Casting of Blanche and Stanley" which focuses mainly on the development not of Blanche but of Stanley.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO322CAAXrOFWHUjlxvIkrBzqI3X1Wvzmd5Lk4pPgRYQRumeGDUkUNiaeKfD9GSWkttoaML51jnGXCN4q9bwE_jY7KdNLrd4skQLhiaK6RcFrMwB6OTRRwbWmuxASqNbUDfob9_UVDOKc/s1600/aph_5.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 218px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO322CAAXrOFWHUjlxvIkrBzqI3X1Wvzmd5Lk4pPgRYQRumeGDUkUNiaeKfD9GSWkttoaML51jnGXCN4q9bwE_jY7KdNLrd4skQLhiaK6RcFrMwB6OTRRwbWmuxASqNbUDfob9_UVDOKc/s320/aph_5.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5683163337227312178" /></a>Burks says that during the play’s preparation for the Broadway stage, Williams did not know how Stanley was to function in opposition to Blanche. Burks reprints Williams’s 29 August 1947 letter to Audrey Wood where he praises the discovery of Marlon Brando. In Brando’s reading for the part, Williams found what had been lacking all along in his vision of Stanley —humanism. Williams articulates this newly discovered balance thus, “I don’t want to focus guilt or blame on any one character but to have it a tragedy of misunderstanding and insensitivity to others”.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgr3Jt9UU2fGoXSay9orlCMVleLOJKM4swCWSLqTpdU_0j7HLVLGJUSVaeXRwEX6h0Ixq1Pf3ZFxUEfvIuploDG7wOVVyRAgC-00tSLc-odPy1U7VBxIfa94Qpaulr4p9PFRo0oByeqc4E/s1600/Annex+-+Brando%252C+Marlon+%2528A+Streetcar+Named+Desire%2529_03.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 272px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgr3Jt9UU2fGoXSay9orlCMVleLOJKM4swCWSLqTpdU_0j7HLVLGJUSVaeXRwEX6h0Ixq1Pf3ZFxUEfvIuploDG7wOVVyRAgC-00tSLc-odPy1U7VBxIfa94Qpaulr4p9PFRo0oByeqc4E/s320/Annex+-+Brando%252C+Marlon+%2528A+Streetcar+Named+Desire%2529_03.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5683333894186563234" /></a>This first school of critics who argue that 'Streetcar' is a social drama of naturalistic determinism and Blanche and Stanley cultural or human nature types may seem often at either ends of a philosophical continuum. Indeed, scholars cannot seem to agree if Williams is interpreting Strindberg, Chekhov, Nietzsche, or Darwin. But all have the common denominator that 'Streetcar' is essentially a social drama with its characters representing some philosophical or political credo.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZT0atO2WDEnf1teZrIaFDu2_rezIIbN_pVlIHWuQoXYGWDpK-LFcV3a96MOOe3E5Ro3Aq8dSCu0nDyfv2F-cDZOiPzCgIpQE-AND10124K7TfC8p6tNKC2-eJnsZ-ywgb-Jl95xxbyEk/s1600/Annex+-+Brando%252C+Marlon+%2528A+Streetcar+Named+Desire%2529_NRFPT_01.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 221px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZT0atO2WDEnf1teZrIaFDu2_rezIIbN_pVlIHWuQoXYGWDpK-LFcV3a96MOOe3E5Ro3Aq8dSCu0nDyfv2F-cDZOiPzCgIpQE-AND10124K7TfC8p6tNKC2-eJnsZ-ywgb-Jl95xxbyEk/s320/Annex+-+Brando%252C+Marlon+%2528A+Streetcar+Named+Desire%2529_NRFPT_01.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5683164070279145074" /></a> The second school, who views 'Streetcar' as a sociodramatic study of victimology, eschews this philosophical base, stressing instead that Blanche and Stanley are unique individuals and we are witnessing a private battle between them. Unfortunately, this school, too, cannot agree upon what it is that we are in fact witnessing. The neutral party finds Williams unbiased, supplying us simply with a study of Lawrentian blood knowledge or the Eros/Thanatos life/death drive. Therefore, several studies, including a book-length one by Norman Fedder, have focused on the Lawrentian elements in Williams’s plays.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrCobZi0UxMsLa_5WtCx3kGm_1iF8v-4nzFYaM87ef_xPJW40Ti7ng5FwPTVHUwsesGZdOYmPWySPCEXPRNUMQ96T8QIyYvl2c7omkL_ZWBr83wAMOlv3Wvo49T3P33OvWUY0h_lGHdBA/s1600/Annex+-+Brando%252C+Marlon+%2528A+Streetcar+Named+Desire%2529_NRFPT_17.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 248px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrCobZi0UxMsLa_5WtCx3kGm_1iF8v-4nzFYaM87ef_xPJW40Ti7ng5FwPTVHUwsesGZdOYmPWySPCEXPRNUMQ96T8QIyYvl2c7omkL_ZWBr83wAMOlv3Wvo49T3P33OvWUY0h_lGHdBA/s320/Annex+-+Brando%252C+Marlon+%2528A+Streetcar+Named+Desire%2529_NRFPT_17.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5683340707379541922" /></a> It is not surprising, then, to find several references to the Blanche-Stanley conflict as Williams’s study of the Eros/Thanatos instinct made famous in Lawrence’s fiction. And while Jack von Dornum sees Stanley as “D.H. Lawrence’s natural man”, Robert Brustein perceives Stanley as the Lawrence hero “whose sexuality, though violent, is unmental, unspiritual, and, therefore, in some way free from taint.” Brustein also sees the conflict between Stanley and Blanche as an allegory of the struggle between “effeminate culture and masculine libido.”<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEHF72Bdj1-4Y7exjEPOrAIwViyGVpQhG5-IvISDwVJKZTaIuNm6rjmnTEBxOaLbZ5-Hs5HTClDSGSQzW1SF1dc88L4kq5Rjy05ob6ZiZCTocp8BXt95E4s5VP1b8F3BRNTSRIKDf6MTQ/s1600/19394064.jpg-r_760_x-f_jpg-q_x-20090915_022940.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 239px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEHF72Bdj1-4Y7exjEPOrAIwViyGVpQhG5-IvISDwVJKZTaIuNm6rjmnTEBxOaLbZ5-Hs5HTClDSGSQzW1SF1dc88L4kq5Rjy05ob6ZiZCTocp8BXt95E4s5VP1b8F3BRNTSRIKDf6MTQ/s320/19394064.jpg-r_760_x-f_jpg-q_x-20090915_022940.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5683164510908942722" /></a>But it is Christopher Bigsby in “Tennessee Williams: Streetcar to Glory” and Arthur Ganz in “The Desperate Morality of the Plays of Tennessee Williams” who offers the most cogent analyses along these lines: Bigsby, in discussing Williams’s Promethean Man in characters like John Buchanan and Stanley Kowalski, both of whom survive at the expense of the delicate, romantic people; and Ganz, in tracing the “neo-Lawrentian” elements in Williams’s plays prior to 1962. Bigsby argues that of all of Williams’s earlier plays which preach “the Lawrentian sermon on the dominance of the physical over the spiritual”, it is not until 'Streetcar' that Williams “managed fully to digest his Lawrentian lessons and incorporate them into his own perception of an American caught in transition from genteel sterility to brutal indifference”.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgHrfAtjE-463S1KFNVYSzJYR_D0_hliGvjCOn0rslSsc5WcMkD9t-MtLE7dJwcYNSxpYi42EUH1GdImM26DofE6hgUiNjZ2j-eo-tAmncOdJgJTEMzagCqwncsGSaJemTYsT1SilD6O8/s1600/simo2.450.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 217px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgHrfAtjE-463S1KFNVYSzJYR_D0_hliGvjCOn0rslSsc5WcMkD9t-MtLE7dJwcYNSxpYi42EUH1GdImM26DofE6hgUiNjZ2j-eo-tAmncOdJgJTEMzagCqwncsGSaJemTYsT1SilD6O8/s320/simo2.450.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5683165098921792066" /></a>Philip Kolin, a professor of English and author of several books on Streetcar, puts the magnitude of the play in perspective. "People have said that Williams absolutely invented the idea of desire for the 20th century," he says. "It was a play that dealt with for the very first time on the American stage, female sexuality and male sexuality."<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEqF6mUXR0RHgbb2b-OGJpWVtzfwRLxqy_3gcaFFgbYoFQQ-HHbdOGCFmFRjtMm7EIhCNQKtqh_hDI6llqvCyfHB4duLyyBslf5AEFMeYXbDbIAqWRmXGiux5V8FzHpnu8k2CYWyYFIJo/s1600/Annex+-+Brando%252C+Marlon+%2528A+Streetcar+Named+Desire%2529_NRFPT_02.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 214px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEqF6mUXR0RHgbb2b-OGJpWVtzfwRLxqy_3gcaFFgbYoFQQ-HHbdOGCFmFRjtMm7EIhCNQKtqh_hDI6llqvCyfHB4duLyyBslf5AEFMeYXbDbIAqWRmXGiux5V8FzHpnu8k2CYWyYFIJo/s320/Annex+-+Brando%252C+Marlon+%2528A+Streetcar+Named+Desire%2529_NRFPT_02.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5683335693473575762" /></a>From his private director’s notebook, published for the first time in 1976, Kazan informs us as to where his sympathies lay. Although he identifies with Blanche’s plight, his support is with Stanley.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhs225fhUHmp0Dtw8A0VAiXLp6WpCIEprjYSHKKAcM7E5HQ7zXZ58Y_ZoVTFHEhfNxNwl2T5KWKFCTSbuGNuWFJmhu4Qgigve4d6USOyxwOVZyonVlDPoqLDJwaMTfuWNKp1SKDWwSOYQ8/s1600/Imageggsdedddewewffdfvb.bmp.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 186px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhs225fhUHmp0Dtw8A0VAiXLp6WpCIEprjYSHKKAcM7E5HQ7zXZ58Y_ZoVTFHEhfNxNwl2T5KWKFCTSbuGNuWFJmhu4Qgigve4d6USOyxwOVZyonVlDPoqLDJwaMTfuWNKp1SKDWwSOYQ8/s320/Imageggsdedddewewffdfvb.bmp.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5683466529740082098" /></a>In his Stanislavskian reading of Streetcar, looking for the “spine” of each character, he concludes that Stanley’s “spine” is to keep things his way, that he must fight off the destructive intrusions of Blanche who “would wreck his home,” Blanche is dangerous. She is destructive. She would soon have him and Stella fighting. He’s got things the way he wants them around there and he does not want them upset by a phony, corrupt, sick, destructive woman.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjRmDEGU6JknZpjljz2iKNyjJ3PmOLGV1yBSpFvrj2IgHz-QbxIAsM_A2zP8S37lUDSv1JwAAbwMztzgiHDyNTud7g4a8nKaj_PcV4pOtvcKzcqkPOZlcaHHjQ1wdQ4q4rpM0UR-X_v-w/s1600/Annex+-+Brando%252C+Marlon+%2528A+Streetcar+Named+Desire%2529_NRFPT_04.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 257px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjRmDEGU6JknZpjljz2iKNyjJ3PmOLGV1yBSpFvrj2IgHz-QbxIAsM_A2zP8S37lUDSv1JwAAbwMztzgiHDyNTud7g4a8nKaj_PcV4pOtvcKzcqkPOZlcaHHjQ1wdQ4q4rpM0UR-X_v-w/s320/Annex+-+Brando%252C+Marlon+%2528A+Streetcar+Named+Desire%2529_NRFPT_04.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5683164856845764626" /></a>Kazan’s direction heavily favored making Stanley the victim of Blanche’s onslaughts against his name, his heritage, his masculinity, and ultimately his family. It was not until Harold Clurman took over as director of the road version of the play that a shift to Blanche as victim took place, a shift which would inaugurate the timeless debate over Streetcar’s meaning.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKu2vPkUktyrKzSN8KT87A1i5DbVk6_gzFcCo-ajOs6iBiLiLkypOrt06dq3AWe4H1TZv-z1oT8EkgOkR5_NWeBqtwhx0_7qz2XuhhziBlFJJLFEURcwXiw_WnW8mrVVrkpj7eD72bPMU/s1600/BrandoLeighStreetcarSet.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 242px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKu2vPkUktyrKzSN8KT87A1i5DbVk6_gzFcCo-ajOs6iBiLiLkypOrt06dq3AWe4H1TZv-z1oT8EkgOkR5_NWeBqtwhx0_7qz2XuhhziBlFJJLFEURcwXiw_WnW8mrVVrkpj7eD72bPMU/s320/BrandoLeighStreetcarSet.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5683311153153982050" /></a>Vivien Leigh (Blanche DuBois) lunches with Marlon Brando (Stanley Kowalski) and Kim Hunter (Stella Kowalski).<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMxk4mvROgU6-G2emJcGIe3t1JY6jXD-ywjBgK9o1HMxmcgqWKzhqzJZ5XzU2w1KYQf6MskRpCAI15_J1Fk_GoKk8mW34nohzHO1omva6eLiM3u1g2hFahzWxOEpe_AqmQY4AwVbZxzFo/s1600/71uwpgd0gzuopwd7.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 252px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMxk4mvROgU6-G2emJcGIe3t1JY6jXD-ywjBgK9o1HMxmcgqWKzhqzJZ5XzU2w1KYQf6MskRpCAI15_J1Fk_GoKk8mW34nohzHO1omva6eLiM3u1g2hFahzWxOEpe_AqmQY4AwVbZxzFo/s320/71uwpgd0gzuopwd7.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5683157756123960722" /></a>The opposition between Blanche and Stanley is not between cultural types, but between human types. Thus, whereas one side argues that Williams is creating a Blakean chiaroscuro as embodied in Nietzsche’s Apollonian/Dionysian personality types, the other side finds in 'Streetcar' the simple display of Darwinian natural selection which Tennessee Williams himself emphasizes. In his 'Birth of Tragedy', Nietzsche describes an archetypal struggle between restraint (Apollonian) and passion (Dionysian). In his analysis of 'Streetcar', subtitled “Nietzsche Descending”, Joseph Riddel asserts that Williams borrowed from Nietzsche “in great chunks, often undigested”. The Apollonian figure is characterized by restraint and order, the Dionysian by passion and metaphysics.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFAHC4wJ4uPTpXVHJwaNsB5PB2xGjj64z-iH5ZxmlKIHBNPLB-eU-Z9hXilYyU8BE77w_tKXQlH0BQjwAfF8iaPmGCptZXaCKvz1OEyeDZq4y9K3LMbPqFskUvARAcTk_DVTr5x6_xmHw/s1600/Annex+-+Brando%252C+Marlon+%2528A+Streetcar+Named+Desire%2529_01.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 234px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFAHC4wJ4uPTpXVHJwaNsB5PB2xGjj64z-iH5ZxmlKIHBNPLB-eU-Z9hXilYyU8BE77w_tKXQlH0BQjwAfF8iaPmGCptZXaCKvz1OEyeDZq4y9K3LMbPqFskUvARAcTk_DVTr5x6_xmHw/s320/Annex+-+Brando%252C+Marlon+%2528A+Streetcar+Named+Desire%2529_01.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5683334353936192034" /></a>Riddel points out that Blanche is Apollonian and Stanley Dionysian, but the reason 'Streetcar' fails is because Williams misinterpreted Nietzsche. By suggesting that Dionysian behavior often dominates the Apollonian, Nietzsche did not mean that passion defeats restraint, as Williams thought, but that order moves inevitably toward chaos. Joseph Riddel is not the only critic to make the Nietzschean connection. Judith J. Thompson describes 'Streetcar'’s mythos as a “dramatic agon” between Stanley (Dionysus) and Blanche (Pentheus), based on Euripides’ 'The Bacchae'.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRUBCiHvIUFq0a13NelPfQVgvN9aKsseXng5XhcrVZpVPUjAeM1Cw7horuglSJEr9lfkbO2y2WbqzYFNMTTtvScRgEjWusAri1JlJn1loxDP86L68H9N9AfQAoeGiKACnBzMfgOMug6Zc/s1600/un-tranvia-llamado-deseo-streetcar-named-desi-L--z4pOY.jpeg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 255px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRUBCiHvIUFq0a13NelPfQVgvN9aKsseXng5XhcrVZpVPUjAeM1Cw7horuglSJEr9lfkbO2y2WbqzYFNMTTtvScRgEjWusAri1JlJn1loxDP86L68H9N9AfQAoeGiKACnBzMfgOMug6Zc/s320/un-tranvia-llamado-deseo-streetcar-named-desi-L--z4pOY.jpeg" border="0" alt="" id="BLOGGER_PHOTO_ID_5683342239844367410" /></a>Britton J. Harwood in his “Tragedy as Habit: A Streetcar Named Desire” also finds the Apollonian/Dionysian dialectic in the Blanche-Stanley conflict, but Harwood sees the struggle better described in Rudolf Otto’s terminology: Self versus Other. Harwood sees the crux of 'Streetcar' as a code of loyalty both upheld and betrayed. -"CRITICISM ON A STREETCAR NAMED DESIRE - A Bibliographic Survey" (1947-2003) by JOHN S. BAK<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGRF3vngVXdeO02kQLMRRNSZNFPkKv2kYmBSwTJoBfAe7H0VT3dHiar_M_2NDK0A7d84bHLtbTvEpp1XR4PaKWSqH7xKdS_VjwOlHotXVwW56PdYqyxz1RhpOYbTrq2K_c0UvYrelEB78/s1600/tumblr_luoiyqeMua1qa70eyo1_1280.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 258px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGRF3vngVXdeO02kQLMRRNSZNFPkKv2kYmBSwTJoBfAe7H0VT3dHiar_M_2NDK0A7d84bHLtbTvEpp1XR4PaKWSqH7xKdS_VjwOlHotXVwW56PdYqyxz1RhpOYbTrq2K_c0UvYrelEB78/s320/tumblr_luoiyqeMua1qa70eyo1_1280.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5683158469236223810" /></a>Marlon Brando as Johnny Strabler in "The Wild One" (1953) directed by Laslo Benedek<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVDIKPWKQo-mHTf79cBnR4JdBvfz2QaVs1OC6fibZkQ33JepyV6Cw-NJwOV6oTd_zK0O7F29kRdW9Z4bx2ij4TO-pKvaN-tSgqGrC-zClnwPOM0gy8-t-gmqU2IJp6oeB1XTXixh7T_A8/s1600/5a58kixi8o1l5l58.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 250px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVDIKPWKQo-mHTf79cBnR4JdBvfz2QaVs1OC6fibZkQ33JepyV6Cw-NJwOV6oTd_zK0O7F29kRdW9Z4bx2ij4TO-pKvaN-tSgqGrC-zClnwPOM0gy8-t-gmqU2IJp6oeB1XTXixh7T_A8/s320/5a58kixi8o1l5l58.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5683164166451116786" /></a>"An actor is at most a poet and at least an entertainer". -Marlon Brando<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdJUxpB3N-wEVZhFkR9IQYlLen7O56YIXgCcKluH4yCBrg-kGkW5OQaxaftJTCq-eozLxrkqYnr1oPEKLqfm2kWAR4horccisKU35bgUNIun6SQJq3trERPkVZWZb7kZVozSzV58SM_Z8/s1600/Annex+-+Brando%252C+Marlon+%2528A+Streetcar+Named+Desire%2529_04.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 228px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdJUxpB3N-wEVZhFkR9IQYlLen7O56YIXgCcKluH4yCBrg-kGkW5OQaxaftJTCq-eozLxrkqYnr1oPEKLqfm2kWAR4horccisKU35bgUNIun6SQJq3trERPkVZWZb7kZVozSzV58SM_Z8/s320/Annex+-+Brando%252C+Marlon+%2528A+Streetcar+Named+Desire%2529_04.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5683338684335375778" /></a>"If you want something from an audience, you give blood to their fantasies. It's the ultimate hustle". -Marlon Brandomakmurhttp://www.blogger.com/profile/16503348453794990005noreply@blogger.comtag:blogger.com,1999:blog-5330798964313302905.post-89184246514893089922011-09-26T23:34:00.001-07:002011-09-26T23:34:35.501-07:00stephenckanestephenckanemakmurhttp://www.blogger.com/profile/16503348453794990005noreply@blogger.comtag:blogger.com,1999:blog-5330798964313302905.post-21761071982524433522011-03-24T12:15:00.000-07:002011-12-20T05:47:26.621-08:00Jake Gyllenhaal - Jimmy Kimmel Live interview<iframe title="YouTube video player" width="400" height="390" src="http://www.youtube.com/embed/rsHAW_k5I4Q" frameborder="0" allowfullscreen></iframe><br />Jimmy Kimmel Live - The first part of Jimmy's interview with Jake Gyllenhaal talking about Source Code<br /><br /><iframe title="YouTube video player" width="400" height="390" src="http://www.youtube.com/embed/f34uyr04FM4" frameborder="0" allowfullscreen></iframe><br />Jimmy Kimmel Live - The second part of Jimmy's interview with Jake Gyllenhaal<br /><br /><iframe title="YouTube video player" width="400" height="390" src="http://www.youtube.com/embed/GVtTbNIvQXQ" frameborder="0" allowfullscreen></iframe><br />Jimmy Kimmel Live - The third part of Jimmy's interview with Jake Gyllenhaal<br /><br /><iframe title="YouTube video player" width="400" height="390" src="http://www.youtube.com/embed/oVap0nDso18" frameborder="0" allowfullscreen></iframe><br />Jimmy Kimmel Live - The fourth part of Jimmy's interview with Jake Gyllenhaal<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcnxiOXDASlOOT6D4Ccmf5-GjuhkUs-KftTtxZ00CGchhWXZp6r3J1L9jTzxzrMoNlFMq9X0VvzAkbVB2FuyRkM0BgfETxU_JvarJnDQlOQLcdJ_3Zn4Q7gl3hRtvKaRIsgk4L3CVVjBlr/s1600/banksy21.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 270px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcnxiOXDASlOOT6D4Ccmf5-GjuhkUs-KftTtxZ00CGchhWXZp6r3J1L9jTzxzrMoNlFMq9X0VvzAkbVB2FuyRkM0BgfETxU_JvarJnDQlOQLcdJ_3Zn4Q7gl3hRtvKaRIsgk4L3CVVjBlr/s320/banksy21.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5587730758921845746" /></a><br />'My mum went to try and find Banksy when she was in London,' said Gyllenhaal in the animated interview on US TV show, Jimmy Kimmel Live. 'That's like trying to find the Unabomber', said Kimmel.'She went to places she thought he might be in London… and I can imagine my mother, because she really is pretty badass, just throwing thugs against the wall and being like 'where’s Banksy, I know where you hide him?'' he joked.<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDclkXVH0LOTcUr__czEJG325qqZy873gj9OATT5fpDyL5DdGP7Zi_8Ctc6AqxAuBooudNlH5CALyoLQSSns82QVnKE15ce6Yw4BGYdQL6Tgcv520iTQX_IURiNVTGrdXkqyBGKzoF5DTY/s1600/ew06.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 240px; height: 308px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDclkXVH0LOTcUr__czEJG325qqZy873gj9OATT5fpDyL5DdGP7Zi_8Ctc6AqxAuBooudNlH5CALyoLQSSns82QVnKE15ce6Yw4BGYdQL6Tgcv520iTQX_IURiNVTGrdXkqyBGKzoF5DTY/s320/ew06.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5587729149232531506" /></a>The Brokeback Mountain star also said that he still gets people assuming he is gay. 'It's because my manager and all these people walked in while my friend was doing up my tie once', he recalled. Gyllenhaal said the fires of suspicion were stoked further when the same friend shouted out 'Yeah Baby!' when he won his Bafta. 'Everyone in the crowd just looked at him and whispered 'did he just call him baby?' he joked". <a href="http://www.monstersandcritics.com/people/news/article_1628351.php/Jake-Gyllenhaal-s-mum-scores-rare-Banksy-print-for-his-30th">Source: www.monstersandcritics.com</a>makmurhttp://www.blogger.com/profile/16503348453794990005noreply@blogger.comtag:blogger.com,1999:blog-5330798964313302905.post-83001125757133297432011-03-24T12:06:00.000-07:002011-12-20T05:47:26.621-08:00Reese Witherspoon and Robert Pattinson on the cover of Entertainment Weekly<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUnc2wr2Y6L5iS6yIFrt5iiYf-jh6-1ZHWXgmENV44r7BIN1BuFbyAW4FMsI6IdBf9FkA9a_eBNOQzpTiDg0oPJS7tXmmFXiPNhwQP5wk_sAijQWq9-RzRkuKxWwWQ65h-JJeiibFQbw5v/s1600/Imager.bmp.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 223px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUnc2wr2Y6L5iS6yIFrt5iiYf-jh6-1ZHWXgmENV44r7BIN1BuFbyAW4FMsI6IdBf9FkA9a_eBNOQzpTiDg0oPJS7tXmmFXiPNhwQP5wk_sAijQWq9-RzRkuKxWwWQ65h-JJeiibFQbw5v/s320/Imager.bmp.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5587727574677666082" /></a>While they always try to keep their personal life as private as possible, Robert Pattinson and Kristen Stewart certainly showed their affection towards one another in newly released private photos. The "Twilight" co-star couple looked ever-so lovey-dovey as they both attended a mutual friend's wedding this past year. <a href="http://www.celebrity-gossip.net/robert-pattinson/robert-pattinson-kristen-stewarts-wedding-lovin-490404">Source: www.celebrity-gossip.net</a><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihhGiVA0-27bSajedCoXEoDgF0VGDb0MGSfGWkir9-93gGareT7YtKGue-as3j1TkE4gB4jhSl_3x8zIRYFQlRphxKnP4R3I1_r5HGLl4tE28gukMExzmNjjX6VZDsj7BqVd7Z3VQJKL7f/s1600/33uddmp.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 152px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihhGiVA0-27bSajedCoXEoDgF0VGDb0MGSfGWkir9-93gGareT7YtKGue-as3j1TkE4gB4jhSl_3x8zIRYFQlRphxKnP4R3I1_r5HGLl4tE28gukMExzmNjjX6VZDsj7BqVd7Z3VQJKL7f/s320/33uddmp.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5587726264303368386" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitFw1fb1Ax_0pRiqJyVaSEs8OTn8UOKMRehVyrjZZeSELlFROJ-0pHiNjZbg5-SYJ_zvs8kIcEc6rleMXhUvdOkANp8ar05oVi0A4NGGmiqEUoZ1qwEu9LBjWECkaCfW1z0GN38-oBBGUn/s1600/2lnbpqc.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 146px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitFw1fb1Ax_0pRiqJyVaSEs8OTn8UOKMRehVyrjZZeSELlFROJ-0pHiNjZbg5-SYJ_zvs8kIcEc6rleMXhUvdOkANp8ar05oVi0A4NGGmiqEUoZ1qwEu9LBjWECkaCfW1z0GN38-oBBGUn/s320/2lnbpqc.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5587726054084292354" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjT8EIeUblMwEezrUQPS2TgSGNLPl_qtuD7phptO2IFSV5sQlcSf3tlwlyMSGTIhgj6gflt5OEnK3jy6jHLAKOEb8IXxt0hCT4d0RddU7uaAB0X1TmSzz1d0KfsB-WKZJ8jRcRaoqHZ1MwX/s1600/b9drw3.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 288px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjT8EIeUblMwEezrUQPS2TgSGNLPl_qtuD7phptO2IFSV5sQlcSf3tlwlyMSGTIhgj6gflt5OEnK3jy6jHLAKOEb8IXxt0hCT4d0RddU7uaAB0X1TmSzz1d0KfsB-WKZJ8jRcRaoqHZ1MwX/s320/b9drw3.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5587726833256618658" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPhgqL0ISeUKggL4ID8W59iJAN_3BSxA0jYM-i0v-vACXvECfFS-REssqTPsDyjIREzvBzCbj1VWOU-944fRNtUbR7CyGOLqWZ5vOC0GpV6rZOBd99hg7qpa2e-HVRsX8MD-_7v2UtkoHU/s1600/188616_202784646407250_127555270596855_725796_5072946_n.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 178px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPhgqL0ISeUKggL4ID8W59iJAN_3BSxA0jYM-i0v-vACXvECfFS-REssqTPsDyjIREzvBzCbj1VWOU-944fRNtUbR7CyGOLqWZ5vOC0GpV6rZOBd99hg7qpa2e-HVRsX8MD-_7v2UtkoHU/s320/188616_202784646407250_127555270596855_725796_5072946_n.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5587725753239791090" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGd0EBcrkAvUz95A2FufmBXrUkSJ8P27OICp3ywzmjsuy6i1Pq4Hbd3FTix2nFo6PGFJudV0EjmSAcuYwOjoqgyLAMYHRCCpmY55Sd4vKwqAQShP3qAVnVlSjUsYyLThJLufcZYXN8CZfR/s1600/MvP5Hl.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 238px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGd0EBcrkAvUz95A2FufmBXrUkSJ8P27OICp3ywzmjsuy6i1Pq4Hbd3FTix2nFo6PGFJudV0EjmSAcuYwOjoqgyLAMYHRCCpmY55Sd4vKwqAQShP3qAVnVlSjUsYyLThJLufcZYXN8CZfR/s320/MvP5Hl.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5587725420720429378" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib2zX-zNbAFIDJAClcrZeQfgaeS4t-K_1UkwcWFIm2YrZRkMkeQb7xv8r0XDCs5mnuLwETnS-SFJjAEe-HmEbkDvsLAXu0C2rsitbRHt1krmTHGWDi7VPQmnE2XEIyYN0ZdgIHdo87Xm4F/s1600/LpraI.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 238px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib2zX-zNbAFIDJAClcrZeQfgaeS4t-K_1UkwcWFIm2YrZRkMkeQb7xv8r0XDCs5mnuLwETnS-SFJjAEe-HmEbkDvsLAXu0C2rsitbRHt1krmTHGWDi7VPQmnE2XEIyYN0ZdgIHdo87Xm4F/s320/LpraI.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5588038629649342386" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhK1QdMN2sB7l66eoj0KjA7fUuFLnSPPlUuRhRiZse0U5WDavkOey5HCEBlmTMBatFiEqqDTl05u-ixkdxU_SZRYMD7Db1SOQIdzBn7m4wl0CjwKFWJkYf0bVfiCBpAfHb6GmIPwW6QdPZO/s1600/SglPfl.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 237px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhK1QdMN2sB7l66eoj0KjA7fUuFLnSPPlUuRhRiZse0U5WDavkOey5HCEBlmTMBatFiEqqDTl05u-ixkdxU_SZRYMD7Db1SOQIdzBn7m4wl0CjwKFWJkYf0bVfiCBpAfHb6GmIPwW6QdPZO/s320/SglPfl.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5587725308275562882" /></a>Reese Witherspoon and Robert Pattinson on the cover of Entertainment Weekly, April 2011makmurhttp://www.blogger.com/profile/16503348453794990005noreply@blogger.comtag:blogger.com,1999:blog-5330798964313302905.post-84429013671284122042011-03-24T03:31:00.000-07:002011-12-20T05:47:26.622-08:00Mark Ruffalo's directorial debut "Sympathy for Delicious"<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-0atxIz3sNhBJHzLwP4-mwfTEnKpBEBZqLwURkYO8PHzsfwJcOEowfVNZ0lu87_3ZorVvlXqoS4DIQ3JWiSNIoIVvkXA_N3kH8G5vPBszF2S4xWZyDHV7qjcqAdrBskhQ0Ad03_fp_yFW/s1600/cap595.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 140px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-0atxIz3sNhBJHzLwP4-mwfTEnKpBEBZqLwURkYO8PHzsfwJcOEowfVNZ0lu87_3ZorVvlXqoS4DIQ3JWiSNIoIVvkXA_N3kH8G5vPBszF2S4xWZyDHV7qjcqAdrBskhQ0Ad03_fp_yFW/s320/cap595.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5587598291028532002" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvcPB8wqmNaNntTyc4wcLFgePRo9tK-y6eSbw8JwvittYklvcnrLSJzFIrKigw5fFbrWUw2r1Ce_of-u2oAMA6gB6EuEuWyjrUjuRzkl8Li-9HnPwNfNWHZTaK5gH7CaZuLMEzZyY96b1_/s1600/cap314.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 148px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvcPB8wqmNaNntTyc4wcLFgePRo9tK-y6eSbw8JwvittYklvcnrLSJzFIrKigw5fFbrWUw2r1Ce_of-u2oAMA6gB6EuEuWyjrUjuRzkl8Li-9HnPwNfNWHZTaK5gH7CaZuLMEzZyY96b1_/s320/cap314.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5587598013137730722" /></a>Mark Ruffalo and Jake Gyllenhaal as Inspector David Toschi and Robert Graysmith in "Zodiac" (2007) directed by David Fincher<br /><br /><object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" width="400" height="354" id="gorillaPlayer_jo006"> <param name="wmode" value="transparent"> <param name="swliveconnect" value="true"> <param name="allowfullscreen" value="true"> <param name="allowScriptAccess" value="always"> <param name="movie" value="http://cdn.springboard.gorillanation.com/storage/xplayer/yo033.swf"><param name="flashvars" value="wmode=transparent&file=http://joblo.com/video/media/flv/sympathy-for-delicious-trl.flv&width=450&height=354&pid=jo006&allowscriptaccess=always&usefullscreen=true&snapshot=http://www.joblo.com/video/media/screenshot/sympathy-for-delicious-trl.jpg"><embed src="http://cdn.springboard.gorillanation.com/storage/xplayer/yo033.swf" name="gorillaPlayer_jo006" type="application/x-shockwave-flash" width="400" height="354" allowscriptaccess="always" wmode="transparent" swliveconnect="true" allowfullscreen="true" flashvars="wmode=transparent&file=http://joblo.com/video/media/flv/sympathy-for-delicious-trl.flv&width=450&height=354&pid=jo006&allowscriptaccess=always&usefullscreen=true&snapshot=http://www.joblo.com/video/media/screenshot/sympathy-for-delicious-trl.jpg"></embed></object><br />SYMPATHY FOR DELICIOUS TRAILER<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwa7ParxlKw7U0QoMmseguVhQ_M6DYJkxNhpnRpjpwpbyz0v6d6KL-QLmhKh1Q0xvFYihKh7ml7VJmtz1tracPd_np7I56kaCW1ezIAN3tVVx7BhFsYh8j7UT0qL24F-ChGpT_NYOOGfQt/s1600/sympathy_for_delicious-fina.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 213px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwa7ParxlKw7U0QoMmseguVhQ_M6DYJkxNhpnRpjpwpbyz0v6d6KL-QLmhKh1Q0xvFYihKh7ml7VJmtz1tracPd_np7I56kaCW1ezIAN3tVVx7BhFsYh8j7UT0qL24F-ChGpT_NYOOGfQt/s320/sympathy_for_delicious-fina.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5587592915648044482" /></a>Description: Recently paralyzed DJ "Delicious" Dean battles the mean streets of Los Angeles, struggling to survive in his wheelchair. Yearning to walk again, and fighting to spark the ashes that were once his career, Dean turns to the dubious world of faith healing and gets much more than he bargained for. Lured by easy money and the heat of fame, Dean sells out to an unstable rock band, stomping the dreams of so many who see him as their only hope. World-famous DJ "Delicious" must now tackle his own worst demon—himself—if he is ever to conquer his “handicap” and find true healing.makmurhttp://www.blogger.com/profile/16503348453794990005noreply@blogger.comtag:blogger.com,1999:blog-5330798964313302905.post-33892778123042036722011-03-24T03:18:00.000-07:002011-12-20T05:47:26.622-08:00Jake Gyllenhaal backs out Doug Liman's "Moon"<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSpQ6nmf_uYuMGNtWu1iQ8Oh8gthTaEokYkpt-htciPewc-cYhvcduHJUnY_0vCCzK6b-Qjv-dW3vjTIjRXMeQot8nBKsSqvYQGbXft6WjItvBpPam-C73O1rNwPRJAHjJ4ZQgtPWhBVgk/s1600/041.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 214px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSpQ6nmf_uYuMGNtWu1iQ8Oh8gthTaEokYkpt-htciPewc-cYhvcduHJUnY_0vCCzK6b-Qjv-dW3vjTIjRXMeQot8nBKsSqvYQGbXft6WjItvBpPam-C73O1rNwPRJAHjJ4ZQgtPWhBVgk/s320/041.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5587603242134461170" /></a>Jake Gyllenhaal at 'Source Code' Press Conference in Beverly Hills, CA on 18th March 2011<br /><br />"Jake Gyllenhaal wants to start directing films. The Oscar-nominated actor recently said that while he doesn't plan to quit acting any time soon, he does want to try and helm his own film projects in the future.<br /><br />"Well, I do have a number of things that I'm developing," he said. "That's probably where the future lies for me - but I'm not going to give up the day job just yet. I'd like to see where it goes." <br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6m4UpBQN9HGz1aVjR1nvMB6mj7DBYx9cCswn8Misik8vLgQI19uinsT2F4uK7XvoVnjh_4JTnRPDokYiPmZKPHnCjPobNBxNQWPYulKrSKgOstFNnfcJe6gD_0C-FTWs60yzBqFhtMOk_/s1600/040.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 226px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6m4UpBQN9HGz1aVjR1nvMB6mj7DBYx9cCswn8Misik8vLgQI19uinsT2F4uK7XvoVnjh_4JTnRPDokYiPmZKPHnCjPobNBxNQWPYulKrSKgOstFNnfcJe6gD_0C-FTWs60yzBqFhtMOk_/s320/040.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5587603545477788018" /></a> "You're always wondering how long this will last. It's a piece of being an actor. There's always someone more talented or younger than you. But I also like to write. In years to come, I think that will expand. I won't just be scrapping for the next job. Maybe I'll create something for myself". <a href="http://www.411mania.com/movies/news/179409/%5BMovies%5D-Jake-Gyllenhaal-Wants-To-Direct.htm">Source: www.411mania.com</a><br /><br />"Director Doug Liman’s film MOON is finally moving forward with a slew of actors and actresses up for roles. <a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqyFi8ctopQWTuV1ZDex-cLG9hGQHsGcwXYyI9QP5f9DJhBda1E7K4Y-Xum3zXhkXuCIylhgSckRwUIll_rCVpmSA8PbLHqUHe2MwFNq5LOQtoQ5qRCxyY2bJtJ2171Yh1g5eTBwhDs_Gs/s1600/075.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 218px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqyFi8ctopQWTuV1ZDex-cLG9hGQHsGcwXYyI9QP5f9DJhBda1E7K4Y-Xum3zXhkXuCIylhgSckRwUIll_rCVpmSA8PbLHqUHe2MwFNq5LOQtoQ5qRCxyY2bJtJ2171Yh1g5eTBwhDs_Gs/s320/075.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5587604577187321618" /></a>Publicity still of Jake Gyllenhaal in "Love and Other Drugs" (2010)<br /><br />Originally the male lead was to go to Jake Gyllenhaal but he has since backed out and now the three actors up for the male lead include: <a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmsVn7aaTlcAkNMcTVY3NBarlXLZosIeWHlnzSndqyxZe6zrs4D1dMi3tWb_uPRFoiKxMqDM7tM4z9c339-4wscw9xPzItRl8Hfp5gOGyiHWVRqDLmG0kNqnHzt8VGLFtCVzQu5qffHmxw/s1600/1zc46e.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 243px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmsVn7aaTlcAkNMcTVY3NBarlXLZosIeWHlnzSndqyxZe6zrs4D1dMi3tWb_uPRFoiKxMqDM7tM4z9c339-4wscw9xPzItRl8Hfp5gOGyiHWVRqDLmG0kNqnHzt8VGLFtCVzQu5qffHmxw/s320/1zc46e.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5587599566248408994" /></a>THE AMAZING SPIDER-MAN’s Andrew Garfield,<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUOgtqqSHuaXs7qesESQMnMq5TwLcA3btnMDLhGPZPlBndV3XUmRsPAfXX7w9qJlOhu1SWNJ1EHIDk0omH3xPd3NeRcUauLlSMVwdN3wDZrt7OjmPoi0rLFYe0d17JXUsGSk-WWWLsAqyk/s1600/MV5BMTc5MzgwOTczOV5BMl5BanBnXkFtZTcwNTM4NTczNA%2540%2540._V1._SX640_SY925_.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 222px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUOgtqqSHuaXs7qesESQMnMq5TwLcA3btnMDLhGPZPlBndV3XUmRsPAfXX7w9qJlOhu1SWNJ1EHIDk0omH3xPd3NeRcUauLlSMVwdN3wDZrt7OjmPoi0rLFYe0d17JXUsGSk-WWWLsAqyk/s320/MV5BMTc5MzgwOTczOV5BMl5BanBnXkFtZTcwNTM4NTczNA%2540%2540._V1._SX640_SY925_.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5587600609560642306" /></a> INTO THE WILD’s Emile Hirsch <a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwOhbJkfKPP1Whfj1bp4su1wtOHl7FTayHuO1ZiRM_r1Cl81vq5KCM1m6YQA2ijZxMh3XPl430h1HmwEIm_lLZSZDlMVIHn3EeOG14SW49YpuyHFFy32rNQGq029WmeHeCL-IXebJWRztr/s1600/MV5BNjU5MTYzOTQwMl5BMl5BanBnXkFtZTcwMjEwODgwNA%2540%2540._V1._SX640_SY491_.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 246px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwOhbJkfKPP1Whfj1bp4su1wtOHl7FTayHuO1ZiRM_r1Cl81vq5KCM1m6YQA2ijZxMh3XPl430h1HmwEIm_lLZSZDlMVIHn3EeOG14SW49YpuyHFFy32rNQGq029WmeHeCL-IXebJWRztr/s320/MV5BNjU5MTYzOTQwMl5BMl5BanBnXkFtZTcwMjEwODgwNA%2540%2540._V1._SX640_SY491_.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5587601177228278082" /></a>and STAR TREK’s Chris Pine. For the female lead we have a bit more of a diverse group of women that include: <a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqakJNHxon1fHenFuiTTmwNVZrqCGJiF3m4Nin2gJ8IVLzcXZdDTaLDNWrs6KOmx2NN7qIYfcnhuDS6nyCePGYpDDi21SE2wb-FRWZ1DBJ7hgrdrYc6FC0kVC2TWrHoC_zLIG79dkrjo9t/s1600/megan3.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 182px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqakJNHxon1fHenFuiTTmwNVZrqCGJiF3m4Nin2gJ8IVLzcXZdDTaLDNWrs6KOmx2NN7qIYfcnhuDS6nyCePGYpDDi21SE2wb-FRWZ1DBJ7hgrdrYc6FC0kVC2TWrHoC_zLIG79dkrjo9t/s320/megan3.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5587601953949804786" /></a>Megan Fox, Rachel McAdams, Rosario Dawson, Eva Mendes, Zoe Saldana and Olivia Wilde. The story follows a group of renegade space employees lead by a woman (yay!) who are gathering some space equipment, along with an ex-NASA employee, to go to the Moon and steal an energy source. Sounds intriguing, no?" <a href="http://www.flix66.com/2011/03/23/megan-fox-andrew-garfield-and-emile-hirsche-up-for-leads-in-moon/">Source: www.flix66.com</a>makmurhttp://www.blogger.com/profile/16503348453794990005noreply@blogger.comtag:blogger.com,1999:blog-5330798964313302905.post-35382589644011905222011-03-23T16:42:00.000-07:002011-12-20T05:47:26.622-08:00Beautiful Boy Trailer (Michael Sheen and Maria Bello)<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIwYWcfHPUy7GpwFwa22NBWQ_jzm22BOHdf0wfua91K6p-vu-aY2WYDA1iwg7wQg6GlHF1CicGsjriqFsnsqQV55xsnRHOkIOtRpQfpvw1ybWo_b2URJ6lIPtFs3hvPqgQEmnDWdq_Iuh8/s1600/beautiful-boy-movie-poster.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 214px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIwYWcfHPUy7GpwFwa22NBWQ_jzm22BOHdf0wfua91K6p-vu-aY2WYDA1iwg7wQg6GlHF1CicGsjriqFsnsqQV55xsnRHOkIOtRpQfpvw1ybWo_b2URJ6lIPtFs3hvPqgQEmnDWdq_Iuh8/s320/beautiful-boy-movie-poster.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5587425183863382018" /></a>“Beautiful Boy” starring Michael Sheen (Unthinkable, Frost/Nixon) and Maria Bello (A History of Violence) who play parents in a normal neighborhood and live normal lives. Their world gets turned upside down when they find out their son who is in college, was involved in an on-campus shooting. It’s a very touchy subject with Columbine, Virginia Tech and more school shootings in recent memory.<br /><br /><iframe title="YouTube video player" width="400" height="390" src="http://www.youtube.com/embed/jGppmCNfNnM" frameborder="0" allowfullscreen=""></iframe><br />Beautiful Boy centers on the parents who might on the heist of separation but when they heard their son killed him self on shooting other students at school things turn around for them. Directed by Shawn Ku starring Michael Sheen and Maria Bellomakmurhttp://www.blogger.com/profile/16503348453794990005noreply@blogger.comtag:blogger.com,1999:blog-5330798964313302905.post-59241609321511712942011-03-23T15:31:00.000-07:002011-12-20T05:47:26.622-08:00Jake Gyllenhaal charity auction for Short Hills' New Eyes For the Needy'<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhitoArHGvyu_jpV4LlHcyfIqwEN0LbFRDlPYwOghEanQg6UudvGwz1-8VD28l2OJFHR8hT66fuf3kxRDAz_FoaWb19j0HeY_HWZ4_hTGdqzdArdA1yQhms2kpD27c4LlCCDIcku_V3AZVa/s1600/034.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 214px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhitoArHGvyu_jpV4LlHcyfIqwEN0LbFRDlPYwOghEanQg6UudvGwz1-8VD28l2OJFHR8hT66fuf3kxRDAz_FoaWb19j0HeY_HWZ4_hTGdqzdArdA1yQhms2kpD27c4LlCCDIcku_V3AZVa/s320/034.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5587408036240728850" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHldaEGaBEr5qdfVLVBBDJQqlF_lAatKMNvh_rXiQm30HANCqz8qcukwYttdMFYzxGPa8yK9iMe3eA05tkdwzPlEBzue500CRBCl1UfmDkEyn0QRzOvlIDrY2ap6GhjPqOqyQu0xZskcda/s1600/033.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 214px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHldaEGaBEr5qdfVLVBBDJQqlF_lAatKMNvh_rXiQm30HANCqz8qcukwYttdMFYzxGPa8yK9iMe3eA05tkdwzPlEBzue500CRBCl1UfmDkEyn0QRzOvlIDrY2ap6GhjPqOqyQu0xZskcda/s320/033.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5587407814539528194" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjr7gUjkF27BginQCfpjItanSrggKVnoG9ydl-LlzLiDawMV1o_yPhmPRaMXMsZiO4rOFNlTV5PhAz9kZfRlDJkDnAq7gh6IYf_89607id-6XJp-inHiNzkG07s_3qSfs3Af0xpA3zQxONa/s1600/032.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 214px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjr7gUjkF27BginQCfpjItanSrggKVnoG9ydl-LlzLiDawMV1o_yPhmPRaMXMsZiO4rOFNlTV5PhAz9kZfRlDJkDnAq7gh6IYf_89607id-6XJp-inHiNzkG07s_3qSfs3Af0xpA3zQxONa/s320/032.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5587407368455758306" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhS4WprA68HuKsrxA2b_ej97GCh7HsBNR6IR246QzoVcfU2nUrThbeQLOZD0Dp7zAxNj199qcupW8qO87yCOtS5-DrAfuON2QKnvzZY2WQpU7EIbBAif9O74KfqxirLwMdTyQglwKXdtqRF/s1600/035.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 214px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhS4WprA68HuKsrxA2b_ej97GCh7HsBNR6IR246QzoVcfU2nUrThbeQLOZD0Dp7zAxNj199qcupW8qO87yCOtS5-DrAfuON2QKnvzZY2WQpU7EIbBAif9O74KfqxirLwMdTyQglwKXdtqRF/s320/035.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5587406953527628402" /></a>Jake Gyllenhaal at 'Source Code' Press Conference in Los Angeles on 18th March, 2011, Beverly Hills, CA<br /><br />"Buy your tickets today and come see Jake Gyllenhaal. He’ll be on hand to kick off the silent charity auction for Short Hills' New Eyes For the Needy, See for Change event being held Thursday, March 31 6:00 - 10:30 p.m. at La Pomme, 37 W. 26th St., New York. New Eyes For The Needy recycles used eyeglasses and sends them to needy people all over the world . Bring a pair of your glasses to donate". (617) 817-4662. <a href="http://millburn.patch.com/articles/take-a-drive-a-quiz-recycle-and-pops-concert">Source: millburn.patch.com</a>makmurhttp://www.blogger.com/profile/16503348453794990005noreply@blogger.comtag:blogger.com,1999:blog-5330798964313302905.post-49776766570558133972011-03-23T10:56:00.000-07:002011-12-20T05:47:26.622-08:00Jena Malone in "Sucker Punch", Jimmy Kimmel, Nylon photoshoot<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGdQGApWuNr_zTySKcXIJ_aOXmUhq1_H6Pe_iqlELCL2Wkqf1tlvdYj4_JGj-7O-8yjEADaiTQvfPzsehvqre1cIgkzTmNH5R3UEyyTLomyt141-8cwH_fOzdNKQeOfVJRiA9RwLr1H5SG/s1600/Imagedde.bmp.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 319px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGdQGApWuNr_zTySKcXIJ_aOXmUhq1_H6Pe_iqlELCL2Wkqf1tlvdYj4_JGj-7O-8yjEADaiTQvfPzsehvqre1cIgkzTmNH5R3UEyyTLomyt141-8cwH_fOzdNKQeOfVJRiA9RwLr1H5SG/s320/Imagedde.bmp.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5587336443382971426" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0Im9caf7ARdjsOcexzpW1y7_TT4v0m1DwetfSd8Krqzm6qdyAOJtvnR0OHlpr10oVDFlbbFEkt_49kHofG3HFOO1-ErwAs196Ad4SJ47py_LWB1dfLB2BHvUoHkf55qJPkudtfndv8jhG/s1600/8qmRI.png"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 273px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0Im9caf7ARdjsOcexzpW1y7_TT4v0m1DwetfSd8Krqzm6qdyAOJtvnR0OHlpr10oVDFlbbFEkt_49kHofG3HFOO1-ErwAs196Ad4SJ47py_LWB1dfLB2BHvUoHkf55qJPkudtfndv8jhG/s320/8qmRI.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5587336020813954370" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_aTS_jzlHSeG4VDxQmkuUlxCEPHNq-ETTswDVe8ppwYjA_qHkEksfk2MNjk7tZ9X3GCOTmEJlsd59c4E2q-pZv4lUopMWOGNqApLi1Nsk4ds50CzmII0etKgS3shDeABzU4hvXMR4tAGt/s1600/t7C2L.png"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 251px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_aTS_jzlHSeG4VDxQmkuUlxCEPHNq-ETTswDVe8ppwYjA_qHkEksfk2MNjk7tZ9X3GCOTmEJlsd59c4E2q-pZv4lUopMWOGNqApLi1Nsk4ds50CzmII0etKgS3shDeABzU4hvXMR4tAGt/s320/t7C2L.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5587338439933877730" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcmiI-raYOFHeqEEREMYWR6qwhNgLHS9FZIw-v-LtAsZOjeVy8AESo73hnmu_jRQjK1JhApUJ6c3onytGBh_RxITUIRf36RGUgBryc6EkSA-USxTP1LaWlwy55S8GLc5TFWOv4YmBiw_oU/s1600/Vmqvs.png"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 274px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcmiI-raYOFHeqEEREMYWR6qwhNgLHS9FZIw-v-LtAsZOjeVy8AESo73hnmu_jRQjK1JhApUJ6c3onytGBh_RxITUIRf36RGUgBryc6EkSA-USxTP1LaWlwy55S8GLc5TFWOv4YmBiw_oU/s320/Vmqvs.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5587337168563929922" /></a>Jena Malone and Abbie Cornish strikes a pose on their own covers for Nylon’s April 2011 issue.<br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisUx4XFuM8oqlGbQ-OM3wVP59LVM949FMjSnrplluRh9ifI5SoEKXb6sFRR0nioCReLkBgMB6sSJa46LFVyo9Crw4gJ3RCx9t4FpB-kIqx-ouzgxdD8JXWoxB0ETqkL6-Rg0HYCKcETziI/s1600/MlWwy.png"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 221px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisUx4XFuM8oqlGbQ-OM3wVP59LVM949FMjSnrplluRh9ifI5SoEKXb6sFRR0nioCReLkBgMB6sSJa46LFVyo9Crw4gJ3RCx9t4FpB-kIqx-ouzgxdD8JXWoxB0ETqkL6-Rg0HYCKcETziI/s320/MlWwy.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5587339767714365474" /></a>Abbie Cornish and Jena Malone play sisters Sweet Pea and Rocket in Sucker Punch (2011)<br /><br />“Abbie was a badass. I was scared of her”, Jena told the mag about her first impression of her Sucker Punch co-star. <a href="http://www.nylonmag.com/?section=article&parid=5928">Source: www.nylonmag.com</a><br /><br /><iframe title="YouTube video player" width="400" height="390" src="http://www.youtube.com/embed/XCjIND3IgYY" frameborder="0" allowfullscreen=""></iframe><br />Jimmy Kimmel Live - The first part of Jimmy's interview with Jena Malone<br /><br /><iframe title="YouTube video player" width="400" height="390" src="http://www.youtube.com/embed/KRPfD536ob0" frameborder="0" allowfullscreen=""></iframe><br />Jimmy Kimmel Live - The second part of Jimmy's interview with Jena Malonemakmurhttp://www.blogger.com/profile/16503348453794990005noreply@blogger.comtag:blogger.com,1999:blog-5330798964313302905.post-70697711987325976012011-03-23T10:30:00.000-07:002011-12-20T05:47:26.622-08:00New 'Blue Valentine' Clip with Ryan Gosling and Michelle Williams<iframe title="YouTube video player" width="400" height="390" src="http://www.youtube.com/embed/2xXMQQs6z5M" frameborder="0" allowfullscreen></iframe><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPcYKjHRCcfFte8HDz5WvdJNJQSay6xEgzMYQKUZWS8w8NHFSCtNtLj3zLG452wAZKtPiEVk1e5EFBZm0nR36R02B8N-WbBdc2yCD4SeAiKABLn18FPbzfUYjRs-I14vQjXzp7csj83wGA/s1600/1295105931_williams-gosling_1.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 288px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPcYKjHRCcfFte8HDz5WvdJNJQSay6xEgzMYQKUZWS8w8NHFSCtNtLj3zLG452wAZKtPiEVk1e5EFBZm0nR36R02B8N-WbBdc2yCD4SeAiKABLn18FPbzfUYjRs-I14vQjXzp7csj83wGA/s320/1295105931_williams-gosling_1.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5587329418607437842" /></a>Funny clip from the new movie Blue Valentine, starring Ryan Gosling and Michelle Williams.makmurhttp://www.blogger.com/profile/16503348453794990005noreply@blogger.com